A sample prompt of what you can find in this page
Prompt by AkiraS

flowing script prompts

hundreds of results

7 months ago

A hyperrealistic close-up, half-figure portrait of Gandalf the Grey, his intense gaze focused downward as he holds his hand under the One Ring, which levitates just above his open palm. Gandalf’s expression is a mix of awe, contemplation, and caution, his piercing eyes capturing the weight of the ring’s power and his own reluctance to handle it. Fine wrinkles and age lines on his face are intricately detailed, capturing the wisdom and burden of his years. His grey cloak and robes are richly textured, each fold and shadow rendered with lifelike precision, while his long, white beard flows naturally down his chest. The One Ring hovers above his hand, glowing with an eerie, molten golden light that illuminates the Elvish script carved into its surface. The iconic letters glow a fiery orange-red, their curves and lines vividly etched, as if burning from within. The light from the ring casts a warm, golden glow on Gandalf’s hand and face, creating complex shadows and highlights that contrast against the cooler tones of his clothing and the dim background. A faint, magical aura surrounds the ring, with subtle particles of light drifting upward, hinting at its otherworldly power. The background is dark and blurred, ensuring the viewer’s attention remains on Gandalf and the ring, with only hints of mist or faint light in the distance to add depth. The lighting is dramatic and focused, with the ring as the central source, casting a delicate radiance on Gandalf’s fingers and the furrowed lines on his brow. This composition captures the intensity and danger of the One Ring, suspended in a moment of powerful, quiet tension

c7e48d371df
3 69

7 months ago

A hyperrealistic close-up, half-figure portrait of Gandalf the Grey, his intense gaze focused downward as he holds his hand under the One Ring, which levitates just above his open palm. Gandalf’s expression is a mix of awe, contemplation, and caution, his piercing eyes capturing the weight of the ring’s power and his own reluctance to handle it. Fine wrinkles and age lines on his face are intricately detailed, capturing the wisdom and burden of his years. His grey cloak and robes are richly textured, each fold and shadow rendered with lifelike precision, while his long, white beard flows naturally down his chest. The One Ring hovers above his hand, glowing with an eerie, molten golden light that illuminates the Elvish script carved into its surface. The iconic letters glow a fiery orange-red, their curves and lines vividly etched, as if burning from within. The light from the ring casts a warm, golden glow on Gandalf’s hand and face, creating complex shadows and highlights that contrast against the cooler tones of his clothing and the dim background. A faint, magical aura surrounds the ring, with subtle particles of light drifting upward, hinting at its otherworldly power. The background is dark and blurred, ensuring the viewer’s attention remains on Gandalf and the ring, with only hints of mist or faint light in the distance to add depth. The lighting is dramatic and focused, with the ring as the central source, casting a delicate radiance on Gandalf’s fingers and the furrowed lines on his brow. This composition captures the intensity and danger of the One Ring, suspended in a moment of powerful, quiet tension

c7e48d371df
2 56

7 months ago

High-definition double exposure artwork with vibrant colors featuring a macro white filigree feather placed on a rustic wooden table surface. Around the feather, there are pine cones, cinnamon sticks, and tiny people walking along a swirling road leading to the Chardham pilgrimage sites – Yamunotri, Gangotri, Kedarnath, and Badrinath. Each location is depicted with detailed temple architecture, snow-capped Himalayan peaks, flowing holy rivers, and pilgrims on their spiritual journey. Inside the feather, there is a cinematic winter shaman-style girl portrait with glowing aurora borealis over arctic landscapes, blending seamlessly with trees, a caravan of deers, wooden houses, and a dynamic play of light and shadows. The artwork is inspired by Kuindzhi and Rockwell with expressive brushstrokes, transparent washes, and a hyperrealistic texture. The outer edge of the feather features the words 'Bhargawa Holidays' in an elegant, vintage-inspired script. The image is captured from a top-angle shot, resembling a professional postcard with ultra-detailed textures, dynamic shadow play, and deep cinematic depth. The Chardham temples are intricately designed, glowing with sacred energy, while the feather’s surface reflects pilgrimage scenes with luminism-inspired lighting and an ethereal, airy mood. Image Settings: Aspect Ratio: 9:16 (vertical format for posters and postcards) Resolution: Ultra HD, hyperrealistic textures with cinematic depth Lighting: Soft and ethereal with dynamic shadows and glowing highlights Focus: Macro close-up on feather, slight blur on wooden background Art Style: Double exposure, hyperrealism, mixed with expressive brushstrokes and luminism Composition: Central feather with Chardham locations inside, "Bhargawa Holidays" text on the outer edge Colors: Rich and vibrant hues with cool arctic blues, warm wood browns, and glowing temple golds Mood: Mystical, spiritual, and cinematic, blending nature and divine essence A masterpiece of surreal storytelling, combining pilgrimage, nature, and artistic brilliance through a double exposure cinematic style.

Natwar
2 170

5 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.

ElectricL
2 100