A sample prompt of what you can find in this page
Prompt by Nednut4362

deadly frame prompts

very few results

22 days ago

The climactic showdown aboard the USS Sulaco cargo bay—Ellen Ripley, clad in a scorched tank top and utility pants, pilots the towering yellow mechanized Power Loader exosuit, its hydraulic arms crackling with motion and raw industrial strength. Her expression is fierce, determined, sweat-streaked, lit by harsh overhead floodlights. She faces off against the towering Xenomorph Queen—massive, biomechanical, and nightmarishly elegant—its elongated skull glistening with slime, razor-sharp fangs bared in primal fury. The Power Loader’s clawed pincers are locked with the Queen’s snapping jaws and thrashing tail, each trying to overpower the other in a deadly clash of steel and sinew. Sparks fly as metal grinds against chitinous armor. The floor beneath them is scorched and pocked from acid burns and previous battles, littered with industrial crates, broken machinery, and flickering warning lights. Fog and steam hiss from broken pipes, while red hazard strobes pulse across the scene, casting dramatic shadows and eerie glows. Behind them, the open airlock looms—its bright void a deadly drop into space. Ripley fights not just for survival, but to protect what remains of humanity. The atmosphere is thick with tension and adrenaline—sci-fi horror at its most intense. Rendered in a brutal, high-contrast, deeply expressive digital painting style—dark tones, unholy highlights, cinematic framing, and emotionally profound energy. Every detail should scream final battle, heroic defiance, and monstrous wrath. Epic final battle, cinematic sci-fi horror, intense drama, brutal composition, industrial sci-fi, high tension, expressionist lighting, fierce heroine, nightmare creature design, Ridley Scott inspiration, 16:9 wide aspect ratio, high detail, emotional depth, high contrast lighting, masterpiece.

16 days ago

“Hyperrealistic miniature mushroom thief, knee-high, crouched in the shadows of a moonlit medieval alley, one hand gripping a stolen silver locket, the other pressed against a mossy stone wall. His body is a single, mature portobello mushroom — deep brown cap with cracked, leathery skin, gills exposed like tattered cloak folds, stem slightly bent from years of stealth. His face emerges from the cap’s underside: large, hypnotic human eyes — golden-amber irises with vertical slit pupils like a cat’s, glowing faintly in the dark, framed by thick, shadowed brows formed by the mushroom’s natural ridges. His mouth is a subtle, sly curve, barely visible beneath a dusting of spores. He wears a hooded cloak of moth-eaten velvet and dried lichen, patched with stolen silk scraps, cinched with a rope of braided root. On his head: a dented, tarnished iron coif — salvaged from a dead guard — pulled low over his brow, blending into the shadows. Rain mist clings to his cap; his breath fogs the cold air. Background: narrow alley between crumbling stone buildings, hanging laundry, distant torchlight flickering on wet cobblestones. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, chiaroscuro moonlight with cool shadows and warm torch highlights, ultra-detailed textures (mushroom gills, velvet fraying, rust flakes, spore dust, water droplets), live-action fantasy film aesthetic, by Guillermo del Toro and Roger Deakins, 8K cinematic masterpiece.”

16 days ago

“Hyperrealistic miniature mushroom thief, knee-high, crouched in the shadows of a moonlit medieval alley, one hand gripping a stolen silver locket, the other pressed against a mossy stone wall. His body is a single, mature portobello mushroom — deep brown cap with cracked, leathery skin, gills exposed like tattered cloak folds, stem slightly bent from years of stealth. His face emerges from the cap’s underside: large, hypnotic human eyes — golden-amber irises with vertical slit pupils like a cat’s, glowing faintly in the dark, framed by thick, shadowed brows formed by the mushroom’s natural ridges. His mouth is a subtle, sly curve, barely visible beneath a dusting of spores. He wears a hooded cloak of moth-eaten velvet and dried lichen, patched with stolen silk scraps, cinched with a rope of braided root. On his head: a dented, tarnished iron coif — salvaged from a dead guard — pulled low over his brow, blending into the shadows. Rain mist clings to his cap; his breath fogs the cold air. Background: narrow alley between crumbling stone buildings, hanging laundry, distant torchlight flickering on wet cobblestones. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, chiaroscuro moonlight with cool shadows and warm torch highlights, ultra-detailed textures (mushroom gills, velvet fraying, rust flakes, spore dust, water droplets), live-action fantasy film aesthetic, by Guillermo del Toro and Roger Deakins, 8K cinematic masterpiece.”

8 months ago

Imagine Jack Skellington, the Pumpkin King, rendered in a striking black-and-white theme, emphasizing his skeletal elegance and eerie charm. In this monochromatic vision, his tall, thin frame stands out in sharp contrast against the shadowed background, his skeleton's every bone sharply defined, casting crisp, angular shadows across his form. His skull, a pale, almost ghostly white, is stark against the darkened shadows, with deep, hollow eye sockets that seem to pierce through the gloom. The bones are smooth and polished, reflecting a slight sheen in the dim light, giving him a slightly ethereal, almost ghost-like appearance. His bony expression is a mixture of melancholy and curiosity, with his thin, elongated mouth curled into a faint smile, revealing his toothless grin. The details of his skull are beautifully intricate, with subtle cracks and markings etched into the bone, adding a sense of age and mystery. His suit, typically striped, now appears as a perfect contrast of black and white, its sharp, jagged lines running vertically down his body like a visual echo of his skeleton’s structure. The fabric seems impossibly crisp, the stripes alternating between pure black and stark white, each line adding to the illusion of depth and texture. His bowtie, always a distinctive feature, is also in high contrast—deep black, like a shadow, against the whiteness of his chest. It is both whimsical and slightly ominous, with its soft, flowing ribbons resembling the kind of detail that gives the figure an almost surreal elegance. The background around him is a dark, swirling fog of shadows, with faint hints of jagged, ghostly shapes that suggest the eerie environment of Halloween Town. The lack of color adds a haunting depth, with the only real light being the soft, spectral glow that catches the edges of his bones, creating sharp, luminous highlights that stand out from the enveloping darkness. His hands, long and delicate with bony fingers, are positioned as if he's about to gesture or conjure some fantastical creation, each finger bending with a fluidity that contrasts with the rigidness of his skeletal body. The details of his hands—thin and almost graceful—are captured in sharp relief, with every joint, every curve visible in the soft light. This black-and-white rendering of Jack Skellington enhances the inherent drama and mystery of his character, drawing attention to the clean lines of his skeletal structure and his slightly macabre yet charismatic presence. The lack of color emphasizes the purity of his form and the timeless, haunting essence he embodies. Every shadow and highlight creates a sense of depth, making him feel like a figure who belongs to both the worlds of the living and the dead, forever suspended in an eerie, dreamlike state 8k