cable prompts

8 months ago

Female space nurse, clad in a fitted, high-collared white latex jumpsuit with a zippered front, open to reveal a modest, yet elegant, scoop-neckline top, with long, flowing red locks cascading down her back, stands in a futuristic, metallic spaceship hospital corridor, illuminated by warm, golden light spilling from an adjacent room, casting a shallow depth of field, bokeh effect, and subtle lens flares. A prominent red cross emblem adorns the wall behind her. She wears a crisp, white nurse's hat, slightly askew, adding a touch of humanity to her high-tech attire. The metallic corridor, lined with sleek, silver panels and soft, blue-green accents, stretches into the distance, punctuated by glowing, holographic displays and pulsing, fiber-optic cables. The scene is reminiscent of Greg Rutkowski's concept art style, blending traditional matte painting techniques with Unreal Engine's hyper-realistic capabilities, in 8k resolution, utilizing a vibrant, triadic color scheme, with bold, contrasting hues, and meticulous, hyper-detailed textures, evoking the moody, atmospheric lighting of Syd Mead's Blade Runner concept art, and the rich, tactile textures of Ash Thorp's futuristic illustrations.

8 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

8 months ago

A real photorealistic movie scene:A very professional scene in a laboratory:human experiment, ginger brown hair , mechanical elements in her body and face,implants, Cable, tubes ,,uncanny,half-open body and face,biomechanical cyborg in a uncanny spaceship inspired by H.r.Giger, , futuristic clothes ,

3 months ago

memory vault courier character, full-body, wearing translucent cortex mask and mnemonic wiring, three-quarter profile right, mid-stride with slight foreshortening and trailing mnemonic cables, lightweight biosuit with pleated fabric panels and ceramic knee guards, clean white wall backdrop for negative space, monochrome grayscale, hard side key light from the left, concept art, katsuhiro otomo style, stylized, clean silhouette --ar 9:16 --raw --stylize 300

7 months ago

in the style of ck-sfc, female cyberpunk robot samurai, robot face with mirrored face shield, hyperdetailed helmet, flowing black hair, reflective black and neon red armor, robot joints, body made of metals, cables and wires, a katana strapped to her back, abstract background suggesting eastern temple

3 months ago

Highly stylized fashion photo from Annie Leibovitz. The image is a thin Hawaiian woman with long, curly, dark brown to black hair that cascades down her back and shoulders. The background is a desolate, grey, cityscape. She stands at the edge of a destroyed bridge. Massive chunks of concrete hang over the river below, cables snapped and tangled. She's clutching a frayed map, her brow furrowed in frustration. The distant skyline is barely visible through thick smoke and rain. She is wearing a traditional outfit. The top is a red, strapless bandeau style with intricate patterns in darker red and white, resembling tribal or woven designs. Around her neck, she wears a beaded necklace with small white beads and a prominent blue-turquoise pendant with a unique, textured design. Her lower garment appears to be a skirt made of natural fibers, possibly straw or woven leaves, featuring a light beige or cream color. The skirt has layered sections, with decorative elements such as woven patterns, cutouts, and some yellow or gold floral designs. A red sash or piece of fabric is tied around her waist over the skirt. The skirt extends roughly to her knees and has a natural, fringe-like hem. She is barefoot, and her body posture shows her with hands on her hips, conveying a sense of confidence and readiness. The overall impression is that of a strong, resourceful, and culturally distinct individual. 1. **Skin Wetness/Oiling Enhancement:** The most prominent effect is the amplification of the wet or oily appearance of the skin. This would involve increasing specular highlights and potentially adding small white/light-colored dots or strokes to simulate water droplets or a very oily sheen. This could be achieved through dodge and burn techniques (selectively lightening highlights), adding a subtle glint or sparkle effect, or enhancing existing reflections. 2. **Contrast Boost (Selective):** There's a strong, perhaps localized, contrast applied that makes the highlights pop significantly, especially on the wet skin, while maintaining deep shadows that hint at form and muscle definition. This isn't a global contrast applied to the whole image, as the background remains relatively soft. 3. **Color Saturation (Warm Tones):** The skin tones appear richly saturated and warm, enhancing the natural warmth of the subject's complexion. This might involve a slight increase in overall saturation, particularly in reds and yellows, or a selective saturation boost to the skin tones. 4. **Shadow Deepening:** The shadows, particularly on the body and the background, are quite deep and consistent, creating a dramatic and somewhat intimate mood. This would involve lowering shadow levels and possibly adding a subtle crush to the blacks to make them darker without losing too much detail. 5. **Reflective Catchlight Enhancement (Eyes):** The catchlights in the subject's eyes are very bright and distinct, making the eyes stand out. This could be achieved by selectively dodging or brightening the existing reflections in the pupils. 6. **Subtle Vignetting (Implied):** While not overtly obvious, there might be a very subtle darkening around the edges of the image, helping to draw attention to the central subject. This would be a soft vignetting effect. 7. **Clarity/Texture Enhancement (Skin, Subtle):** While the skin appears smooth due to the wetness, there's a subtle enhancement of texture in areas that aren't fully blown out by highlights, which could be achieved through a slight increase in clarity or micro-contrast. 8. **Overall Warm Color Grade:** Beyond simple saturation, there might be a subtle warm color grade applied to the entire image, leaning towards warmer greens in the background and warm browns in the skin.

