A sample prompt of what you can find in this page
Prompt by Selfishreasons

but it is not the main focus of the image prompts

very few results

4 months ago

Image Type: Digital photograph, formal portrait. Overall Photographic Style: Photorealistic, high-resolution, sharp focus on the subject's face, professional and classic portraiture. The style emphasizes clarity, detail, and a timeless quality. Lighting: Soft, even, and diffused lighting. The main light source appears to be from the front-left, creating subtle highlights on the forehead, cheekbones, and the top of the hair. There are gentle, soft shadows on the right side of the face, defining contours without being harsh. The overall illumination is balanced and natural. Depth of Field: Shallow to moderate depth of field. The subject's face and upper body are in sharp focus, while the background is subtly blurred, providing a soft, indistinct backdrop that keeps the focus entirely on the subject. Color Palette: Monochromatic (black and white tones). The image exhibits a rich grayscale range, with deep blacks in the suit, bright whites in the hair and shirt collar, and a full spectrum of nuanced mid-grays, contributing to a sense of depth and texture. Subject Details: Age: Middle-aged to elderly man, appearing to be in his late 40s to 60s. Expression: Serious, direct, and intelligent gaze. His eyes are fixed straight ahead, conveying a sense of focus and possibly deep thought. There is no discernible smile. Face Shape: Oval to slightly rectangular, with a broad forehead and a prominent jawline. Hair: Neatly combed and parted on the left side (from the viewer's perspective). It is thick and appears to have a slight wave or volume, especially towards the front. Hair Color: Light-colored hair, appearing white or very light gray in this grayscale image. Hair Style: Short to medium length, combed back from the forehead on both sides, with a clear side parting. Eyes: Appears to be light-colored (possibly blue or grey, given the grayscale). They are almond-shaped with well-defined eyelids, and appear to be deep-set. Eyebrows: Medium thickness, relatively straight, and also light-colored (white/gray), matching the hair. Nose: Straight, prominent, with a well-defined bridge and nostrils. Mouth and Lips: Hidden mostly by a thick mustache. What is visible of the lips appears thin and set in a firm line. Chin: Broad and rounded, with a slight cleft or dimple visible in the center. Distinguishing Features: A prominent, thick, and well-groomed mustache that extends horizontally beyond the corners of his mouth. Body and Clothing Details: Pose: Upper body portrait, showing the head, shoulders, and upper chest. The subject is angled slightly to the right (from the viewer's perspective), with his head turned to look directly forward. His posture is upright and formal. Clothing: Dressed in a dark, formal suit jacket, likely made of wool or a similar textured fabric. Beneath the jacket, a light-colored collared shirt is visible, with a dark, perhaps patterned, necktie fastened with a decorative tie pin or clasp. A dark waistcoat might be partially visible under the jacket. Background: A plain, solid-colored backdrop, likely a medium gray or dark neutral tone. It is uniformly lit and appears smooth, without any patterns, objects, or discernible features, ensuring the subject is the sole focus. Overall Mood/Atmosphere: Formal, dignified, intellectual, serious, and classic. It evokes a sense of authority and academic presence.``

