A sample prompt of what you can find in this page
Prompt by wata

framed by heavy prompts

hundreds of results

2 months ago

A ultra realistic photo of a girl standing next to a Rolls-Royce, Her eyes are bright, cool blue with a hint of grey, slightly almond-shaped with thick naturally curled lashes and softly defined brows. Her nose is delicate and narrow with a softly rounded tip, clearly adorned with a small silver nose-ring piercing on the left nostril, catching a subtle metallic reflection. Her lips are full and softly textured in warm rose-brown. Deep brunette hair in long natural waves with curtain bangs and a few realistic flyaways. Warm sun-kissed bronze skin with fine freckles across cheeks and nose; visible pores and micro-texture in natural light. with old egyptian buildings in the background. Shot as if on a disposable Fujifilm camera with an 8mm fisheye lens; Portra 400 + Cinestill 800 film aesthetic; heavy grain, dusty frame, slight film imperfections, direct flash. Vogue fashion editorial vibe, gritty film photography style, dark cinematic tones, ultra-realistic textures, glossy reflections, and photo-realism. Moisture-reactive and snug fabric physics, natural fabric tension with contour shaping, subtle highlights on folds and curves with midtones matte for realism, gravity-aware and maximally opulent décolleté effect, ultra-voluminous neckline shaping, celebrity-style glamour, influencer aesthetics with refined, full silhouette, subtle moisture-adaptive skin sheen with natural specular highlights, visible pores, soft skin texture, faint vein detailing for hyperrealism.

8 months ago

"The Colossus Beneath the Desert" – (Primary Subject: Titanic Buried Giant Stirring Beneath Sand Dunes, 1.7 weight) — deep in an endless, wind-scoured desert, a vast ancient colossus lies half-submerged beneath dunes of golden sand, its face cracked and weathered, sculpted from stone and bone. One glowing eye now flickers to life for the first time in ten thousand years, casting a pillar of blue light through the dust-choked sky. It is waking. The scale is impossible—ridges of sand ripple for miles outward with each breath it takes. What appears to be mountains on the horizon are the curved tips of its buried fingers, slowly flexing. Its ribs form deep canyons, home to temples built by forgotten civilizations who once worshipped it as god, jailer, and weapon. Above it, a caravan of nomads has stopped. Their camels rear back in fear. The elders whisper old songs once thought metaphor. A solitary figure in ceremonial robes walks toward the eye, chanting in forgotten tongues, holding a staff that glows faintly in resonance. This is not a confrontation. It is a negotiation. The sky roils with duststorms, lit orange and violet by the setting sun. Shadows stretch long across the sand, wrapping the moment in mythic stillness. Massive stone anklets and rune-bound chains anchor the colossus deep below—their glyphs eroded, weakened. A sandstorm gathers behind it, as if the world resists its rising. Its skin is made of layered strata and fossilized memory, carved with glowing runes that flicker like fault lines. When it exhales, the wind shifts continents. Its breath is heavy with salt, iron, and ancient sound. The desert listens. Rendered in epic cinematic realism, with sweeping scale, warm atmospheric tones, and deep contrast between golden sand, cold stone, and glowing eyes. Shot through a dusty anamorphic lens, grain visible in the low sun, with volumetric light shafts and wide mythic framing. Think Dune x Dark Souls x ancient Mesopotamian apocalypse (monumental visual drama, 1.4 weight).

