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Prompt by fdfd42df7ad

falling stars prompts

very few results

6 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out side view full body HD Photo High noon, oh I'd sell my soul for water, Nine years worth of breakin' my back. There's no sun in the shadow of the wizard. See how he glides, why he's lighter than air. Oh, I see his face. Where is your star? Is it far? When do we leave? I believe, yes, I believe In the heat and the rain. With whips and chains. To see him fly. So many died. We build a tower of stone. With our flesh and bone. Just to see him fly. But don't know why. Now where do we go? Hot wind moving fast across the desert. We feel that our time has arrived. The world spins while we put his dream together. A tower of stone to take him straight to the sky. All eyes see the figure of the wizard. As he climbs to the top of the world. No sound, as he falls instead of rising. Time standing still, then there's blood on the sand. But why, In all the rain With all the chains Did so many die Just to see him fly? Look at my flesh and bone. Look at his tower of stone I see a rainbow rising Look there on the horizon. And I'm coming home. Time is standing still, He gave back my will My eyes are bleeding, And my heart is leaving here. The place I've known, But it's not home, Take me back. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

6 months ago

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out side view full body HD Photo High noon, oh I'd sell my soul for water, Nine years worth of breakin' my back. There's no sun in the shadow of the wizard. See how he glides, why he's lighter than air. Oh, I see his face. Where is your star? Is it far? When do we leave? I believe, yes, I believe In the heat and the rain. With whips and chains. To see him fly. So many died. We build a tower of stone. With our flesh and bone. Just to see him fly. But don't know why. Now where do we go? Hot wind moving fast across the desert. We feel that our time has arrived. The world spins while we put his dream together. A tower of stone to take him straight to the sky. All eyes see the figure of the wizard. As he climbs to the top of the world. No sound, as he falls instead of rising. Time standing still, then there's blood on the sand. But why, In all the rain With all the chains Did so many die Just to see him fly? Look at my flesh and bone. Look at his tower of stone I see a rainbow rising Look there on the horizon. And I'm coming home. Time is standing still, He gave back my will My eyes are bleeding, And my heart is leaving here. The place I've known, But it's not home, Take me back. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

6 months ago

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out side view full body HD Photo High noon, oh I'd sell my soul for water, Nine years worth of breakin' my back. There's no sun in the shadow of the wizard. See how he glides, why he's lighter than air. Oh, I see his face. Where is your star? Is it far? When do we leave? I believe, yes, I believe In the heat and the rain. With whips and chains. To see him fly. So many died. We build a tower of stone. With our flesh and bone. Just to see him fly. But don't know why. Now where do we go? Hot wind moving fast across the desert. We feel that our time has arrived. The world spins while we put his dream together. A tower of stone to take him straight to the sky. All eyes see the figure of the wizard. As he climbs to the top of the world. No sound, as he falls instead of rising. Time standing still, then there's blood on the sand. But why, In all the rain With all the chains Did so many die Just to see him fly? Look at my flesh and bone. Look at his tower of stone I see a rainbow rising Look there on the horizon. And I'm coming home. Time is standing still, He gave back my will My eyes are bleeding, And my heart is leaving here. The place I've known, But it's not home, Take me back. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

9 months ago

A colossal crystalline tower, woven from liquid gold and neon threads of fate, fractures into infinite fragments, spiraling through a storm of cosmic fire and celestial lightning. The sky is a swirling chaos of burning stars and silver holographic tears, as reality itself is shattered in an instant of divine destruction. From the ruins, two ethereal figures tumble through the void, their forms flickering between past and future selves, symbolizing the inescapable transformation that follows upheaval. Their expressions are not of fear, but of awakening, as though falling is the first step toward true liberation. Floating above, an all-seeing celestial eye emerges from the rift, its gaze dispassionate and unyielding, watching as the old is destroyed to make way for the new. Around it, cosmic blueprints of fate unravel and rewrite themselves, shaping the next iteration of reality. Below, golden staircases spiral into nothingness, remnants of paths no longer meant to be walked. The very fabric of existence melts and drips like wax, a reminder that structures built on falsehood must eventually collapse. Salvador Dalí surrealism, hyper-detailed, dynamic destruction, cosmic rebirth, neon fire and celestial storms, cinematic 4K transcendence, high-energy lighting, photorealistic apocalyptic vision, surreal architecture collapse. --avoid: blurry, pixelated, distorted proportions, extra limbs, unrealistic physics, oversaturated, stretched features, random artifacts, cartoonish, low-poly, poor lighting, generic fantasy elements, missing details, poor perspective, disconnected objects, floating elements without structure.