coming from the side of the frame prompts

The image shows a woman with long, dark hair elegantly posed on a light-colored sofa in a minimalist room. The scene is illuminated by strong, direct sunlight coming from the right, which creates prominent shadows across the floor and furniture. Center: The woman is the central subject, positioned on the right-hand side of the sofa as viewed by the observer. Her body is angled toward the left, while her head is turned to face the camera directly. Foreground: In the bottom-left corner, there is a portion of a brown, textured rug. The rest of the foreground consists of a light-colored floor with long, dark shadows cast diagonally from right to left. Background: Behind the woman and the sofa, there is a plain, light-colored wall. Set into the wall are two recessed rectangular shelves, one above the other. Each shelf holds a single, light-colored vase. To the far left, a double electrical socket is visible on the wall. The Woman: She is wearing a form-fitting, black, long-sleeved dress with a square neckline that ends around her knees. Her legs are crossed, and she is wearing black, pointed-toe high heels with thin ankle straps fastened by small gold buckles. She is accessorized with gold-colored hoop earrings. One arm is bent with her hand behind her head, and the other arm rests on the back of the sofa. Her hair is dark, long, and straight, and she is looking directly at the camera with a neutral expression. The Sofa: The sofa is a modern design, upholstered in a light beige or off-white textured fabric. It features clean lines, square arms, and is supported by slender, cylindrical chrome legs. The Room: The room has a minimalist aesthetic. The walls and floor appear to be a smooth, matte, off-white or very light beige color. The two vases in the wall niches are a similar light, neutral color with a matte finish. Lighting: The lighting is high-contrast, indicating a strong light source like the sun is entering from a window or opening on the right side of the scene. This creates sharp, well-defined shadows of the window frame on the floor and sofa.

PepinoP PRO

4 100

Ultra-realistic Dragan style portrait, cinematic wide shot, aspect ratio 3:2. An elderly European woman sits on the left side of the frame inside a rustic farmhouse, light coming from a stone wall window. Her deeply wrinkled face is lit by dramatic side light. She has a wooden pipe clenched between her lips, smoke rising and curling around her face, her eyes squinting in a grimace disturbed by the smoke. Focus on the knife firmly in hand and the pipe in mouth. Her thin, bony hand tightly grips a sharp kitchen knife, the blade stained with fresh blood. On the old wooden cutting board in front of her lies a slaughtered rooster, its body plucked and open, the severed head resting nearby, with blood stains spreading across the surface. On the table also a stained rag and a small bowl filled with water and blood. The atmosphere is raw, rural, and moody, with gritty textures of aged skin, knife blade, rooster feathers, blood stains, wood grain, and stone walls. Cinematic chiaroscuro, ultra-photorealistic 8K masterpiece, Dragan style, earthy tones with deep scarlet accents. Negative prompt: cartoon, illustration, painting, 3D, CGI, low resolution, blurry, oversaturated, cropped, out of frame, duplicate, disfigured, extra limbs, distorted hands, wrong anatomy, missing fingers, mutated, deformed knife, fake blood, plastic texture, glossy surface, artifacts, watermark, text

Cmos PRO

2 48

Create a moody and dramatic image of a thunderstorm, lightning hitting a tree and a rainbow. The sky is dark grey and stormy, through some less dense clouds, we can see faint sunshine breaking through the storm clouds. It is raining heavily. There is a green field on a low rise/hillock covered in a light mist created by the rainfall. On top of the hillock is a leafless tree with many branches, this tree is being hit by a bright and vivid lightning bolt from the stormy sky on the right hand side. It lights up the tree in an eery blue/white glow that contrasts sharply with the dark storm clouds sparks come from the hit tree and a small flame can be seen at the lightning strike point. To the left of the tree is the hazy rainbows end, in all its splendour with pale hues of the whole light spectrum. This rainbow has a coloured glow around it and lights the left hand side of the tee, making the tree look magical and ethereal. In the front foreground, directly in front of the viewer, is a broken wooden fence and above the wooden fence, is the bough of a large tree with a few autumn leaves hanging from it, the bough comes from the left and frames the top of the image, the tree is not in our vision range.