8 months ago

photography, portrait of contrast, profile silhouette of a woman. She wears a sleek, glossy black helmet obscuring her eyes. The headpiece is detailed with long flowing cables, wires, and metallic tubes that extend downward, resembling long wet sleek black hair. Her face is pale and delicate, with a serene expression and soft pink lips, partially obscured by the headgear. .vibrant hot pink backdrop, visualise using a camera setup that mimics a large aperture, focusing solely on the silhouette's edge, while a low ISO maintains the richness of color without grain, photorealistic, UHD --ar 9:16 --chaos 1.7 --style raw

7 months ago

A ripped cartoon robot with glowing eyes screaming into a mic, power cables flying from its back like tentacles, surrounded by shattered speaker pieces and electric symbols — spray paint textures, neon red/blue flashes, white background, designed for bold print on black T-shirt. Phrase: “RAGE MODE: ON”

9 months ago

A realistic digital portrait of a woman with a height of 5 feet 8 inches, a curvy figure with a 40B bust and 34-inch waist. She has shoulder-length, slightly black wavy hair and a natural, confident pose. She is wearing a beige, knitted square neck, bodycon mini dress with a cable-knit pattern, wide straps, and a square neckline. The dress is snug-fitting, emphasizing her curves. The setting is a cozy indoor environment with soft lighting, giving a stylish and elegant feel. Ultra-detailed textures, natural skin tones, high-quality fabric rendering, and cinematic lighting.

2 months ago

industrial macro product photography, monochrome finish, centered vertical framing, slight top-down angle showing the back of the hand, full-frame DSLR, 100mm macro lens, f/11 ISO 100 tripod, cross-polarized to tame glare, transparent polymer robotic hand, internal metal linkages, screws, servos and tendon-like cables clearly visible, fingers extended with gentle curl emphasizing knuckle mechanics, pure black seamless background with deep negative space, controlled specular hotspots, extremely crisp edges, tight tolerances --ar 9:16 --quality 2 --raw --stylize 300

