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Prompt by 812c6bbb11a

floating on the lake prompts

very few results

9 months ago

In the textured realism of Simon Stålenhag, a moon-worshiping priestess sits bareback atop a silver-grey horse, her naked body illuminated by the cold, blue glow of a massive full moon (1.9) that dominates the night sky. Her long, black, messy hair cascades over her shoulders and back, catching the moonlight as it contrasts against her smooth skin. Her posture is graceful yet raw, her natural curves, including a softly rounded bubble butt (2.0), accentuated by the gentle play of light across her figure. The horse stands still at the edge of a calm, reflective lake, its muscular frame and silvery coat shimmering faintly in the moonlight. The distant shore is shrouded in a light veil of smoke (1.8), giving the landscape a mysterious and otherworldly quality. The lake itself mirrors the enormous moon above, rippling slightly from a gentle breeze and the subtle movements of the horse. Surrounding the priestess are torches planted in the ground, their tall, flickering flames casting dynamic, golden light that contrasts sharply with the moon’s cold blue glow (1.9). The interplay between the warm torchlight and the cool moonlight creates a cinematic tension, with shadows and highlights moving across her figure and the horse’s sleek coat. Across the lake, hundreds of fireflies (1.8) float and flicker, their tiny golden lights adding a sense of wonder and depth to the scene. The air feels alive with movement and sound—the crackling of torches, the soft rustle of leaves, and the faint hum of fireflies blending into the serene quiet of the night. The volumetric lighting enhances the atmospheric realism, with beams of moonlight filtering through the light smoke over the lake and intermingling with the warm torchlight. The muted earthy tones of the surrounding environment blend seamlessly with the cool blues and fiery oranges of the light sources, creating a nostalgic and sacred ambiance. The scene captures Stålenhag’s signature blend of haunting realism and mystical serenity, evoking a timeless, sacred ritual.

7 months ago

Two ethereal figures entwined in a celestial embrace float above a mirrored cosmic lake, their bodies woven from stardust and iridescent light. Their faces are radiant yet undefined, reflecting the universal duality of love—fated connection and free will, passion and soul recognition. Above them, a monolithic, holographic heart hovers, fracturing and reforming in infinite loops, pulsating with the energy of the cosmos. From its core, golden threads extend outward, binding the lovers together, symbolizing the invisible forces of destiny and divine love. Behind them, a massive, neon-winged angel with a translucent, ever-shifting face looms in the sky, eyes glowing with celestial fire, representing divine guidance and protection. The background melts into surreal, liquid dreamscapes of golden clouds, spiraling DNA strands of light, and endless neon floral gardens blooming into infinity. On either side, two cosmic trees stand—one ablaze with molten gold and opal blossoms, the other coated in silver ice and shifting astral symbols, embodying the eternal balance between creation and destruction, love and transformation. A staircase made of fractured starlight ascends from the lake, disappearing into a vortex of swirling dimensions, a reminder that love is both a path and a choice. Salvador Dalí surrealism, hyper-detailed, divine energy, radiant, 4K cinematic surrealism, neon cosmic textures, dreamlike atmosphere, iridescent lighting, ethereal glow, celestial beauty. --avoid: malformed, extra limbs, distorted anatomy, blurry, low-resolution, pixelated, oversaturated, exaggerated facial expressions, poorly drawn hands, cartoonish, low-poly, unrealistic physics, artificial reflections, noisy, stretched elements, watermark, text artifacts.

5 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

5 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.