dim volumetric lighting prompts

8 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

8 months ago

Hyper realistic, photo realism, zoomed out full body, head to boots, HD Photo of beautiful, female equivalent of Clint Eastwoods man with no name. She has drawn her revolver super fast with her right hand. The wind is blowing her hair and there is some dust in the air. She has a cold and determined look on her face. Her eyes are fixed on three bandito's standing across from her in the courtyard of an old Mexican mission with their hands on their holstered guns. She has colorful Native American arm tattoos, black hair with bangs, dark blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliments her eyes. She wears an flat top brimmed hat, Clint Eastwood style poncho, and a ragged mini shirt. She is wearing an ornate gold and onyx belt and choker, and cowboy boots with silver spurs. It is dust with soft volumetric lighting from dim evening light that shines down behind her in the tense dark atmosphere. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

8 months ago

Hyper realistic, photo realism, zoomed out full body, head to boots, HD Photo of beautiful, female equivalent of Clint Eastwoods man with no name. She has drawn her revolver super fast with her right hand. The wind is blowing her hair and there is some dust in the air. She has a cold and determined look on her face. Her eyes are fixed on three bandito's standing across from her in the courtyard of an old Mexican mission with their hands on their holstered guns. She has colorful Native American arm tattoos, black hair with bangs, dark blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliments her eyes. She wears an flat top brimmed hat, Clint Eastwood style poncho, and a ragged mini shirt. She is wearing an ornate gold and onyx belt and choker, and cowboy boots with silver spurs. It is dust with soft volumetric lighting from dim evening light that shines down behind her in the tense dark atmosphere. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

7 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

9 months ago

(A hyper-realistic, cinematic photograph in the style of 1970s Soviet sci-fi:1.3), depicting a lone Soviet Arctic explorer struggling through an intense blizzard (flying snow particles:1.7) as the setting sun (setting sun through blizzard:1.5) tries to pierce through the swirling storm. The explorer is clad in a bulky, worn, and weathered retro-futuristic spacesuit, with faded red and white accents and a prominently displayed CCCP insignia across the chest (CCCP insignia:1.5). His suit is covered in frost and ice, battered by the harsh Arctic conditions, with snow clinging to the edges and joints. The blizzard is fierce, with snow and ice particles violently flying through the air (flying snow particles:1.7), obscuring the landscape and making the explorer’s journey even more treacherous. The air is thick with whipping snow, which interacts with the faint light from the setting sun (sunlight piercing through storm:1.5), casting dim, golden beams that struggle to penetrate the storm. The light creates fleeting, volumetric shafts through the blizzard, catching on the swirling snowflakes and illuminating the scene in brief, ghostly flashes. Despite the fading light and harsh conditions, the explorer presses on toward a barely visible nuclear generator (nuclear generator:1.4), half-buried under the snow. His steps are slow and heavy, with snow building up around his legs as he fights against the wind. The worn spacesuit shows signs of prolonged use, with cracks in the visor fogging over, and his breath visible inside the helmet. Snow particles whip violently around him, catching the last of the day’s light, while patches of golden sunlight filter through the blizzard, giving a surreal and fleeting glow to the harsh, frozen landscape. The setting sun casts long, dramatic shadows across the snow-covered ground, but the intensity of the storm continually threatens to snuff out the light, making the environment feel overwhelming and unforgiving. The blizzard is relentless, with snow and ice clinging to the explorer’s spacesuit, and the setting sun adds a feeling of urgency, as if time is running out. The last beams of sunlight interact with the flying snow particles, creating a flickering effect, with the light constantly shifting and fading as the explorer marches forward.