4 months ago

"Ultra-realistic, Highly Detailed Digital Painting / Photorealistic Illustration of Pierre Louis Dulong" Image Type: Ultra-realistic digital painting / Photorealistic illustration. (This clarifies the artistic medium, rather than a literal photograph). Overall Artistic Style: Highly detailed, reminiscent of a classical historical portrait, specifically a hand-colored engraving or lithograph. The rendering should achieve photorealistic quality for the subject's features while retaining the characteristic texture and coloring of such historical artworks, with a rich, almost cinematic illustrative quality. Likeness: Very strong and precise likeness to the provided historical portrait of Pierre Louis Dulong . Lighting: Soft, even, and natural-looking light, similar to an old studio portrait setup. The main light source should be subtly from the front-left or front-right, gently highlighting facial contours. Gentle fill light should soften any shadows. Avoid harsh shadows or overexposure. Depth of Field: Shallow depth of field to ensure the subject's face is in crisp, primary focus, with a softly blurred background that does not distract. Color Palette: Natural, rich, and historically appropriate colors. Emphasize warm yet slightly muted skin tones, vibrant deep blue eyes, and deep, textured clothing colors consistent with the original historical rendering. Subject Details: Age: Depicted as a man in his late 40s to early 50s. Expression: Calm, discerning, and contemplative. A dignified and intelligent gaze directed straight towards the viewer. Face Shape: Rounded but well-defined, with a strong, clean jawline. Hair: Color: Light ash blonde or rich golden-blonde, with subtle natural highlights and tonal variations. Style: Very thick, distinctly wavy to curly, appearing full around the head and ears. It should not be strictly swept back but rather voluminous and natural, as seen in the reference image. Sideburns: Very dense and full, extending low to cover a significant portion of the cheek, with defined but not razor-sharp edges, conveying a natural, bushy volume as in the original. Eyes: Color: Strikingly bright, deep blue, with clear whites and a focused pupil. Shape: Wide and slightly rounded, with an intelligent and direct gaze. Eyebrows: Moderately thick, naturally arched, and neatly groomed, precisely matching the hair color, enhancing the eye's expression. Nose: Straight, with a slightly broad bridge and a softly rounded tip. It should appear strong and proportional to his face. Mouth and Lips: Medium-full lips, naturally shaped, with a neutral to slightly contemplative expression, showing subtle definition. Chin: Clearly defined and proportional, projecting slightly, contributing to a strong and somewhat squarish lower face. Facial Pose: Direct frontal view, with a very subtle (1-2 degree) tilt clockwise, precisely mimicking the angle in the reference image. Clothing Details: Coat: A single-breasted (or not visibly double-breasted) wool frock coat in a deep, muted burgundy (dark reddish-purple) or deep maroon color. The fabric should exhibit a fine, tight, textured weave, characteristic of historical prints (e.g., a subtle stippled or cross-hatched appearance), not a smooth modern fabric. The lapels should be broad and well-defined. Cravat/Collar: A pristine white, high, stiff linen cravat or stock, wrapped neatly and tightly around the neck. Inner Garments/Tie: A small visible portion of a dark inner vest or waistcoat. A striped tie, with vertical stripes in dark, muted colors (e.g., dark red and brown), should be visible at the neck opening. Background & Atmosphere: Background: A soft, plain very light blue-grey background. Crucially, the background should feature a distinct stippled or cross-hatched texture, characteristic of historical engravings or lithographs, rather than a smooth, seamless sky. There should be minimal or no noticeable gradual shading effects. Overall Mood/Atmosphere: Calm, confident, and contemplative, conveying a sense of intellectual dignity and solemnity. Rendering Quality (Crucial for replication): Resolution: 8K resolution. Detail: Extreme textural detail for all elements: individual strands of hair, realistic skin texture (portraying it as a finely rendered surface, not smooth plastic), and the intricate weave/texture of his clothing. Color Gradations: Natural and subtle color gradations within the chosen artistic style. Lighting Definition: Clear and well-defined lighting that shapes the forms without harshness. Focus: A shallow depth of field to keep the primary focus on the subject.

