A sample prompt of what you can find in this page
Prompt by JamesPH

dust explosion prompts

very few results

8 months ago

An abstract painting of the epic battle between Gandalf and the Balrog on the Bridge of Khazad-dûm. The scene is dynamic and surreal, capturing the raw power and emotions of the moment in expressive, swirling brushstrokes. The Balrog is a terrifying fusion of shadow and fire, its form suggested rather than fully defined, with fiery tendrils erupting from a dark, menacing shape. Bright, intense strokes of red, orange, and deep black represent the Balrog’s infernal fire, radiating heat and chaos across the canvas. Gandalf stands defiantly, a contrasting figure of calm and light amidst the swirling darkness, his silhouette illuminated by the Balrog’s fiery glow. His staff is raised, casting a faint, ethereal light that pushes against the Balrog's darkness, symbolizing hope and resilience. His grey robes are hinted at through soft, muted strokes of grey and blue, blending into the scene yet distinct, giving the impression of his movement and power. The bridge itself is a precarious line, barely visible in the chaotic swirls, hinting at the dangerous, thin structure of the narrow bridge as it arcs slightly above the fiery chasm below. Explosive strokes of paint represent the dust, embers, and shadows, while textures and thick layers of paint create depth and intensity. The atmosphere is chaotic yet balanced, with broad brushstrokes and splashes capturing the tumult of fire, shadow, and light. The entire piece is suffused with volumetric light effects in abstract form, where flames seem to bleed into the shadows, and Gandalf’s faint glow stands as a solitary defense against overwhelming darkness. Rendering Style: A powerful, expressive abstract with bold colors, dynamic brushstrokes, and a sense of movement that evokes the essence of the battle. A masterpiece inspired by classic fantasy, ideal for ArtStation, with a focus on mood, contrast, and the fierce energy of this legendary confrontation.

6 months ago

In the ashes of humanity, the machines didn’t rise—they evolved beside us. Welcome to the last rush for survival." Set in a sprawling futuristic megacity forged from the ruins of civilization, this cinematic scene captures the final moments of a world in collapse. The skyline is jagged with half-destroyed towers wrapped in neon and steel, flickering with broken holograms and propaganda. Below, chaos reigns as cyber-enhanced humans in patchwork armor race through smoke-filled streets and shattered flyovers, battling both time and enemies. Beside them move sentient machines—not overlords, but evolved companions and rivals. Hyper-realistic humanoid robots with expressive synthetic faces and intelligent eyes move with unsettling precision. Their exteriors show signs of life in war: scorched plating, exposed wiring, and adaptive mechanical limbs. Towering war mechs stride through burning rubble, scanning for threats with glowing optic sensors. Every robot is built to be strikingly believable to the human eye, with muscle-like hydraulics, subtle facial cues, and worn textures that reflect years of coexistence and combat. Blazing beam lights cut through dense urban smog as distant explosions ripple in the background. Vehicles—futuristic hybrids of armored trucks and drones—speed through elevated lanes, leaving trails of fire and dust. The air is thick with motion, urgency, and rebellion. This is the last great rush to survive in a world shared, not conquered, by machines. Ultra-detailed, photorealistic rendering, 4K realism, cinematic lighting, wide-angle perspective. Crafted for fans of dystopian futures, evolved AI, and humanity’s final stand.

20 days ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

20 days ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

20 days ago

Combining 3 images photorealistic photo of the Bungle Bungle Range at sunrise, warm golden light, a large red kangaroo standing proudly in the foreground, a rusty and weathered Mad Max V8 Interceptor muscle car parked on the desert plain, vast Australian outback, ultra detailed. Cinematic fusion of warrior Mad Max Ford V8 Interceptor, brought to life in the Australian outback, image captured by one of the best wildlife photographers in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. A spectre from two legends in current time, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. He is a fearsome. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the Ford Falcon V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit and inspiration. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive absolute power. The paint is still in perfect condition, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, north Australia savanna woodlands stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

20 days ago

Cinematic fusion of warrior called Ned Kelly and the Mad Max Ford V8 Interceptor, brought to life in the Australian outback, image captured by one of the best wildlife photographers in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. A spectre from two legends in current time, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. He is a fearsome. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the Ford Falcon V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit and inspiration. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive absolute power. The paint is still in perfect condition, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, north Australia savanna woodlands stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

20 days ago

Combining 3 images photorealistic photo of the Bungle Bungle Range at sunrise, warm golden light, a large red kangaroo standing proudly in the foreground, a rusty and weathered Mad Max V8 Interceptor muscle car parked on the desert plain, vast Australian outback, ultra detailed. Cinematic fusion of warrior Mad Max Ford V8 Interceptor, brought to life in the Australian outback, image captured by one of the best wildlife photographers in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. A spectre from two legends in current time, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. He is a fearsome. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the Ford Falcon V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit and inspiration. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive absolute power. The paint is still in perfect condition, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, north Australia savanna woodlands stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance