A sample prompt of what you can find in this page
Prompt by Omega

fire night with prompts

hundreds of results

6 months ago

close-up portrait of a female red demon, bathed in a warm, golden glow reminiscent of a sunset over a mystical realm. Her physique, honed from the fires of the underworld, is clad in a sleek, high-cut latex swimsuit with a snakeskin pattern that shimmers like polished obsidian, accentuating her athletic curves. Black latex boots rise up her legs like dark, glossy spires, while her raven tresses cascade down her back like a waterfall of night, styled with sharp, choppy bangs that frame her heart-shaped face like a dark, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. she smiles seductively to thew camera, and with Beckoning gesture to come to her with passion and desire smile on lips. Ambient blue and red lighting effects dance across the metal accents, casting a mesmerizing glow that evokes the fusion of ancient mythology and modern technology. The air is charged with an aura of anticipation, as if the very fabric of reality is about to be torn asunder by the demon's haunting melody. Melting lava flows across the floor like a river of liquid fire, casting flickering shadows on the walls as the demon's song builds to a crescendo. Inspired by the dark mysticism of Zdzisław Beksiński, the biomechanical nightmares of H.R. Giger, and the stark, gothic elegance of Ashley Wood, with a dash of Syd Mead's 8K hyper-realistic 3D rendering, Roger Dean's atmospheric lighting, and Ash Thorp's cinematic composition, all distilled through the warm, golden tones of a Kodak Ektar lens, complete with subtle lens flare and a hint of film grain.

1 month ago

close-up portrait of a female red demon, bathed in a warm, golden glow reminiscent of a sunset over a mystical realm. Her physique, honed from the fires of the underworld, is clad in a sleek, high-cut latex swimsuit with a snakeskin pattern that shimmers like polished obsidian, accentuating her athletic curves. Black latex boots rise up her legs like dark, glossy spires, while her raven tresses cascade down her back like a waterfall of night, styled with sharp, choppy bangs that frame her heart-shaped face like a dark, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. she smiles seductively to thew camera, and with Beckoning gesture to come to her with passion and desire smile on lips. Ambient blue and red lighting effects dance across the metal accents, casting a mesmerizing glow that evokes the fusion of ancient mythology and modern technology. The air is charged with an aura of anticipation, as if the very fabric of reality is about to be torn asunder by the demon's haunting melody. Melting lava flows across the floor like a river of liquid fire, casting flickering shadows on the walls as the demon's song builds to a crescendo. Inspired by the dark mysticism of Zdzisław Beksiński, the biomechanical nightmares of H.R. Giger, and the stark, gothic elegance of Ashley Wood, with a dash of Syd Mead's 8K hyper-realistic 3D rendering, Roger Dean's atmospheric lighting, and Ash Thorp's cinematic composition, all distilled through the warm, golden tones of a Kodak Ektar lens, complete with subtle lens flare and a hint of film grain.

3 months ago

A photorealistic, artistic image, maintaining the overall dark and moody composition. The central focus is a (singular, glistening, detailed Spider-Man web:1.4), meticulously (spun from distinct spider silk threads to clearly and legibly form the word "STOP" in capital letters:1.8). This web, (forming the word "STOP":1.7), is suspended in mid-air within a (narrow, rain-slicked, very dark and shadowy urban alleyway at night with a clear perspective showing its depth:1.3). To the left side of the alley, nestled against a shadowy wall and slightly in the foreground, stands a (classic red fire hydrant:1.3), its deep red color discernible. The (individual strands and threads making up the letters of "STOP" on the web:1.5) emit a (subtle but clear, faint rainbow-colored luminescence or iridescent glow:1.6), serving as a key light source for the web and its immediate surroundings. (Spider-Man himself is now a crucial and dynamic element:1.6). Positioned just behind the plane of the web, (his masked head and perhaps the very top of his shoulders are dramatically emerging through the natural opening of the letter 'O' in the web-formed word "STOP":1.9). (His head should be sharply in focus, appearing to dynamically jut out towards the viewer:1.8), creating a strong sense of depth and making it a powerful foreground element. The rest of his body remains mostly obscured or melds into the shadows behind the web. His mask should catch (subtle, realistic highlights from the glowing rainbow strands of the 'O' he is passing through:1.5) and any faint ambient light, emphasizing its classic form and texture. The alley itself remains characterized by deep shadows and natural night-time darkness. (A very faint, distant city glow might barely touch the far background:0.5). The red fire hydrant remains a contrasting element. Reflections on the wet pavement should primarily stem from the web's own rainbow luminescence. The (web-formed word "STOP":1.6) is still artfully spun. Its (glowing, rainbow-hued letterforms:1.5) appear (distinctly self-illuminated:1.4) against the (surrounding deep darkness:1.3). The image is cinematic, with high detail, focusing on the dramatic interplay between the (glowing web spelling "STOP":1.6) and (Spider-Man's head protruding directly towards the audience:1.7), all within the established dark, moody alley setting with the red hydrant as a side anchor