2 months ago

Create a photo-realistic image of a futuristic robotic tiger-motorbike hybrid, designed entirely out of chrome, steel, and advanced mechanical components. The creature-machine fusion is in mid-motion, moving toward the viewer at a 3/4 angle, with visible gears, piston-actuated limbs, glowing energy conduits, and overlapping segmented plating. Its mechanical legs are exaggerated in size and extended outward as if about to pounce, adding tension and kinetic realism. Mounted atop the mech is the uploaded woman , no crucifix, as a cyberpunk woman dressed in a sleek teal jacket and shorts and wearing turquoise shoes. She leans forward with focus, hands gripping the controls embedded in the creature’s shoulder armor, posture angled aggressively. A large matte-black tactical backpack clings to her back, suggesting she's in transit or on a mission. The viewer is scaled to only 1/4 inch tall, making the mech-animal hybrid appear towering and overwhelming. The mechanical belly and undercarriage are partially tilted toward the viewer, revealing hydraulic systems, central reactor cores, and internal cabling. Chrome panels reflect the ambient city light, creating a dazzling mix of motion and detail. The background is a cinematic blur of a futuristic street scene, with neon signage and crowd movement adding environmental depth. Motion blur is applied subtly to the extremities and tail elements to suggest speed. Lighting emphasizes reflection, shadow contouring, and tech glows across the body. Avoid cartoonish exaggeration—this is a polished biomechanical predator built for speed, precision, and impact. hyper-realistic, photorealistic with no cartoon, anime, CGI, or painted effect.

7 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

2 months ago

photorealistic, rear shot, high detailed futuristic mechnical fashion silhouette, male model, metallic fabric with mechanical devices and cables, mechanical beauty, expert photo technique, low-key set, top-down spot light, black moody background --ar 9:16 --quality 2 --raw --stylize 300

5 months ago

Interior, dark sci-fi bio-lab, glowing green bioreactor tanks filled with swirling algae and bioengineered plants, dense mist curling across metallic floors, neon reflections shimmering in the green liquid, overhead industrial lights casting cold highlights, pipes and cables weaving across the ceiling, wet surfaces glinting, futuristic hydroponics meets eerie biotech facility, cinematic cyberpunk mood, high detail, volumetric lighting, shallow depth of field, 35mm anamorphic, subtle lens flare, cool green and teal color palette with hints of orange highlights, realistic textures, atmospheric fog, high contrast shadows, cinematic composition, hyperreal Sora style

5 months ago

This is a hyper-realistic, high-detail digital portrait of a young Korean woman who is a cyborg. The image masterfully juxtaposes delicate, organic beauty with complex, inorganic machinery, creating a captivating and thought-provoking piece of science fiction art. The overall aesthetic is clean, elegant, and ethereal, with a carefully controlled color palette. The Subject's Face and Human Features: The woman has a face of almost supernatural perfection. Her skin is pale and flawless, like porcelain, with a smooth, matte finish. Her facial structure is delicate, with high cheekbones, a small, straight nose, and a well-defined jawline on her visible human side. Eyes: Her eyes are the most striking feature. They are a luminous, piercing emerald green, rendered with incredible detail. The irises have intricate patterns of light and dark green, and a dark limbal ring that makes them stand out dramatically against her pale skin. They are framed by long, dark, perfectly separated eyelashes and subtle, expertly applied eyeliner that creates a slight cat-eye effect. Her gaze is direct and engages the viewer with a neutral, almost serene expression. Eyebrows: Her eyebrows are perfectly shaped with a gentle arch, filled in with a soft brown that complements her features without being harsh. Lips: She has full, soft-looking lips with a defined Cupid's bow. They are colored in a natural, dusky pink shade with a subtle satin sheen, echoing the color of her hair. Cybernetic Enhancements: The woman's human features are seamlessly integrated with extensive cybernetic enhancements, primarily on the right side of her face and neck. Facial and Head Mechanics: A complex mechanical structure replaces parts of her head and face. It begins at her right temple and extends down her cheek and jaw. This section is composed of articulated, segmented plates in a matte, off-white and light gray finish, with some plates having a subtle rose-gold or pinkish tint that harmonizes with her hair. Behind her head and over her ear is a larger, more robust piece of machinery with circular vents, joints, and what appear to be pistons or hydraulic connectors. Neck and Torso: Her neck is entirely mechanical, consisting of a dense, intricate web of gray and black wires, cables, and tubes that flow downwards, suggesting a fully robotic torso beneath. This creates a stark contrast between the soft skin of her face and the complex, functional machinery supporting it. Integration: The transition from skin to machine is depicted flawlessly. The mechanical parts fit snugly against her skin, and strands of her hair weave in and out of the cybernetics, suggesting a long-term, permanent fusion of the organic and the artificial. Hair: Her hair is long, voluminous, and cascades in soft waves around her face and shoulders. The color is a beautiful pastel pink, reminiscent of cotton candy or cherry blossoms, with subtle variations in tone, including lighter, almost-white highlights that catch the light. The texture appears silky and fine, and it beautifully softens the hard edges of the mechanical components it intertwines with. Lighting, Composition, and Color Palette: The portrait is a tight close-up, focusing entirely on her head and shoulders. The lighting is soft and diffused, coming from the front and slightly to the left, which evenly illuminates her features and highlights the three-dimensional details of the cybernetics without creating harsh shadows. The background is a blurry, out-of-focus cool gray, which ensures that the subject is the sole focus. The color palette is a sophisticated blend of soft, muted tones. It is dominated by the pastel pink of her hair, the porcelain white of her skin, and the cool grays and off-whites of the machinery. The vivid emerald green of her eyes serves as a powerful, singular accent color, drawing the viewer's attention and giving the character a sense of life and soul amidst the mechanics.

