A sample prompt of what you can find in this page
Prompt by 0104119337e

bright heavenly light prompts

very few results

7 months ago

Dark fantasy scene, a solitary, living woman stands in the center of an endless void, her presence both fragile and immense. Her body glows faintly, and radiant beams of golden light erupt powerfully from within her, piercing the infinite darkness. These beams stream upward and outward, pulsating with life, as if drawn from her very soul. She tilts her head upward toward the unseen heavens, her closed eyes glowing faintly with golden energy. Her expression is a mix of awe and quiet sorrow, alive with subtle emotion. Her delicate skin shimmers faintly in the light she emanates, glowing with warm undertones of gold and pale ivory. Her flowing robes ripple gently, as though stirred by an unseen wind in the still void, their intricate fabric textured with exquisite detail. The void itself is vast and all-consuming, but it feels alive, with faint gradients of dark blue and deep black, layered with subtle distortions that ripple outward from her form. The golden light reflects faintly on the dust-like motes suspended in the void, creating a faint halo of life around her, contrasting sharply with the oppressive emptiness. The composition is cinematic, her small, radiant figure juxtaposed against the overwhelming vastness of the void. Every detail—her glowing skin, the dynamic motion of the beams, and the subtle shifts in her garments—emphasizes her vitality and the stark isolation of her eternal imprisonment. The golden beams scatter faint, fractured light across the void, creating an interplay of brightness and shadow that enhances the emotional depth of the scene

8 months ago

Awe-inspiring Archangel Michael, the mightiest warrior of Heaven, stands in overwhelming divine radiance. His halo (massive, glowing like the sun:1.6) radiates blinding waves of gold, fiery orange, radiant purple, and heavenly blue light:1.5, its brilliance flooding the entire scene. The light is so intense it obscures the details of everything behind him, creating an ethereal void of infinite brightness. Michael’s wings (gigantic, spanning 25 meters:1.8) dominate the scene, their glowing feathers stretching far beyond the frame and blending seamlessly into the divine light. The wings radiate soft celestial blue, gold, and brilliant white light:1.4, giving them a transcendent, otherworldly presence. The glow of his wings merges with the radiance of his halo, forming a cocoon of divine brilliance around him. Michael grips his great sword (glowing, holy runes engraved:1.5) with both hands, holding it firmly as the blade points downward in a gesture of judgment and divine authority. The sword’s surface gleams faintly, pulsing with energy, complementing the overwhelming brilliance of his form. His robes (shimmering with an inner glow:1.5) flow gracefully, woven with hues of gold, fiery orange, and celestial blue:1.3, as if made from God’s light itself. They ripple gently, radiating a soft luminescence that enhances his majestic aura. His noble face, turned slightly to the side, is partially obscured by the blinding light but exudes serenity, strength, and infinite purpose. The background dissolves entirely into the overwhelming radiance, a void of blinding white, gold, and heavenly blue light:1.4, with faint, glowing patterns of divine energy swirling within. Volumetric God rays (bursting outward:1.6) spread across the expanse, casting a dynamic interplay of soft light and faint celestial shadows. Tiny, radiant particles drift through the air, adding depth to the overwhelming glow. The composition is breathtaking and majestic, with every element—the massive wings:1.8, the radiant halo:1.6, and the divine sword:1.5—emphasizing Michael’s infinite power and glory as Heaven’s greatest warrior. The interplay of purple, gold, and blue tones creates a transcendent visual masterpiece that captures the essence of celestial majesty.

