creating a surreal and unsettling visual prompts

create a stylized, surreal and ethereal render from a 1980s horror movie poster. The central figure is a woman with long, dark hair standing in a doorway, back to the viewer. Her arms are outstretched, and she appears to be in a trance-like state. She wears a flowing, knee-length, blue dress with a knee length, sheer, puffy skirt through which her legs are silhouetted. The doorway is open, revealing a giant swirling, photo realistic, 3d rendered, hypnotic blue hues and jet black iris eye, with the text "The Kiefels Zone" written in dripping red blood, with black outline around it. The background is a gradient of dark blues and purples, creating a dreamlike, eerie atmosphere with a swirling, etheal mist, floating through the bottom of the open door and a little around the door frame. The render style is reminiscent of 1980s horror art, with bold, dramatic colors and a sense of impending doom. The woman's silhouette is stark against the bright, glowing eye, emphasizing her vulnerability. The poster is framed with a black border, enhancing the ominous feel. The overall composition is symmetrical and balanced, drawing the viewer's eye to the central figure and the hypnotic eye behind her. The use of light and shadow adds depth and intensity to the image, making it visually striking and unsettling.

Kiefels

3 94

a surreal and psychedelic scene, reminiscent of a Salvador Dali painting, where time and reality are distorted: In an expansive, dreamlike landscape, a clock melts over the edge of a table, defying the laws of physics. The sky above swirls with vibrant, otherworldly colors, blending into an infinite horizon. A figure stands at the center of this scene, their form shifting and changing. Parts of their body transform into various elements – one arm becomes a flowing river, the other a winding vine. Their face is a canvas of shifting expressions, each one reflecting a different aspect of human emotion. Around them, objects float in mid-air, defying gravity. Books open with pages turning into birds, a vintage telephone twists into a spiral, and a chessboard's pieces move on their own. In the background, a cityscape bends and curves like a wave, buildings morphing into surreal shapes. The border between sky and earth blurs, creating a sense of endlessness. In this scene, reality is malleable, and the ordinary becomes extraordinary. It's a visual representation of a mind-bending journey through a world where the impossible becomes possible, and the boundaries of imagination are limitless., moody, unsettling, surreal imagery, macabe, (award winning cinematic shot:1.21), (Kati Horna:1.32) From below, deep in the submerged grotto, a solitary figure stands at the water’s edge, gazing up toward the ascending steps, their expression contemplative and enigmatic. From above, another figure walks up the steps, seemingly unaware of the one below, their face obscured as if caught in a moment between reality and illusion. The water shimmers with an impossible clarity, revealing intricate, otherworldly details beneath the surface—perhaps submerged relics, mysterious symbols, or faint glimpses of an unseen world. The sky above is vast and surreal, with clouds that seem to defy gravity, casting an uncanny glow over the entire composition. The atmosphere is both hyper-detailed, in the style of van Eyck, and eerily mysterious, as if Magritte’s enigmatic vision has bent reality itself.

Callmecath

3 170

This surreal and visually disorienting portrait is tightly framed in a vertical format, showing a distorted cluster of human faces and partial torsos seemingly fused together and sprawled across a textured cobblestone surface in an outdoor setting. Captured from a slight top-down angle at close range using an old iPhone, the image exhibits moderate sharpness with subtle digital noise and slightly blown-out highlights, adding to its raw, uncanny charm. The figures appear to be in a crawling position with various expressions—smiling, neutral, or twisted—facing outward and upward, creating a chaotic yet oddly unified composition. Clothing is minimal and largely obscured, though hints of neutral-toned fabric and skin are visible, blending with the warped forms. Natural sunlight casts strong, directional shadows across the frame, indicating late morning or early afternoon, while the warm skin tones and desaturated grays of the stone ground define the subdued color palette. Despite the phone camera's limited depth control, the entire scene is rendered in a uniformly flat focus that accentuates the eerie, unnatural smoothness of the digitally warped faces. The mood leans toward unsettling surrealism, amplified by the plasticky texture and improbable anatomical merging, creating a post-human visual that feels experimental and discomforting. This image exudes a candid, DIY digital art energy suited for avant-garde social media content, glitch art collections, or conceptual commentary pieces, with the clearest and most conventionally pleasant face anchoring the focal point amid the surrounding visual chaos.

d4c8a186d0e

2 68

The image is framed vertically in portrait orientation, centering a surreal and exaggeratedly distorted human-like face emerging from a large metal pot, positioned in the foreground over an open flame, creating a bizarre focal point that dominates the scene. Shot from a slightly low angle with a mid-range distance, the perspective heightens the surrealism and makes the face appear larger-than-life. The photo appears to be taken with a smartphone using a wide-angle lens, resulting in slight distortion around the edges and deep focus throughout the frame. Two individuals stand behind the pot—one woman in a red patterned kurta and another man in a light shirt—both holding a large empty metal basin over the pot, adding a performative gesture that feels ritualistic or staged. The background features an outdoor rural setting with dry ground, green trees, and a corrugated tin-roof structure suggesting a village or countryside. The props—oversized cooking vessels and the firewood setup—intensify the theatricality of the scene. The color palette mixes natural earth tones with bright daytime sunlight casting sharp, unfiltered light, likely shot under midday sun, creating hard shadows and reflective highlights on the metal and skin. The image maintains sharp detail across both foreground and background, with little depth of field separation. The overall mood is surreal, unsettling, and heavily stylized, leaning into absurdist visual storytelling. The composition, lighting, and props suggest it may be intended for viral social media content, possibly TikTok or Instagram Reels, exploiting visual shock for entertainment or satire.

eee6a59f6d8

0 61

a surreal and psychedelic scene, reminiscent of a Salvador Dali painting, where time and reality are distorted: In an expansive, dreamlike landscape, a clock melts over the edge of a table, defying the laws of physics. The sky above swirls with vibrant, otherworldly colors, blending into an infinite horizon. A figure stands at the center of this scene, their form shifting and changing. Parts of their body transform into various elements – one arm becomes a flowing river, the other a winding vine. Their face is a canvas of shifting expressions, each one reflecting a different aspect of human emotion. Around them, objects float in mid-air, defying gravity. Books open with pages turning into birds, a vintage telephone twists into a spiral, and a chessboard's pieces move on their own. In the background, a cityscape bends and curves like a wave, buildings morphing into surreal shapes. The border between sky and earth blurs, creating a sense of endlessness. In this scene, reality is malleable, and the ordinary becomes extraordinary. It's a visual representation of a mind-bending journey through a world where the impossible becomes possible, and the boundaries of imagination are limitless., moody, unsettling, surreal imagery, macabe, (award winning cinematic shot:1.21), (Kati Horna:1.32) From below, deep in the submerged grotto, a solitary figure stands at the water’s edge, gazing up toward the ascending steps, their expression contemplative and enigmatic. From above, another figure walks up the steps, seemingly unaware of the one below, their face obscured as if caught in a moment between reality and illusion. The water shimmers with an impossible clarity, revealing intricate, otherworldly details beneath the surface—perhaps submerged relics, mysterious symbols, or faint glimpses of an unseen world. The sky above is vast and surreal, with clouds that seem to defy gravity, casting an uncanny glow over the entire composition. The atmosphere is both hyper-detailed, in the style of van Eyck, and eerily mysterious, as if Magritte’s enigmatic vision has bent reality itself.

Marek PRO

0 49