A sample prompt of what you can find in this page
Prompt by Emmzzy

casting sharp prompts

hundreds of results

8 months ago

close-up portrait of a female red demon, bathed in a warm, golden glow reminiscent of a sunset over a mystical realm. Her physique, honed from the fires of the underworld, is clad in a sleek, high-cut latex swimsuit with a snakeskin pattern that shimmers like polished obsidian, accentuating her athletic curves. Black latex boots rise up her legs like dark, glossy spires, while her raven tresses cascade down her back like a waterfall of night, styled with sharp, choppy bangs that frame her heart-shaped face like a dark, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. she smiles seductively to thew camera, and with Beckoning gesture to come to her with passion and desire smile on lips. Ambient blue and red lighting effects dance across the metal accents, casting a mesmerizing glow that evokes the fusion of ancient mythology and modern technology. The air is charged with an aura of anticipation, as if the very fabric of reality is about to be torn asunder by the demon's haunting melody. Melting lava flows across the floor like a river of liquid fire, casting flickering shadows on the walls as the demon's song builds to a crescendo. Inspired by the dark mysticism of Zdzisław Beksiński, the biomechanical nightmares of H.R. Giger, and the stark, gothic elegance of Ashley Wood, with a dash of Syd Mead's 8K hyper-realistic 3D rendering, Roger Dean's atmospheric lighting, and Ash Thorp's cinematic composition, all distilled through the warm, golden tones of a Kodak Ektar lens, complete with subtle lens flare and a hint of film grain.

3 months ago

close-up portrait of a female red demon, bathed in a warm, golden glow reminiscent of a sunset over a mystical realm. Her physique, honed from the fires of the underworld, is clad in a sleek, high-cut latex swimsuit with a snakeskin pattern that shimmers like polished obsidian, accentuating her athletic curves. Black latex boots rise up her legs like dark, glossy spires, while her raven tresses cascade down her back like a waterfall of night, styled with sharp, choppy bangs that frame her heart-shaped face like a dark, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. she smiles seductively to thew camera, and with Beckoning gesture to come to her with passion and desire smile on lips. Ambient blue and red lighting effects dance across the metal accents, casting a mesmerizing glow that evokes the fusion of ancient mythology and modern technology. The air is charged with an aura of anticipation, as if the very fabric of reality is about to be torn asunder by the demon's haunting melody. Melting lava flows across the floor like a river of liquid fire, casting flickering shadows on the walls as the demon's song builds to a crescendo. Inspired by the dark mysticism of Zdzisław Beksiński, the biomechanical nightmares of H.R. Giger, and the stark, gothic elegance of Ashley Wood, with a dash of Syd Mead's 8K hyper-realistic 3D rendering, Roger Dean's atmospheric lighting, and Ash Thorp's cinematic composition, all distilled through the warm, golden tones of a Kodak Ektar lens, complete with subtle lens flare and a hint of film grain.

9 months ago

An awe-inspiring scene of Jesus Christ standing at the bow of a small, weathered fishing boat amidst a raging storm on the Sea of Galilee. His dark, wavy hair flows wildly in the fierce wind, and his expression is calm yet filled with divine authority. His features reflect those of the Levantine people, with olive-toned skin and sharp, compassionate eyes that seem to pierce through the chaos surrounding him. Around him, his disciples cower in fear, clutching the sides of the boat as towering waves crash against it, drenching them in seawater. The sky above is a swirling tempest of dark storm clouds, illuminated by flashes of lightning, casting dramatic shadows across the scene. The water churns violently, the peaks of the waves glowing faintly with the reflected light of the storm. Jesus stands tall, his arm raised, commanding the storm to cease. His flowing robe, drenched by the rain, clings to his frame, while his outstretched hand radiates a soft, golden light, symbolizing divine power and serenity. Around him, the chaotic winds and torrential rain begin to still, as the water calms at his feet, a circle of tranquility emanating outward from his presence. The contrast between the violent storm and the divine calm creates a breathtaking composition. The light from Jesus’s hand casts a soft glow on the terrified faces of his disciples and reflects on the wet wood of the boat, adding depth and texture to the scene. The background transitions from the dark, churning clouds to a faint, warm light breaking through the storm, symbolizing hope and the power of faith. This cinematic depiction captures the raw power of nature and the divine intervention of Christ, creating a dynamic interplay of light, shadow, and emotion. The intricate details of the storm, the textures of the boat, and the expressions of the disciples emphasize the humanity and divinity of this epic biblical moment