9 months ago

A realistic digital portrait of a woman with a height of 5 feet 8 inches, a curvy figure with a 40B bust and 34-inch waist. She has shoulder-length, slightly wavy black hair and a natural, confident pose. She is wearing a beige, knitted square neck, bodycon mini dress with a cable-knit pattern, wide straps, and a square neckline. The dress is snug-fitting, emphasizing her curves. The setting is a cozy indoor environment with soft lighting, giving a stylish and elegant feel. Ultra-detailed textures, natural skin tones, high-quality fabric rendering, and cinematic lighting.

8 months ago

A massive, weathered, four-legged mech robot stands in a misty Egyptian landscape. The robot is painted in a worn-out, rusted orange color, with exposed mechanical parts, cables, and hydraulic pistons giving it a rugged, industrial look. Its head-like front features two glowing red eyes, evoking a sense of mystery and purpose. The metal plating is chipped, revealing layers of dirt and corrosion, indicating years of operation in harsh conditions. The background shifts from a snowy forest to a foggy Egyptian environment. The ground is a mix of cracked desert terrain with patches of sand-covered ruins, broken stone columns, and ancient structures partially buried under centuries of dust. Tall, weathered palm trees and sparse vegetation emerge through the thick haze, while remnants of an abandoned civilization blend into the eerie atmosphere. The fog swirls around the mech, softening the outlines of distant dunes and forgotten temples. The lighting is moody, with diffused sunlight barely penetrating through the dense mist, casting a mysterious and cinematic ambiance. The overall tone is a mix of post-apocalyptic and sci-fi, creating a scene of forgotten technology in an ancient, mythical land.

6 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

3 months ago

A cinematic ultra-realistic close-up of a heavy-duty metal toggle switch placed on a sturdy industrial workbench, with detailed textures of steel and wood. In the background, large industrial electrical control panels with illuminated indicators, cables, and switches. The scene is lit with dramatic cinematic lighting, creating soft shadows and metallic reflections on the toggle switch. Shot with a cinema camera, depth of field highlighting the switch in the foreground while keeping the control panels recognizable in the background. Ultra HD, photorealistic, 9:16 aspect ratio, perfect for Instagram Stories.