8 months ago

(Primary Subject: Woman, 3D-Printed in Realistic Modern Printer, 1.7 weight) — inside a dim, cluttered bedroom illuminated by the soft, flickering glow of LED strip lights and the rhythmic hum of a modern consumer-grade 3D printer, a surreal scene unfolds. A half-assembled woman is being slowly 3D-printed, layer by layer, inside the printer’s transparent enclosure—her form emerging from glowing PLA-like filament in smooth, hyper-detailed strokes (hyper-realistic printing detail, smooth skin texture, 1.6 weight). Her upper body—torso, arms, and part of her face—is almost complete, formed from semi-translucent material that glows faintly in the ambient light. Thin wisps of support scaffolding cling to her like cyber-organic scaffolds. Her lower half remains unformed, an unfinished spiral of molten filament still being printed as the nozzle moves with quiet precision (realistic filament printing, printer detail, suspended form, 1.5 weight). Seated nearby, a man in casual clothes sits cross-legged on the floor, bathed in warm, ambient screen light. He holds a crumpled instruction manual in one hand—clearly pulled from the open cardboard box lying beside him on the floor, its packaging marked with surreal branding: “SYNTH-CRAFT V2 | HOMEBODY EDITION” (instructional design realism, subtle surreal packaging, 1.4 weight). Loose tools, empty filament spools, soda cans, and old PC parts are scattered around the room, grounding the scene in everyday reality. Behind him, the room glows with scattered LED lighting in hues of electric blue, soft magenta, and warm amber, reflecting off his glasses and casting moody highlights onto the surrounding walls. Dust particles drift in the air, caught in the glow of the printer’s chamber, creating an eerie yet beautiful halo around the forming woman (cinematic atmosphere, volumetric light, dusty haze, 1.4 weight). Rendered with cinematic realism: soft film grain, subtle lens blur, realistic plastic sheen, and dramatic shallow depth-of-field—captured as if shot with a Leica Summilux lens. The entire image is grounded in the plausible, but steeped in a surreal undertone that suggests something far stranger is unfolding (photographic detail, cinematic framing, narrative tension, 1.3 weight). This is not just a print job—it’s manufactured intimacy, wrapped in plastic and instruction sheets.

4 months ago

Hyper realistic, photo realism, zoomed out, full body HD Photo of beautiful, female equivalent of Clint Eastwoods man with no name. She is far enough back from the camera that her entire body can be seen. The view is from the steps of the mission where the woman can be seen on the left and and the 3 bandito's can been seen on the right as she shoots. The wind is blowing her hair around and there is some dust in the air. She has drawn her revolver super fast with her right hand and shot three bandito's across from her in an old Mexican mission courtyard. She watches as they fall to the ground. She has a cold and determined look on her face. Her eyes are fixed on the bandito's as they fall to the ground. She has colorful Native American arm tattoos, black hair with bangs, dark blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliments her eyes. She wears an flat top brimmed hat, Clint Eastwood style poncho, and a ragged mini shirt. She is wearing an ornate gold and onyx belt and choker, and cowboy boots with silver spurs. It is dust with soft volumetric lighting from dim evening light that shines down behind her in the tense dark atmosphere. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

8 months ago

Hyper realistic, photo realism, zoomed out full body, head to boots, HD Photo of beautiful, female equivalent of Clint Eastwoods man with no name. She has drawn her revolver super fast with her right hand. The wind is blowing her hair and there is some dust in the air. She has a cold and determined look on her face. Her eyes are fixed on three bandito's standing across from her in the courtyard of an old Mexican mission with their hands on their holstered guns. She has colorful Native American arm tattoos, black hair with bangs, dark blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliments her eyes. She wears an flat top brimmed hat, Clint Eastwood style poncho, and a ragged mini shirt. She is wearing an ornate gold and onyx belt and choker, and cowboy boots with silver spurs. It is dust with soft volumetric lighting from dim evening light that shines down behind her in the tense dark atmosphere. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

5 months ago

"Professional fine art photograph, full body portrait, cinematic style, volumetric lighting, soft pastel colours, a mysterious eastern woman supermodel with olive skin, dark hair, piercing vibrant green eyes, intricate Middle Eastern jewellery and attire, enigmatic expression, subtle smile, standing in a dimly lit crimson and gold velvet background. Gentle, soothing mood, light beams through dust or fog."