4 months ago

A highly stylized photorealistic cinematic marvel and fantasy film wonder of Optimus Prime as a live action space cowboy in a futuristic western. Composition: A close-up shot from his waist up. View his worn expression. Attire: Detailed space bounty hunter attire. he wears a flowing worn-out brownish-red cape, his colors are muted and washed out, plasma revolver. Body:: his metal body is realistic and textured, he wears a worn brownish-red cape, his colors are muted and washed out, plasma revolver. There are cybernetic enhancements. high-tech gadgets. Emphasize the layered plates with similar weathered steel/iron and ornate bronze/gold accents. Show realistic wear and tear, including scratches, dents, and the patina of age. Materiality: The interplay of dark, oxidized metal with bright, gleaming bronze/gold details should be a primary focus. The contrast should be stark but harmonious, conveying both strength and artistry. Color Scheme: The photo grey washed coloring. Dominated by browns, grays, tans and deeps blues. Style: There is combination of Steampunk, Cyberpunk, and early Western cinema. Lighting: Employ harsh contoured lighting and cinematic film grading emblematic of an action movie. Mood/Tone: Epic, heroic, intense, and gritty. Convey the weight and solemnity of battle while highlighting the strength and determination of the warrior. Background: The cosmic frontier. Rolling sand dunes and Heavy Rock formations across a vast land scape. Breathtaking nebulas festoon the sky. **Advanced Model Specifics (Metaprompting for AI capabilities):** * `Model: Custom Fine-tuned Generative Adversarial Network (GAN) or VAE-based model with strong photorealism capabilities, trained on diverse fashion, portrait, and nature photography datasets.` * `Parameters: High guidance scale (e.g., 9-12), large number of sampling steps (e.g., 80-150), specific sampler (e.g., DPM++ 2M Karras, Euler A).` * `Weighting: High weight on "photorealism," "high detail," "ethereal," and "natural light."` * `Iterative Refinement Strategy: Implement iterative inpainting and outpainting if initial generation lacks specific details or expands beyond frame, focusing on textural consistency and seamless integration.` * `Emphasis on Micro-details: Explicitly prompt for oxidized metal with bright, gleaming bronze/gold details, subtle reflections in eyes, detailed surfaces, and layered plates structures.

2 months ago

A hyper-credible sun-facing selfie (not a mirror shot; no phone visible) captured on an iPhone 16 Pro Max. Subject: the uploaded woman Hair: Makeup: subtle black eyeliner, matte lipstick; natural pores (no beauty filter). Expression (shocked): brows lifted and knit; eyes wide with bright catchlights; pupils slightly constricted by sun; mouth parted in a small inhale (not exaggerated); faint cheek/neck tension; micro-sheen on T-zone from heat. Wardrobe (tank top + accessories): matte ribbed cotton tank top in desaturated slate blue (no logos), scooped neckline, thick straps, relaxed fit; soft fabric micro-creases from movement, no plasticky shine. Accessories: tiny silver huggie hoops; two thin layered silver necklaces (one short box chain with a 2–3 mm disc pendant, one slightly longer cable chain); fabric-strap field watch (olive) on left wrist; woven paracord bracelet (neutral) on right wrist; a slim tan canvas cross-body strap from a small pouch just grazing the frame edge (bag itself mostly out of frame). Jewelry is low-gloss so it doesn’t flare; keep silhouettes clean and non-distracting. Moment: behind her, a realistic, predatory dinosaur (T. rex-like) leaping from foliage—low, sneaky posture; mouth slightly open with saliva filaments; cat-like focused eye; fine scales and muscular anatomy; dust/leaf debris kicked up. Lighting & look: broad noon daylight in a lush jungle (large leaves, sun shafts). Sun is the key in front of her (10–11 o’clock) for crisp, short shadows and hair rim-sparkles; use natural ground/leaf bounce as fill (key:fill ≈ 3:1) so shadows stay readable. Feather highlights—no blown hotspots on cheeks/forehead. Dynamic range preserved (retain sky/leaf detail); no obvious filters. If supported, apply background-only micro-motion blur and handheld micro-shake while keeping her face tack-sharp. Framing & optics: vertical portrait selfie at arm-length, slight wide-angle feel; background compressed enough to keep the dinosaur readable. Shallow DoF from close focus on her face—eyes ultra-sharp; controlled speculars along hair layers; distinct catchlights in eyes. Environment: humid air; faint pollen/dust motes; torn leaves mid-air; scuffed ground. Color: sunlit greens; warm, lifelike skin; dinosaur hues olive/umber/ash—not plastic. Hard rules: do not show a phone; selfie (not mirror); no stylized filters; no heavy shadows; adult subject. Avoid: plastic toy textures, CGI gloss, grim darkness, lens flares across face, exaggerated depth warping, artificial makeup blur.