3 months ago

Character Sheet, Long wavy,light pink hair,complex 3d render ultra detailed of a beautiful porcelain Front face woman android face, cyborg, robotic parts, beautiful studio soft light, rim light, vibrant details, luxurious cyberpunk, lace, hyper realistic, anatomical, facial muscles, cable electric wires, microchip, elegant, beautiful background, octane render, H.R. Giger style,

3 months ago

Create a vivid image of a central robotic statue against a vibrant, uniform red background. The statue is predominantly black and dark grey, featuring a sleek, helmet-like head with a polished charcoal grey surface and lighter glossy accents on top. Surround the neck with intricate dark lines suggesting mechanical connections. The upper torso is composed of fragmented black and dark grey strands, tightly packed and creating an organic yet artificial form. As the strands descend, they loosen and thin out, resembling dripping paint or unraveling cables, with sharp points against the red. Use high contrast lighting to emphasize the glossy texture and reflections on the strands. The atmosphere should feel futuristic and imposing, evoking intrigue and unease. Aim for a high-resolution image (300 DPI) with crisp details, showcasing the interplay of light and shadow.

2 months ago

A hyper-credible sun-facing selfie (not a mirror shot; no phone visible) captured on an iPhone 16 Pro Max. Subject: the uploaded woman Hair: Makeup: subtle black eyeliner, matte lipstick; natural pores (no beauty filter). Expression (shocked): brows lifted and knit; eyes wide with bright catchlights; pupils slightly constricted by sun; mouth parted in a small inhale (not exaggerated); faint cheek/neck tension; micro-sheen on T-zone from heat. Wardrobe (tank top + accessories): matte ribbed cotton tank top in desaturated slate blue (no logos), scooped neckline, thick straps, relaxed fit; soft fabric micro-creases from movement, no plasticky shine. Accessories: tiny silver huggie hoops; two thin layered silver necklaces (one short box chain with a 2–3 mm disc pendant, one slightly longer cable chain); fabric-strap field watch (olive) on left wrist; woven paracord bracelet (neutral) on right wrist; a slim tan canvas cross-body strap from a small pouch just grazing the frame edge (bag itself mostly out of frame). Jewelry is low-gloss so it doesn’t flare; keep silhouettes clean and non-distracting. Moment: behind her, a realistic, predatory dinosaur (T. rex-like) leaping from foliage—low, sneaky posture; mouth slightly open with saliva filaments; cat-like focused eye; fine scales and muscular anatomy; dust/leaf debris kicked up. Lighting & look: broad noon daylight in a lush jungle (large leaves, sun shafts). Sun is the key in front of her (10–11 o’clock) for crisp, short shadows and hair rim-sparkles; use natural ground/leaf bounce as fill (key:fill ≈ 3:1) so shadows stay readable. Feather highlights—no blown hotspots on cheeks/forehead. Dynamic range preserved (retain sky/leaf detail); no obvious filters. If supported, apply background-only micro-motion blur and handheld micro-shake while keeping her face tack-sharp. Framing & optics: vertical portrait selfie at arm-length, slight wide-angle feel; background compressed enough to keep the dinosaur readable. Shallow DoF from close focus on her face—eyes ultra-sharp; controlled speculars along hair layers; distinct catchlights in eyes. Environment: humid air; faint pollen/dust motes; torn leaves mid-air; scuffed ground. Color: sunlit greens; warm, lifelike skin; dinosaur hues olive/umber/ash—not plastic. Hard rules: do not show a phone; selfie (not mirror); no stylized filters; no heavy shadows; adult subject. Avoid: plastic toy textures, CGI gloss, grim darkness, lens flares across face, exaggerated depth warping, artificial makeup blur.

6 months ago

Cyberpunk, female robot samurai, in the middle of a dilapidated street, the samurai robot woman, full body view, clutching a long samurai knife with both hands, robot face with mirrored face shield, hyperreflective mirrored face shield, hyperdetailed helmet, Her gaze is fixed on the camera lens, , flowing black hair, the samurai woman is Charging at the camera, firm, in a determined stance. reflective black and neon red armor, robot joints, body made of metals, cables and wires, a katana strapped to her back, abstract dystopian background suggesting eastern temple,