3 months ago

This is an enchanting, almost fantastical portrait of a young japanese woman in a winter wonderland. The Woman (Central Subject): Facial Features: She has striking, luminous pale blue eyes that are wide and doll-like, heavily framed by dark, long eyelashes and defined eyebrows. Her skin is fair, almost porcelain, with a subtle rosy blush on her cheeks. Her lips are a soft, natural pink, slightly parted. Her expression is playful, as she bite her index finger with her teeth. Hair: Her hair is exceptionally long, cascading well past her waist in voluminous, soft waves. It's a striking platinum blonde, almost white, which blends seamlessly with the snowy surroundings. Attire - Hat: She wears a prominent, wide-brimmed, flat-crowned hat (similar to a boater or a modified witch's hat) made of a dark, possibly navy blue or charcoal grey, textured material. The hat is dusted with fine snowflakes. Its crown and brim are adorned with a beautiful arrangement of flowers: Large roses in shades of soft pink and creamy white are the main floral elements. Delicate sprigs with smaller pink blossoms (resembling cherry or apple blossoms) extend outwards from the floral arrangement, adding a touch of whimsical asymmetry. Attire - Dress: She is dressed in an ethereal, vintage-inspired white or ivory gown. The bodice features a sweetheart neckline overlaid with a sheer, high-necked panel adorned with intricate lace or embroidered detailing, particularly around the collar and down the center of the chest. This lace has a delicate, almost crystalline appearance. The sleeves are long and made of a sheer, gauzy fabric, with elaborate lace appliqués at the cuffs that resemble frost or snowflake patterns. The waist is cinched, and the skirt flows softly, made of a light, possibly chiffon-like material, also lightly dusted with snowflakes. The Setting & Atmosphere: Environment: She stands in a snowy, wooded area. The background is softly blurred, showing snow-covered ground and the dark, indistinct shapes of trees, creating a strong sense of depth. Snowfall: Soft, out-of-focus snowflakes are visibly falling throughout the scene, adding to the magical, wintry atmosphere. Some larger, more distinct snowflakes are caught in the foreground. Lighting: The lighting is cool and diffused, typical of an overcast winter day, which enhances the pale color palette and the dreamlike quality of the image. There are no harsh shadows. Color Palette: The dominant colors are cool whites, soft blues (in the shadows of the snow and the hat), and the delicate pinks and creams of the flowers, creating a harmonious and serene visual experience. Photographic Qualities & Mood: Focus: The woman, particularly her face and the hat, is in sharp focus, while the background and the falling snow are softly blurred, creating a shallow depth of field that emphasizes her as the subject. Composition: She is centrally framed in a vertical portrait orientation. Overall Mood: The image evokes a sense of enchantment, delicate beauty, and serene fantasy. She appears like a snow queen, a winter fairy, or a character from a fairytale, where the unexpected bloom of flowers in a snowy landscape adds to the magical realism.

3 months ago

Bustling Ancient Roman city. A bride with long flowing dreadlock hair. She is wearing a gold dress made real, flowing gold flowers. Upon her head is a golden crown made of real gold flowers. 1. **Color Grading / Desaturation:** The image exhibits a heavily desaturated and muted color palette, primarily consisting of browns, grays, and dull greens. 2. **Contrast Enhancement (Localized/Regional):** foreground elements show good depth and texture due to contrast, while the background remains more flattened and obscured by haze. 3. **Haze/Fog Effect:** A significant atmospheric haze or fog is present, particularly in the midground and background. 4. **Vignetting (Subtle):** subtle darkening around the edges of the frame. 5. **Sharpening/Detail Enhancement:** The central figure, as well as the immediate foreground ground, show a good level of sharpness and detail. 6. **Depth of Field / Bokeh Effect:** The image uses a shallow depth of field. The main figure is in sharp focus, while the background (and all other figures or items) is significantly blurred (bokeh). 7. **Dynamic Range Compression / Shadow Enhancement:** compress of the dynamic range to enhance the moodiness and weight of the shadows. 8. **Texture Enhancement:** The textures of the clothing, hair, and personal effects are quite pronounced, employ texture clarity or enhancement filters to emphasize the overall quality of the image. 9. **Shadow Deepening:** The dark areas often appear slightly blurred or out of focus. Employ a shallow depth of field which emphasizes the well-lit subject. The darkness in the shadows is not a harsh, pure black, but rather a deep, desaturated blue-gray. 10. **Skin Wetness/Oiling Enhancement:** The most prominent effect is the amplification of the wet or oily appearance of the skin. Increase specular highlights and potentially add small white/light-colored dots or strokes to simulate water droplets or a very oily sheen. 11. **Clarity/Texture Enhancement (Skin, Subtle):** 12. **Gritty/Rough Overlay**: Apply a subtle, almost grainy or speckled overlay, particularly noticeable in the darker areas of the clothing and against the lighter background. This adds a sense of roughness and real-world grit. 13. **Weather Effects (Particles)**: The falling dust particles against the background contribute to the overall texture by introducing small, distinct elements that break up smooth areas and create a dynamic, atmospheric depth. These particles are sharp enough to be perceived individually, adding to the visual noise in a controlled way.