4 months ago

Hyper realistic, photo realism, zoomed out, full body HD Photo of beautiful, female equivalent of Clint Eastwoods man with no name. She is far enough back from the camera that her entire body can be seen. The view is from the steps of the mission where the woman can be seen on the left and and the 3 bandito's can been seen on the right as she shoots. The wind is blowing her hair around and there is some dust in the air. She has drawn her revolver super fast with her right hand and shot three bandito's across from her in an old Mexican mission courtyard. She watches as they fall to the ground. She has a cold and determined look on her face. Her eyes are fixed on the bandito's as they fall to the ground. She has colorful Native American arm tattoos, black hair with bangs, dark blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliments her eyes. She wears an flat top brimmed hat, Clint Eastwood style poncho, and a ragged mini shirt. She is wearing an ornate gold and onyx belt and choker, and cowboy boots with silver spurs. It is dust with soft volumetric lighting from dim evening light that shines down behind her in the tense dark atmosphere. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

5 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

25 days ago

(Solo,crossing legs on car:1),on street,Extreme Detailed Face,gorgeous,(Russian-Chinese girl, more russian face), Straight long hair , (central opening:1), strapless, (black thigh stocking:1.1), (side waist slit:0.75), (Red Long ancient Chinese dress:1.2), (crimson dress:0.6), (Narrow Waist,voluptuous Gorgeous figure,Curvy:1.28),sharp nose,volumetric hair,bangs,red lip,(full-face heavy blush:1.1),makeup,(smile:0.8), finger bite:1, parted lips:1,The mood blends intimacy and untouchable luxury, forbidden, and priceless. Hyperrealistic rendering, cinematic photography, ultra-detailed textures, 8K clarity,low light,dim light

9 months ago

(A hyper-realistic, cinematic photograph in the style of 1970s Soviet sci-fi:1.3), depicting a lone Soviet Arctic explorer struggling through an intense blizzard (flying snow particles:1.7) as the setting sun (setting sun through blizzard:1.5) tries to pierce through the swirling storm. The explorer is clad in a bulky, worn, and weathered retro-futuristic spacesuit, with faded red and white accents and a prominently displayed CCCP insignia across the chest (CCCP insignia:1.5). His suit is covered in frost and ice, battered by the harsh Arctic conditions, with snow clinging to the edges and joints. The blizzard is fierce, with snow and ice particles violently flying through the air (flying snow particles:1.7), obscuring the landscape and making the explorer’s journey even more treacherous. The air is thick with whipping snow, which interacts with the faint light from the setting sun (sunlight piercing through storm:1.5), casting dim, golden beams that struggle to penetrate the storm. The light creates fleeting, volumetric shafts through the blizzard, catching on the swirling snowflakes and illuminating the scene in brief, ghostly flashes. Despite the fading light and harsh conditions, the explorer presses on toward a barely visible nuclear generator (nuclear generator:1.4), half-buried under the snow. His steps are slow and heavy, with snow building up around his legs as he fights against the wind. The worn spacesuit shows signs of prolonged use, with cracks in the visor fogging over, and his breath visible inside the helmet. Snow particles whip violently around him, catching the last of the day’s light, while patches of golden sunlight filter through the blizzard, giving a surreal and fleeting glow to the harsh, frozen landscape. The setting sun casts long, dramatic shadows across the snow-covered ground, but the intensity of the storm continually threatens to snuff out the light, making the environment feel overwhelming and unforgiving. The blizzard is relentless, with snow and ice clinging to the explorer’s spacesuit, and the setting sun adds a feeling of urgency, as if time is running out. The last beams of sunlight interact with the flying snow particles, creating a flickering effect, with the light constantly shifting and fading as the explorer marches forward.

5 months ago

"Professional fine art photograph, full body portrait, cinematic style, volumetric lighting, soft pastel colours, a mysterious eastern woman supermodel with olive skin, dark hair, piercing vibrant green eyes, intricate Middle Eastern jewellery and attire, enigmatic expression, subtle smile, standing in a dimly lit crimson and gold velvet background. Gentle, soothing mood, light beams through swirling mist or fog."

5 months ago

"Professional fine art photograph, full body portrait, cinematic style, volumetric lighting, soft pastel colours, a mysterious eastern woman supermodel with olive skin, dark hair, piercing vibrant green eyes, intricate Middle Eastern jewellery and attire, enigmatic expression, subtle smile, standing in a dimly lit crimson and gold velvet background. Gentle, soothing mood, light beams through dust or fog."