Kiefels

2 85

The setting appears to be a gym, with a dark floor and blurred weights visible in the background. There is also writing on the wall, partially obscured, which says "Fresh Cross Fit". Natural light is coming from large windows on the left side of the frame, illuminating the scene. The atmosphere is one of strength, concentration, and dedication to fitness. The mood is determined and powerful, emphasizing the physical exertion and mental focus required for heavy lifting.

Selfishreasons

1 41

The setting appears to be a gym, with a dark floor and blurred weights visible in the background. There is also writing on the wall, partially obscured, which says "Fresh Cross Fit". Natural light is coming from large windows on the left side of the frame, illuminating the scene. The atmosphere is one of strength, concentration, and dedication to fitness. The mood is determined and powerful, emphasizing the physical exertion and mental focus required for heavy lifting.

Selfishreasons

1 38

Prompt: A 40-year-old, medium-sized Asian woman with long, straight black hair stands in front of a beige wall. Her warm, sun-kissed skin has a smooth and natural texture, with a subtle glow that highlights her healthy complexion. Her face is softly rounded, with a fuller, more cherubic shape that enhances her natural beauty, complemented by the gentle maturity of her age. Her almond-shaped eyes are deep and expressive, framed by long, dark eyelashes and naturally dark brown eyebrows that complement her features without appearing overly dramatic. A small, well-defined philtrum accentuates her upper lip, adding a delicate and refined detail to her facial structure. Her lips are painted a vibrant shade of pink, adding a touch of color to her face while maintaining a natural look. Her hair cascades down to her shoulders, with a silky texture that catches the light softly. She is wearing a black short-sleeved t-shirt, which fits her figure comfortably, skimming over her softer, more gently curved body. Her posture exudes ease and confidence, with her left arm resting casually on the wall beside her. A delicate V-necklace adds a subtle touch of elegance to her outfit. The wall behind her is a light beige, providing a neutral backdrop, with a white door on the left side of the frame adding a simple yet clean architectural element to the scene. Her fuller face, small philtrum, softer body, and the subtle signs of her 40 years of life create a harmonious and approachable appearance, radiating warmth, wisdom, and natural beauty. Her presence is both graceful and grounded, reflecting the confidence and poise that come with her age.

JohnnyBoy001

1 72

This is a photograph of a woman in a moment of quiet contemplation. She is seated on the floor of her home, her body relaxed yet poised. Her attire is simple - a loose white tank top that contrasts with the warm tones of her skin and hair. The woman's gaze is directed off to the side, suggesting a sense of introspection or perhaps anticipation. Her expression is neutral but there's an underlying intensity in her eyes that hints at a depth of character beyond what meets the eye. The lighting in this image is soft and diffused, casting gentle shadows on the woman's face and shoulders. The light source appears to be natural, possibly coming from a window out of frame, which adds warmth to the scene and enhances the overall mood.