3 months ago

Bustling Ancient Roman city. A bride with long flowing dreadlock hair. She is wearing a gold dress made real, flowing gold flowers. Upon her head is a golden crown made of real gold flowers. 1. **Color Grading / Desaturation:** The image exhibits a heavily desaturated and muted color palette, primarily consisting of browns, grays, and dull greens. 2. **Contrast Enhancement (Localized/Regional):** foreground elements show good depth and texture due to contrast, while the background remains more flattened and obscured by haze. 3. **Haze/Fog Effect:** A significant atmospheric haze or fog is present, particularly in the midground and background. 4. **Vignetting (Subtle):** subtle darkening around the edges of the frame. 5. **Sharpening/Detail Enhancement:** The central figure, as well as the immediate foreground ground, show a good level of sharpness and detail. 6. **Depth of Field / Bokeh Effect:** The image uses a shallow depth of field. The main figure is in sharp focus, while the background (and all other figures or items) is significantly blurred (bokeh). 7. **Dynamic Range Compression / Shadow Enhancement:** compress of the dynamic range to enhance the moodiness and weight of the shadows. 8. **Texture Enhancement:** The textures of the clothing, hair, and personal effects are quite pronounced, employ texture clarity or enhancement filters to emphasize the overall quality of the image. 9. **Shadow Deepening:** The dark areas often appear slightly blurred or out of focus. Employ a shallow depth of field which emphasizes the well-lit subject. The darkness in the shadows is not a harsh, pure black, but rather a deep, desaturated blue-gray. 10. **Skin Wetness/Oiling Enhancement:** The most prominent effect is the amplification of the wet or oily appearance of the skin. Increase specular highlights and potentially add small white/light-colored dots or strokes to simulate water droplets or a very oily sheen. 11. **Clarity/Texture Enhancement (Skin, Subtle):** 12. **Gritty/Rough Overlay**: Apply a subtle, almost grainy or speckled overlay, particularly noticeable in the darker areas of the clothing and against the lighter background. This adds a sense of roughness and real-world grit. 13. **Weather Effects (Particles)**: The falling dust particles against the background contribute to the overall texture by introducing small, distinct elements that break up smooth areas and create a dynamic, atmospheric depth. These particles are sharp enough to be perceived individually, adding to the visual noise in a controlled way.

3 months ago

Create an image for me that fits DIN A4. A beautiful woman with an african background. It should be a portrait in black and white – creative – surreal – abstract – with a reference to migration. Feel free to play with motion blur (but not too much – perhaps a subtle motion blur). The motif should be darker. The background should be light. Magazine editorial style. And please only the person. No other motifs. (The portrait will later be edited with a coloured background and text will be added – but I will do that myself). In photography, there are various rules and techniques for improving image composition, including the rule that people in the image should not look out of the frame. This is often considered part of image composition, as it is intended to draw the viewer's attention to the most important elements in the image. If a person is looking at the edge of the image, this can often create a feeling of incompleteness and distract the viewer from the main focus. A common practice is to position the person so that they are looking into the image rather than out of it. This creates a connection between the subject and the viewer and can enhance the emotional impact of the image. For example, if a person is looking to the left, the focus of the image should be on leaving enough space on the right side of the image to show the movement of the gaze. This technique goes hand in hand with other photographic rules, such as the rule of thirds or the golden ratio, which serve to harmonise the composition and increase visual interest. Only the person! No animals! No motion blur in the face!

