chromatic distortion prompts

6 months ago

A futuristic city skyline unraveling into glitch fragments, buildings melting into digital distortion, neon lights flickering with chromatic aberration, glitch storms in the sky, streets flooded with data streams, cyberpunk aesthetic, widescreen cinematic view, Glitch Art XL style, datamosh, pixel stretch, signal noise, corrupted textures

6 months ago

A figure in a dark suit and tie stands against a backdrop of intense digital glitches. The figure's head is replaced by an old CRT monitor displaying a single, large, disembodied eye staring directly at the viewer. The eye is pale and unsettling, adding to the overall sense of unease. The glitches are predominantly horizontal lines in shades of purple, teal, and pink, disrupting the image and creating a sense of distorted reality. The suit and tie are also affected by the glitch effect, further blurring the lines between the organic and the digital.] [Digital art, Glitch Art, Surrealism] [Inspired by the works of glitch artists like Rosa Menkman and the aesthetic of cyberpunk and dystopian fiction.] [Heavy use of digital distortion effects, chromatic aberration, and scanlines. Dark, low-key lighting with the eye as the focal point. The overall image evokes a sense of surveillance, technological dystopia, and the loss of individuality.

5 months ago

A bright urban scene captured in the style of chromatic aberration photography — a city street at dusk with glowing traffic lights, wet pavement reflecting neon signs, and people walking by in motion blur. Visible red, green, and blue color fringing creates a dreamy, distorted effect around high-contrast edges, giving the photo a surreal, futuristic atmosphere. Image ratio 1:1.

6 months ago

CLAMP’s hyper-stylized dynamism—jagged, angular linework, theatrical negative space, and exaggerated perspective distortions (Dutch tilt as emotional amplifier)—with Kuvshinov Ilya’s hauntingly tender realism, seen in iridescent skin textures and gradient-soaked halos that blur the line between digital painting and dreamscape. CLAMP’s influence manifests in Rukia’s razor-sharp silhouette and the fractured terrain’s graphic intensity, while Kuvshinov’s touch softens edges with chromatic aberration glows and molten light that caresses her frost-pale skin. The clash of CLAMP’s “visual noise” (lava cracks as ink-splatter violence) against Kuvshinov’s serene, almost AI-smooth gradients creates tension—a stylistic war mirroring her internal conflict, rendered in high-contrast chiaroscuro.