5 months ago

A highly stylized photorealistic cinematic marvel and fantasy film wonder of Optimus Prime as a live action space cowboy in a futuristic western. Composition: A close-up shot from his waist up. View his worn expression. Attire: Detailed space bounty hunter attire. he wears a flowing worn-out brownish-red cape, his colors are muted and washed out, plasma revolver. Body:: his metal body is realistic and textured, he wears a worn brownish-red cape, his colors are muted and washed out, plasma revolver. There are cybernetic enhancements. high-tech gadgets. Emphasize the layered plates with similar weathered steel/iron and ornate bronze/gold accents. Show realistic wear and tear, including scratches, dents, and the patina of age. Materiality: The interplay of dark, oxidized metal with bright, gleaming bronze/gold details should be a primary focus. The contrast should be stark but harmonious, conveying both strength and artistry. Color Scheme: The photo grey washed coloring. Dominated by browns, grays, tans and deeps blues. Style: There is combination of Steampunk, Cyberpunk, and early Western cinema. Lighting: Employ harsh contoured lighting and cinematic film grading emblematic of an action movie. Mood/Tone: Epic, heroic, intense, and gritty. Convey the weight and solemnity of battle while highlighting the strength and determination of the warrior. Background: The cosmic frontier. Rolling sand dunes and Heavy Rock formations across a vast land scape. Breathtaking nebulas festoon the sky. **Advanced Model Specifics (Metaprompting for AI capabilities):** * `Model: Custom Fine-tuned Generative Adversarial Network (GAN) or VAE-based model with strong photorealism capabilities, trained on diverse fashion, portrait, and nature photography datasets.` * `Parameters: High guidance scale (e.g., 9-12), large number of sampling steps (e.g., 80-150), specific sampler (e.g., DPM++ 2M Karras, Euler A).` * `Weighting: High weight on "photorealism," "high detail," "ethereal," and "natural light."` * `Iterative Refinement Strategy: Implement iterative inpainting and outpainting if initial generation lacks specific details or expands beyond frame, focusing on textural consistency and seamless integration.` * `Emphasis on Micro-details: Explicitly prompt for oxidized metal with bright, gleaming bronze/gold details, subtle reflections in eyes, detailed surfaces, and layered plates structures.

7 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

7 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

3 months ago

a breathtaking masterwork of a smooth granite statue, exuding timeless elegance and regal authority, depicting a stunning ancient dwarven queen. She stands poised and majestic, her long, intricately braided hair cascading down her back, woven with delicate strands of silver and gold that catch the light, framing her strong, noble face with its chiseled features and piercing, wise eyes. Her robust, muscular yet gracefully proportioned body embodies both strength and femininity, making her instantly recognizable as a warrior and ruler. She is adorned in an ornate, flowing gown embellished with dwarven runes and gemstones, the fabric clinging subtly to her powerful frame, while a heavy, jewel-encrusted circlet rests upon her brow. The statue is elevated on a grand golden pedestal, its surface etched with ancient dwarven motifs, standing proudly in the heart of a meticulously worked stone chamber. The room is vast and awe-inspiring, with towering pillars carved from the same granite, their surfaces polished to a mirror-like sheen. Soft, ethereal lighting filters through narrow windows high above, casting dramatic sunshafts that dance across the statue, highlighting every intricate detail and creating a serene, almost sacred atmosphere. The scene is rendered with hyper-realistic precision, evoking the grandeur of classic fantasy artistry found in Dungeons & Dragons lore and the meticulous craftsmanship celebrated on ArtStation. The composition is sharp and focused, drawing the viewer’s eye directly to the queen’s commanding presence.