5 months ago

💍 Universal Jewelry Rendering Prompt – Cinematic Campaign Version (Model + Jewelry Focus) Create a hyper-realistic, ultra-professional image of a fine jewelry piece (based on the attached reference), worn by a 35+ year-old female model. The image should evoke the elegance and prestige of luxury advertising campaigns by Tiffany & Co., Cartier, Bvlgari, Piaget, or Chopard. 👩 Model Requirements: The model must be a woman aged 35 or older, with a timeless, sophisticated beauty. Styled in a refined, minimalistic way to ensure the jewelry remains the main focus. Poses should convey grace, confidence, and luxury — never over-posed. Facial expressions should be serene or elegant; no smiling unless subtle. 💎 Jewelry Fidelity — CRITICAL: Reproduce the attached piece with absolute precision. All materials (gold, platinum, diamonds, etc.) must show realistic lighting and surface details. No simplification or alteration of the design — all dimensions, prongs, engravings, and reflections must be photorealistically correct. 🎥 Cinematic Campaign Feel: Lighting must be perfectly balanced — soft, high-CRI studio lighting with cinematic tone and depth. Emphasize gem brilliance, metal shine, and dimensionality. Shot should feel like a luxury fashion campaign from Chopard or Bvlgari, suitable for a glossy magazine or billboard. 📷 Framing & Composition: Jewelry should be clearly visible, showcased prominently on the model. Full focus on the jewelry, even if the model is included — use poses that highlight the piece (e.g., close-up of hands, neckline, ear, or wrist depending on the type of jewelry). Orientation: square (1:1) or vertical (4:5) preferred. Minimum resolution: 4K (300dpi), suitable for both print and web. 🎨 Background & Styling: Elegant, cinematic background — out-of-focus luxury interior, soft monochrome, or gradient tones acceptable. Avoid busy settings or props that compete with the jewelry. Keep color palette refined and harmonious. 📸 Camera Simulation: Mimic Canon EOS R5 or Sony A1 with 85mm–100mm f/2.8 lens. Crisp focus with soft background (shallow depth of field), but jewelry must remain in full focus. No artificial blur or over-processed effects. ❌ Do NOT Include: Distracting wardrobe or makeup. Overexposed areas, harsh shadows, or gimmicky effects. Any elements that detract from the luxury and clarity of the jewelry. 🖼️ Overall Visual Tone: Ultra-premium, high-gloss editorial. Comparable to top-tier fashion campaigns by Cartier, Tiffany, or Bvlgari. Designed to appear in luxury fashion magazines, high-end displays, or global ad campaigns.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

7 months ago

An 80s senior portrait photo with a side-view double exposure in the top left. Subject: Blonde woman in her senior year of high school, with her hair in a high ponytail. She has blue eyes and a friendly smile. In the main photo she is saluting the viewer. In the double exposure she is in a side-view, looking upward. Clothing: The individual in the image is wearing a black and white color-blocked blouse with a sharp collar, paired with a high-waisted, gingham-patterned skirt in shades of black, white, and possibly gray. The blouse has an oversized fit, while the skirt is fitted at the waist and flares out slightly. The individual is also holding a black handbag with a structured design. She is wearing large dangling black and white earrings. In the double exposure image she is wearing a letterman's jacket for Adams High School and holding a tennis racket. In this double exposure her hair is down. Photographic Features Double exposure: The image includes a side view of the woman as a double exposure that is large and overlapping the main image and should fill the upper left quadrant. In traditional film photography, double exposure involves exposing the same frame of film twice. The photographer would first take the main portrait shot. Then, without advancing the film, they would take a second shot of the subject’s face, often with a different lighting setup to create a softer, ethereal look. This would result in both images being superimposed on the same frame. This photo should be feathered to allow the backgrounds still blend together without a harsh background outline. Lighting: The lighting in these photos was typically studio lighting, which was bright and even, minimizing shadows. The superimposed face often had a soft, diffused light to give it an ethereal, almost heavenly glow. Depth of Field: The main image usually had a sharp focus, capturing the details of the subjects. The superimposed face, however, was often slightly blurred or softened to create a dreamy effect and to distinguish it from the main image. Color Grading: The colors in these photos were often vibrant and saturated, typical of the film used during that era. The superimposed face might have a slightly different color tone, often with a bluish or purplish tint to enhance the dreamy, otherworldly effect. Camera Used: These portraits were typically taken with medium-format or 35mm film cameras, which were common in professional photography studios at the time. Film Used: The film used was usually color negative film, which was popular for its ability to capture vibrant colors and fine details. Brands like Kodak and Fujifilm were commonly used. Age of Photo: These types of portraits were particularly popular in the late 70s and throughout the 80s. The fashion styles, hairstyles, and overall aesthetic are strong indicators of this time period. Overall Impression These portraits have a nostalgic charm and are often remembered fondly for their unique and somewhat whimsical style. They capture a moment in time and reflect the photographic trends and techniques of the era.