21 days ago

Late 1990s digicam snapshot of a woman at Mamitas beach (Playa del Carmen). Her eyes are bright, cool blue with a hint of grey, slightly almond-shaped with naturally curled lashes and softly defined brows. Her nose is delicate and narrow with a softly rounded tip, clearly adorned with a small silver nose ring piercing on her left nostril, catching the light with a subtle metallic reflection. Her lips are full with natural fine lines, warm rose-brown in color, subtly highlighted by the flash. Her skin has a warm, sun-kissed bronze tone with visible freckles, natural pores, faint veins, and a subtle sheen that reflects the flash realistically. Her hair is deep brunette, long and wavy with curtain bangs, a few realistic flyaways framing her face, humidity-reactive strands catching light. waves coming in. night time. looks like it was shot on 16mm film, very grainy. handheld camera movement. Bright saturated colors. (sin texto en la imagen) Sahara kneels fully on the wet sand, her upper body leans forward. She gave a warm smile to the camera, knowing exactly what she's doing. Wardrobe & pose: She wears modern red beachwear —Her shrunken cut tee was designed as a modern and rebellious jab at societal standards, leaving little to the imagination, though she had to borrow it from a much shorter friend. — giving a relaxed, domestic vibe. The loose shirt rides slightly with the posture, adding natural folds and tension. A hint of red fabric peeking beneath the shirt. Lighting & aesthetic: Harsh on-camera digicam flash creates flat highlights and sharp shadows, while the cluttered environment adds visual noise. Coarse film grain, dust specks, slight color cast, and imperfect framing all enhance the authentic 90s lo-fi snapshot vibe. Technical tags: 2:3, full-body mirror selfie, digicam pop-flash, lo-fi realism, candid everyday snapshot, cluttered motel bathroom background.

3 months ago

This striking, atmospheric photograph captures a young korean woman in a moment of contemplation, seemingly inside a train or subway car at night. The Subject: The central figure is a woman with curly blonde hair, styled in a slightly tousled updo with some strands framing her face. She wears thin, round-rimmed glasses and has noticeable red lipstick. Her attire is a vibrant, canary yellow, strapless, bodycon mini-dress that hugs her figure, accentuating her curves. She is posed in profile to the viewer but with her upper body turned slightly towards the window she leans against. Her hands are delicately placed on the window frame or the wall beside it. Her expression is pensive as she gazes out the window. The Setting & Lighting: The setting is dimly lit, characteristic of a train car at night or in an underground station. Strong, warm light, likely from outside the train (perhaps platform lights), illuminates her from the left, casting highlights on her skin, hair, and the yellow dress, while the other side of her body and parts of the train interior are in shadow. This creates a dramatic, chiaroscuro effect. Through the window and in the background, blurred, out-of-focus lights (bokeh) in various colors (primarily warm yellows, oranges, and reds, with some blues) suggest an urban environment or a station platform. Reflections of the interior lights and the woman herself are subtly visible in the window glass. The metallic sheen of the train's window frames and walls catches the light, adding to the urban, industrial feel. Composition & Mood: The composition is a vertical portrait, focusing tightly on the woman. The strong vertical lines of the window frames contrast with the soft curves of her body and hair. The shallow depth of field keeps the woman in sharp focus while blurring the background, drawing the viewer's attention directly to her and her reflective mood. The overall mood is intimate, slightly mysterious, and cinematic. The warm lighting and the woman's thoughtful gaze evoke a sense of narrative, as if she's caught in a private moment amidst the public transience of a train journey.

2 months ago

The image shows a woman with long, dark hair elegantly posed on a light-colored sofa in a minimalist room. The scene is illuminated by strong, direct sunlight coming from the right, which creates prominent shadows across the floor and furniture. Center: The woman is the central subject, positioned on the right-hand side of the sofa as viewed by the observer. Her body is angled toward the left, while her head is turned to face the camera directly. Foreground: In the bottom-left corner, there is a portion of a brown, textured rug. The rest of the foreground consists of a light-colored floor with long, dark shadows cast diagonally from right to left. Background: Behind the woman and the sofa, there is a plain, light-colored wall. Set into the wall are two recessed rectangular shelves, one above the other. Each shelf holds a single, light-colored vase. To the far left, a double electrical socket is visible on the wall. The Woman: She is wearing a form-fitting, black, long-sleeved dress with a square neckline that ends around her knees. Her legs are crossed, and she is wearing black, pointed-toe high heels with thin ankle straps fastened by small gold buckles. She is accessorized with gold-colored hoop earrings. One arm is bent with her hand behind her head, and the other arm rests on the back of the sofa. Her hair is dark, long, and straight, and she is looking directly at the camera with a neutral expression. The Sofa: The sofa is a modern design, upholstered in a light beige or off-white textured fabric. It features clean lines, square arms, and is supported by slender, cylindrical chrome legs. The Room: The room has a minimalist aesthetic. The walls and floor appear to be a smooth, matte, off-white or very light beige color. The two vases in the wall niches are a similar light, neutral color with a matte finish. Lighting: The lighting is high-contrast, indicating a strong light source like the sun is entering from a window or opening on the right side of the scene. This creates sharp, well-defined shadows of the window frame on the floor and sofa.