8 months ago

A radiant, sensual Arabian enchantress (1.8) reclines gracefully atop layers of velvet cushions and patterned silks in a lavish desert pavilion. Her bronze skin glows in the dim amber candlelight, and sheer fabrics cling to her voluptuous curves (1.6), revealing more than they conceal. Gold bangles coil around her wrists and ankles, and delicate filigree chains drape across her bare hips (1.5), catching the soft flicker of the torchlight. Her eyes — kohl-lined, smoldering with mystery — gaze toward the viewer (1.5), while her dark, cascading hair spills across her shoulder like ink over parchment. Her pose is relaxed but powerful, her presence commanding. The scene is rich in depth — in the foreground, intricate carved lanterns, incense burners emitting curling smoke (1.4), and low tables adorned with exotic fruits and shimmering goblets frame the space. In the midground, gauzy curtains flutter in the warm desert breeze, backlit by a burning sunset that casts molten gold and rose hues across the silken drapes. In the background, silhouettes of distant minarets and domes glint beneath a twilight sky pierced by the first emerging stars (1.3). A white tiger lies at her side — still, regal, alert. Its fur glows softly in the layered lighting, both shadowed and rim-lit by the ambient glow. The pavilion is elevated, revealing a view over the vast desert dunes, with torches dotting the landscape like fireflies. Style & Light: (Frazetta x Vallejo:1.6), heroic fantasy realism, saturated sunset palette, volumetric shadows, warm light rays filtering through incense smoke, sensual anatomy and heavy fabrics with textured brushwork. The final image is both erotic and majestic — mythic, powerful, and timeless.

7 months ago

Hyper realistic, photo realism, zoomed out, full body HD Photo of beautiful, female equivalent of Clint Eastwoods man with no name. The view is from the steps of the mission. The wind is blowing her hair around and there is some dust in the air. She has drawn her revolver super fast with her right hand and shot three bandito's across from her in an old Mexican mission courtyard. She watches as they fall to the ground. She has a cold and determined look on her face. Her eyes are fixed on the bandito's as they fall to the ground. She has colorful Native American arm tattoos, blonde hair with bangs, light blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliments her eyes. She wears an flat top brimmed hat, Clint Eastwood style poncho, and a ragged mini shirt. She is wearing an ornate gold and onyx belt and choker, and cowboy boots with silver spurs. It is dust with soft volumetric lighting from dim evening light that shines down behind her in the tense dark atmosphere. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

7 months ago

Hyper realistic, photo realism, zoomed out, full body HD Photo of beautiful, female equivalent of Clint Eastwoods man with no name. The view is from the steps of the mission. The wind is blowing her hair around and there is some dust in the air. She has drawn her revolver super fast with her right hand and shot three bandito's across from her in an old Mexican mission courtyard. She watches as they fall to the ground. She has a cold and determined look on her face. Her eyes are fixed on the bandito's as they fall to the ground. She has colorful Native American arm tattoos, blonde hair with bangs, light blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliments her eyes. She wears an flat top brimmed hat, Clint Eastwood style poncho, and a ragged mini shirt. She is wearing an ornate gold and onyx belt and choker, and cowboy boots with silver spurs. It is dust with soft volumetric lighting from dim evening light that shines down behind her in the tense dark atmosphere. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

8 months ago

Hyper realistic, photo realism, zoomed out, full body HD Photo of beautiful, female equivalent of Clint Eastwoods man with no name. The view is from behind the 3 falling bandito's, the woman is seen standing about 40 feet in front of them. The wind is blowing her hair around and there is some dust in the air. She has drawn her revolver super fast with her right hand and shot the three bandito's in front of her in the courtyard of an old Mexican mission. She watches as they fall to the ground. She has a cold and determined look on her face. Her eyes are fixed on the bandito's as they fall to the ground. She has colorful Native American arm tattoos, black hair with bangs, dark blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliments her eyes. She wears an flat top brimmed hat, Clint Eastwood style poncho, and a ragged mini shirt. She is wearing an ornate gold and onyx belt and choker, and cowboy boots with silver spurs. There are torches lit in background, it is late evening, the sun has almost set in the background with an Reddish Orange glow in the sky, soft volumetric lighting from dim evening light that shines from behind her in the tense dark atmosphere. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