3 months ago

Bustling Ancient Egypt city. A bride with long flowing dreadlock hair. She is wearing a gold dress made real, flowing gold flowers. Upon her head is a golden crown made of real gold flowers. 1. **Color Grading / Desaturation:** The image exhibits a heavily desaturated and muted color palette, primarily consisting of browns, grays, and dull greens. 2. **Contrast Enhancement (Localized/Regional):** foreground elements show good depth and texture due to contrast, while the background remains more flattened and obscured by haze. 3. **Haze/Fog Effect:** A significant atmospheric haze or fog is present, particularly in the midground and background. 4. **Vignetting (Subtle):** subtle darkening around the edges of the frame. 5. **Sharpening/Detail Enhancement:** The central figure, as well as the immediate foreground ground, show a good level of sharpness and detail. 6. **Depth of Field / Bokeh Effect:** The image uses a shallow depth of field. The main figure is in sharp focus, while the background (and all other figures or items) is significantly blurred (bokeh). 7. **Dynamic Range Compression / Shadow Enhancement:** compress of the dynamic range to enhance the moodiness and weight of the shadows. 8. **Texture Enhancement:** The textures of the clothing, hair, and personal effects are quite pronounced, employ texture clarity or enhancement filters to emphasize the overall quality of the image. 9. **Shadow Deepening:** The dark areas often appear slightly blurred or out of focus. Employ a shallow depth of field which emphasizes the well-lit subject. The darkness in the shadows is not a harsh, pure black, but rather a deep, desaturated blue-gray. 10. **Skin Wetness/Oiling Enhancement:** The most prominent effect is the amplification of the wet or oily appearance of the skin. Increase specular highlights and potentially add small white/light-colored dots or strokes to simulate water droplets or a very oily sheen. 11. **Clarity/Texture Enhancement (Skin, Subtle):** 12. **Gritty/Rough Overlay**: Apply a subtle, almost grainy or speckled overlay, particularly noticeable in the darker areas of the clothing and against the lighter background. This adds a sense of roughness and real-world grit. 13. **Weather Effects (Particles)**: The falling dust particles against the background contribute to the overall texture by introducing small, distinct elements that break up smooth areas and create a dynamic, atmospheric depth. These particles are sharp enough to be perceived individually, adding to the visual noise in a controlled way.