6258d86bd31

1 49

This is a hyper-realistic, high-detail digital portrait of a young Korean woman who is a cyborg. The image masterfully juxtaposes delicate, organic beauty with complex, inorganic machinery, creating a captivating and thought-provoking piece of science fiction art. The overall aesthetic is clean, elegant, and ethereal, with a carefully controlled color palette. The Subject's Face and Human Features: The woman has a face of almost supernatural perfection. Her skin is pale and flawless, like porcelain, with a smooth, matte finish. Her facial structure is delicate, with high cheekbones, a small, straight nose, and a well-defined jawline on her visible human side. Eyes: Her eyes are the most striking feature. They are a luminous, piercing emerald green, rendered with incredible detail. The irises have intricate patterns of light and dark green, and a dark limbal ring that makes them stand out dramatically against her pale skin. They are framed by long, dark, perfectly separated eyelashes and subtle, expertly applied eyeliner that creates a slight cat-eye effect. Her gaze is direct and engages the viewer with a neutral, almost serene expression. Eyebrows: Her eyebrows are perfectly shaped with a gentle arch, filled in with a soft brown that complements her features without being harsh. Lips: She has full, soft-looking lips with a defined Cupid's bow. They are colored in a natural, dusky pink shade with a subtle satin sheen, echoing the color of her hair. Cybernetic Enhancements: The woman's human features are seamlessly integrated with extensive cybernetic enhancements, primarily on the right side of her face and neck. Facial and Head Mechanics: A complex mechanical structure replaces parts of her head and face. It begins at her right temple and extends down her cheek and jaw. This section is composed of articulated, segmented plates in a matte, off-white and light gray finish, with some plates having a subtle rose-gold or pinkish tint that harmonizes with her hair. Behind her head and over her ear is a larger, more robust piece of machinery with circular vents, joints, and what appear to be pistons or hydraulic connectors. Neck and Torso: Her neck is entirely mechanical, consisting of a dense, intricate web of gray and black wires, cables, and tubes that flow downwards, suggesting a fully robotic torso beneath. This creates a stark contrast between the soft skin of her face and the complex, functional machinery supporting it. Integration: The transition from skin to machine is depicted flawlessly. The mechanical parts fit snugly against her skin, and strands of her hair weave in and out of the cybernetics, suggesting a long-term, permanent fusion of the organic and the artificial. Hair: Her hair is long, voluminous, and cascades in soft waves around her face and shoulders. The color is a beautiful pastel pink, reminiscent of cotton candy or cherry blossoms, with subtle variations in tone, including lighter, almost-white highlights that catch the light. The texture appears silky and fine, and it beautifully softens the hard edges of the mechanical components it intertwines with. Lighting, Composition, and Color Palette: The portrait is a tight close-up, focusing entirely on her head and shoulders. The lighting is soft and diffused, coming from the front and slightly to the left, which evenly illuminates her features and highlights the three-dimensional details of the cybernetics without creating harsh shadows. The background is a blurry, out-of-focus cool gray, which ensures that the subject is the sole focus. The color palette is a sophisticated blend of soft, muted tones. It is dominated by the pastel pink of her hair, the porcelain white of her skin, and the cool grays and off-whites of the machinery. The vivid emerald green of her eyes serves as a powerful, singular accent color, drawing the viewer's attention and giving the character a sense of life and soul amidst the mechanics.

kumera

1 120

beauty, high angle photo of a 18-year-old Gujarati-Portuguese female radiant bride with a warm and inviting expression. She has Iridescent skin with shifting colors, creating a mesmerizing, rainbow-like effect. The skin pores and texture are clearly visible and in focus. Her Eye with sharp inner edges, Bright, clear yellow eyes, framed by long, elegant eyelashes. Her haircut is Cropped fringe with shaved temple designs and pastel color highlights. Her eyebrows are neatly shaped, complementing her delicate facial features. Her body is Firm, defined biceps with a natural, athletic shape, small breast, toned abs, Female Bodybuilding style. bralette with radioactive symbols and glowing elements, suggesting the dangers of nuclear fallout, midriff, Distressed denim shorts with ripped fabric and distressed wash, Digging through a pile of debris, excitement evident as she uncovers a valuable item. She is positioned on the left side in the frame by the rule of thirds. In the background A network of overgrown highways crisscrosses the landscape, their asphalt cracked and buckled, while abandoned cars rust by the roadside. The scene is lighted Shadows dance across the walls of abandoned buildings, their movements casting eerie silhouettes that seem to come alive in the darkness. The weather is The earth shakes as earthquakes rock the landscape, causing buildings to crumble. the model is lighted with soft natural lighting in the style of Aria Darkwood

c7171a15d9f

0 44

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

JDHampton PRO

0 11

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

JDHampton PRO

0 5