8 months ago

Hyper realistic, photo realism, zoomed out, full body HD Photo of beautiful, female equivalent of Clint Eastwoods man with no name. She is far enough back from the camera that her entire body can be seen. The view is from the steps of the mission where the woman can be seen on the left and and the 3 bandito's can been seen on the right as she shoots. The wind is blowing her hair around and there is some dust in the air. She has drawn her revolver super fast with her right hand and shot three bandito's across from her in an old Mexican mission courtyard. She watches as they fall to the ground. She has a cold and determined look on her face. Her eyes are fixed on the bandito's as they fall to the ground. She has colorful Native American arm tattoos, black hair with bangs, dark blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliments her eyes. She wears an flat top brimmed hat, Clint Eastwood style poncho, and a ragged mini shirt. She is wearing an ornate gold and onyx belt and choker, and cowboy boots with silver spurs. It is dust with soft volumetric lighting from dim evening light that shines down behind her in the tense dark atmosphere. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

7 months ago

Hyper realistic, photo realism, zoomed out, full body HD Photo of beautiful, female equivalent of Clint Eastwoods man with no name. The view is from the steps of the mission. The wind is blowing her hair around and there is some dust in the air. She has drawn her revolver super fast with her right hand and shot three bandito's across from her in an old Mexican mission courtyard. She watches as they fall to the ground. She has a cold and determined look on her face. Her eyes are fixed on the bandito's as they fall to the ground. She has colorful Native American arm tattoos, blonde hair with bangs, light blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliments her eyes. She wears an flat top brimmed hat, the brim of her hat is level with her eyebrows. Clint Eastwood style poncho, and a ragged mini shirt. She is wearing an ornate gold and onyx belt and choker, and cowboy boots with silver spurs. It is night with soft volumetric lighting from dim lantern light that shines down behind her in the tense dark atmosphere. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

8 months ago

Hyper realistic, photo realism, zoomed out, full body HD Photo of beautiful, female equivalent of Clint Eastwoods man with no name. She is far enough back from the camera that her entire body can be seen. The view is from the steps of the mission where the woman and the 3 bandito's can been seen. The wind is blowing her hair around and there is some dust in the air. She has drawn her revolver super fast with her right hand and shot three bandito's across from her in an old Mexican mission courtyard. She watches as they fall to the ground. She has a cold and determined look on her face. Her eyes are fixed on the bandito's as they fall to the ground. She has colorful Native American arm tattoos, black hair with bangs, dark blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliments her eyes. She wears an flat top brimmed hat, Clint Eastwood style poncho, and a ragged mini shirt. She is wearing an ornate gold and onyx belt and choker, and cowboy boots with silver spurs. It is dust with soft volumetric lighting from dim evening light that shines down behind her in the tense dark atmosphere. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

8 months ago

Hyper realistic, photo realism, zoomed out, full body HD Photo of beautiful, female equivalent of Clint Eastwoods man with no name. She is on the far end of the courtyard from the mission with her entire body view. The view is from behind the 3 falling bandito's, the woman is seen standing in from of the mission. The wind is blowing her hair around and there is some dust in the air. She has drawn her revolver super fast with her right hand and shot the three bandito's in front of her in the courtyard of an old Mexican mission. She watches as they fall to the ground. She has a cold and determined look on her face. Her eyes are fixed on the bandito's as they fall to the ground. She has colorful Native American arm tattoos, black hair with bangs, dark blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliments her eyes. She wears an flat top brimmed hat, Clint Eastwood style poncho, and a ragged mini shirt. She is wearing an ornate gold and onyx belt and choker, and cowboy boots with silver spurs. The sun has almost set in the background with an Reddish Orange glow, soft volumetric lighting from dim evening light that shines from behind her in the tense dark atmosphere. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

8 months ago

Hyper realistic, photo realism, zoomed out, full body HD Photo of beautiful, female equivalent of Clint Eastwoods man with no name. She is far back from the camera that her entire body can be seen. The view is from the steps of the mission where the woman can be seen on the left and and the 3 bandito's can been seen on the right as she shoots. The wind is blowing her hair around and there is some dust in the air. She has drawn her revolver super fast with her right hand and shot three bandito's across from her in an old Mexican mission courtyard. She watches as they fall to the ground. She has a cold and determined look on her face. Her eyes are fixed on the bandito's as they fall to the ground. She has colorful Native American arm tattoos, black hair with bangs, dark blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliments her eyes. She wears an flat top brimmed hat, Clint Eastwood style poncho, and a ragged mini shirt. She is wearing an ornate gold and onyx belt and choker, and cowboy boots with silver spurs. It is dust with soft volumetric lighting from dim evening light that shines down behind her in the tense dark atmosphere. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.