3 months ago

Bustling Ancient Roman city. An african bride with long flowing dreadlock hair. She is wearing a gold dress made real, flowing gold leaves. Upon her head is a golden crown made of real gold leaves. 1. **Color Grading / Desaturation:** The image exhibits a heavily desaturated and muted color palette, primarily consisting of browns, grays, and dull greens. 2. **Contrast Enhancement (Localized/Regional):** foreground elements show good depth and texture due to contrast, while the background remains more flattened and obscured by haze. 3. **Haze/Fog Effect:** A significant atmospheric haze or fog is present, particularly in the midground and background. 4. **Vignetting (Subtle):** subtle darkening around the edges of the frame. 5. **Sharpening/Detail Enhancement:** The central figure, as well as the immediate foreground ground, show a good level of sharpness and detail. 6. **Depth of Field / Bokeh Effect:** The image uses a shallow depth of field. The main figure is in sharp focus, while the background (and all other figures or items) is significantly blurred (bokeh). 7. **Dynamic Range Compression / Shadow Enhancement:** compress of the dynamic range to enhance the moodiness and weight of the shadows. 8. **Texture Enhancement:** The textures of the clothing, hair, and personal effects are quite pronounced, employ texture clarity or enhancement filters to emphasize the overall quality of the image. 9. **Shadow Deepening:** The dark areas often appear slightly blurred or out of focus. Employ a shallow depth of field which emphasizes the well-lit subject. The darkness in the shadows is not a harsh, pure black, but rather a deep, desaturated blue-gray. 10. **Skin Wetness/Oiling Enhancement:** The most prominent effect is the amplification of the wet or oily appearance of the skin. Increase specular highlights and potentially add small white/light-colored dots or strokes to simulate water droplets or a very oily sheen. 11. **Clarity/Texture Enhancement (Skin, Subtle):** 12. **Gritty/Rough Overlay**: Apply a subtle, almost grainy or speckled overlay, particularly noticeable in the darker areas of the clothing and against the lighter background. This adds a sense of roughness and real-world grit. 13. **Weather Effects (Particles)**: The falling dust particles against the background contribute to the overall texture by introducing small, distinct elements that break up smooth areas and create a dynamic, atmospheric depth. These particles are sharp enough to be perceived individually, adding to the visual noise in a controlled way.

4 months ago

A photorealistic, artistic image. The main subject is a (singular, glistening, detailed Spider-Man web:1.6), meticulously (spun from distinct spider silk threads to clearly and legibly form the word "STOP" in capital letters:1.8). This web, (forming the word "STOP":1.7), is suspended in mid-air as a temporary, abstract art installation within a (narrow, rain-slicked, very dark and shadowy urban alleyway at night with a clear perspective showing its depth:1.3). To the left side of the alley, nestled against a shadowy wall and slightly in the foreground, stands a (classic red fire hydrant:1.3). Its deep red color should be discernible, providing a distinct point of visual interest and contrast in the predominantly dark scene, without being overly lit. The (individual strands and threads making up the letters of "STOP" on the web:1.5) emit a (subtle but clear, faint rainbow-colored luminescence or iridescent glow:1.6), which is the primary light source illuminating the web and its immediate vicinity within the dark alley. The alley itself is characterized by deep shadows and natural night-time darkness. (A very faint, distant city glow might barely touch the far background:0.5). The (red fire hydrant:1.1) might catch a (subtle glint of moisture or a faint highlight from the distant city glow or the web's luminescence:0.9), but should remain mostly shrouded in the alley's ambient shadow, its red hue still adding a specific accent. Any (reflections on the wet pavement:0.9) should primarily be from the (web's own rainbow luminescence:1.2) or be the very muted sheen of a dark, wet surface. The (web-formed word "STOP":1.6) should appear artfully spun, spanning a significant portion of the open space. Its (glowing, rainbow-hued letterforms:1.5) should appear (distinctly self-illuminated by its own delicate rainbow glow:1.4) against the (surrounding deep darkness:1.3), creating a beautiful, almost otherworldly spectacle. (Spider-Man himself is secondary: perhaps a very small, silhouetted or deeply out-of-focus figure far in the background...:1.3). The core focus is on the (delicate yet strong, three-dimensional structure of this singular suspended web that spells "STOP":1.7), its texture, and its (subtle prismatic, self-originating rainbow glow on the individual strands forming the letters:1.5). The image should emphasize this solitary aerial web structure forming a clear word. Cinematic, high detail on the web-word, with its own rainbow glow being the key light feature, now complemented by the red accent in the darkened alley.