7 months ago

An 80s senior portrait photo with a side-view double exposure in the top left. Subject: Blonde woman in her senior year of high school, with her hair in a high ponytail. She has blue eyes and a friendly smile. In the main photo she is saluting the viewer. In the double exposure she is in a side-view, looking upward. Clothing: The individual in the image is wearing a black and white color-blocked blouse with a sharp collar, paired with a high-waisted, gingham-patterned skirt in shades of black, white, and possibly gray. The blouse has an oversized fit, while the skirt is fitted at the waist and flares out slightly. The individual is also holding a black handbag with a structured design. She is wearing large dangling black and white earrings. In the double exposure image she is wearing a letterman's jacket for Adams High School and holding a tennis racket. In this double exposure her hair is down. Photographic Features Double exposure: The image includes a side view of the woman as a double exposure that is large and overlapping the main image and should fill the upper left quadrant. In traditional film photography, double exposure involves exposing the same frame of film twice. The photographer would first take the main portrait shot. Then, without advancing the film, they would take a second shot of the subject’s face, often with a different lighting setup to create a softer, ethereal look. This would result in both images being superimposed on the same frame. This photo should be feathered to allow the backgrounds still blend together without a harsh background outline. Lighting: The lighting in these photos was typically studio lighting, which was bright and even, minimizing shadows. The superimposed face often had a soft, diffused light to give it an ethereal, almost heavenly glow. Depth of Field: The main image usually had a sharp focus, capturing the details of the subjects. The superimposed face, however, was often slightly blurred or softened to create a dreamy effect and to distinguish it from the main image. Color Grading: The colors in these photos were often vibrant and saturated, typical of the film used during that era. The superimposed face might have a slightly different color tone, often with a bluish or purplish tint to enhance the dreamy, otherworldly effect. Camera Used: These portraits were typically taken with medium-format or 35mm film cameras, which were common in professional photography studios at the time. Film Used: The film used was usually color negative film, which was popular for its ability to capture vibrant colors and fine details. Brands like Kodak and Fujifilm were commonly used. Age of Photo: These types of portraits were particularly popular in the late 70s and throughout the 80s. The fashion styles, hairstyles, and overall aesthetic are strong indicators of this time period. Overall Impression These portraits have a nostalgic charm and are often remembered fondly for their unique and somewhat whimsical style. They capture a moment in time and reflect the photographic trends and techniques of the era.

7 months ago

A fine art, hyper-realistic, cinematic image of a man wearing a white long cotton robe with a sash, with his back to me walking forward into the bright light of heaven. His form is ethereal and translucent, fading into the mist that surrounds him, his body partially visible but soft and hazy, as though he is only barely present in this world. The volumetric light gently illuminates his from behind, casting soft, delicate shadows across his figure and adding depth to the mist that seems to both surround and blend into him. Soft barely visible golden light in background. he is in the center only 25% of the total picture. The mist swirls around him, caressing his body, obscuring parts of body while leaving other parts faintly visible otherworldly feeling. The setting is a dreamlike, white light void, The ground beneath him is indistinct, as though the mist itself is the floor, with floating particles glinting softly in the ethereal light. The lighting is soft and diffused, with beams of light cutting through the mist, creating a sense of depth and atmosphere. The man's form is highlighted by this light, her figure partially illuminated while the rest fades into the mist, emphasizing his delicate, ghostly presence. Key Elements with Weights: (Fine art, hyper-realistic, cinematic lighting:1.5) (Volumetric light, swirling mist:1.5) (Ghostly form fading into the mist:1.5) (Floating particles, soft glow:1.3) (Film grain, photorealistic textures:1.3) (Dreamlike, mystical atmosphere:1.5)

7 months ago

A fine art, hyper-realistic, cinematic image of a man wearing a white long cotton robe with a white sash, with his back to me as he is walking forward into the bright light of heaven. His form is ethereal and translucent, fading into the mist that surrounds him, his body partially visible but soft and hazy, as though he is only barely present in this world. The volumetric light gently illuminates his from behind, casting soft, delicate shadows across his figure and adding depth to the mist that seems to both surround and blend into him. Soft barely visible golden light in background. he is in the center only 25% of the total picture. The mist swirls around him, caressing his body, obscuring parts of body while leaving other parts faintly visible otherworldly feeling. The setting is a dreamlike, white light void, The ground beneath him is indistinct, as though the mist itself is the floor, with floating particles glinting softly in the ethereal light. The lighting is soft and diffused, with beams of light cutting through the mist, creating a sense of depth and atmosphere. The man's form is highlighted by this light, her figure partially illuminated while the rest fades into the mist, emphasizing his delicate, ghostly presence. Key Elements with Weights: (Fine art, hyper-realistic, cinematic lighting:1.5) (Volumetric light, swirling mist:1.5) (Ghostly form fading into the mist:1.5) (Floating particles, soft glow:1.3) (Film grain, photorealistic textures:1.3) (Dreamlike, mystical atmosphere:1.5)