4 months ago

Image Type: Digital photograph, formal studio portrait. Overall Photographic Style: Photorealistic, ultra-high resolution, exceptionally sharp focus on the subject's face, professional and classic portraiture. The style emphasizes clarity, intricate detail, and a timeless, dignified quality, mimicking master photography from the early 20th century but with modern digital precision. Lighting: Soft, even, and diffused studio lighting. The main light source appears to be from the front-left (from the viewer's perspective), casting subtle, delicate highlights on the forehead, the top of the head, and the prominent cheekbones. Gentle, soft shadows fall on the right side of the face, under the nose, and within the beard, defining contours without harshness. The overall illumination is balanced and volumetric, bringing out realistic textures. Depth of Field: Extremely shallow depth of field (very strong bokeh effect). The subject's face, every strand of his hair and beard, and the immediate details of his suit are in razor-sharp focus. The background is rendered as an entirely smooth, indistinct wash of color, completely devoid of any patterns or features, providing maximum subject isolation. Color Palette: Monochromatic (black and white tones). The image exhibits a rich and extensive grayscale range, including deep, true blacks in the suit, bright whites in the shirt collar, and a full spectrum of nuanced mid-grays, contributing significantly to the perception of depth, texture, and form within the portrait. Subject Details: Age: Appears to be a relatively young to middle-aged man, approximately in his late 30s to early 50s. Expression: Intense, direct, and thoughtful gaze. His eyes are fixed straight ahead, looking directly towards the viewer, conveying a strong sense of intellectual depth, focus, and solemnity. His lips are set in a firm, neutral line, showing no discernible smile or overt emotion. Face Shape: Oval to slightly elongated, with a moderately broad forehead, well-defined cheekbones, and a lean appearance. Hair: Short to medium length, neatly combed back and slightly parted on the left side (from the viewer's perspective). It appears thick and has a subtle wave or volume on top. Hair Color: Appears light gray or salt-and-pepper in this grayscale image, with visible individual strands and tones. Hair Style: Classic gentleman's style, swept back smoothly from the forehead and sides, maintaining a tidy appearance. Eyes: Appears to be a light color (e.g., light blue or grey in a colorized version). They are deeply set under prominent brow ridges, giving them an intense and penetrating quality. The pupils are clearly visible and focused. Eyebrows: Medium thickness, distinct, and follow a relatively straight line, matching the light hair color. They are well-defined. Nose: Prominent, straight, and relatively long, with a well-defined bridge. Mouth and Lips: Mostly hidden by the mustache and beard. What is visible suggests a firm, neutral line. Chin: Completely covered by the beard. Distinguishing Features: A full, well-groomed beard that covers his cheeks and chin, connecting to a matching mustache. The beard is of medium length, appearing slightly trimmed and shaped, not excessively long or wild. His intense, deep-set eyes are also a strong distinguishing feature. In the specific pose of the reference image, his right hand is raised, with his fingers gently touching his chin/jawline, adding to a contemplative posture. Body and Clothing Details: Pose: An upper-body portrait, encompassing the subject's head, shoulders, and the upper part of his chest. The subject is angled slightly to the viewer's right, with his head turned to look directly forward (towards the camera). His right hand is raised, with his fingers gently resting against his chin or lower jawline, suggesting a thoughtful or pensive mood. His posture is upright, poised, and formal. Clothing: Dressed in a dark, formal suit jacket, likely made of fine wool or a similar subtly textured fabric. Beneath the jacket, a light-colored (appears white or light cream in grayscale) collared dress shirt is visible. A dark, possibly plain or subtly patterned, necktie or cravat is neatly fastened at his collar. Background: A plain, solid-colored studio backdrop, appearing to be a dark gray or a very dark neutral tone. It is uniformly lit and appears perfectly smooth, without any patterns, objects, or discernible features. This absolute simplicity ensures that the subject is the singular and undisputed focus of the photograph. Overall Mood/Atmosphere: Deeply intellectual, serious, contemplative, dignified, and classically timeless. The portrait evokes a strong sense of scientific rigor, profound thought, and an aura of historical significance.