A sample prompt of what you can find in this page
Prompt by JDHampton

gills prompts

very few results

2 months ago

“Hyperrealistic miniature mushroom thief, knee-high, crouched in the shadows of a moonlit medieval alley, one hand gripping a stolen silver locket, the other pressed against a mossy stone wall. His body is a single, mature portobello mushroom — deep brown cap with cracked, leathery skin, gills exposed like tattered cloak folds, stem slightly bent from years of stealth. His face emerges from the cap’s underside: large, hypnotic human eyes — golden-amber irises with vertical slit pupils like a cat’s, glowing faintly in the dark, framed by thick, shadowed brows formed by the mushroom’s natural ridges. His mouth is a subtle, sly curve, barely visible beneath a dusting of spores. He wears a hooded cloak of moth-eaten velvet and dried lichen, patched with stolen silk scraps, cinched with a rope of braided root. On his head: a dented, tarnished iron coif — salvaged from a dead guard — pulled low over his brow, blending into the shadows. Rain mist clings to his cap; his breath fogs the cold air. Background: narrow alley between crumbling stone buildings, hanging laundry, distant torchlight flickering on wet cobblestones. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, chiaroscuro moonlight with cool shadows and warm torch highlights, ultra-detailed textures (mushroom gills, velvet fraying, rust flakes, spore dust, water droplets), live-action fantasy film aesthetic, by Guillermo del Toro and Roger Deakins, 8K cinematic masterpiece.”

2 months ago

“Hyperrealistic miniature mushroom thief, knee-high, crouched in the shadows of a moonlit medieval alley, one hand gripping a stolen silver locket, the other pressed against a mossy stone wall. His body is a single, mature portobello mushroom — deep brown cap with cracked, leathery skin, gills exposed like tattered cloak folds, stem slightly bent from years of stealth. His face emerges from the cap’s underside: large, hypnotic human eyes — golden-amber irises with vertical slit pupils like a cat’s, glowing faintly in the dark, framed by thick, shadowed brows formed by the mushroom’s natural ridges. His mouth is a subtle, sly curve, barely visible beneath a dusting of spores. He wears a hooded cloak of moth-eaten velvet and dried lichen, patched with stolen silk scraps, cinched with a rope of braided root. On his head: a dented, tarnished iron coif — salvaged from a dead guard — pulled low over his brow, blending into the shadows. Rain mist clings to his cap; his breath fogs the cold air. Background: narrow alley between crumbling stone buildings, hanging laundry, distant torchlight flickering on wet cobblestones. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, chiaroscuro moonlight with cool shadows and warm torch highlights, ultra-detailed textures (mushroom gills, velvet fraying, rust flakes, spore dust, water droplets), live-action fantasy film aesthetic, by Guillermo del Toro and Roger Deakins, 8K cinematic masterpiece.”

11 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early sunrise. Golden hour morning. A large sun breaks the horizon, flooding the open landscape with brilliant, violent colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the earth. The Lamborghini Murciélago LP 670-4 SV. Apex predator. Its orange hide is not paint, but a warning. The colour of no games. Its scissor doors are closed. Sealed. This silence is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture in the dawn light. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And materializing from the morning haze, the legendary Black fighting bull known as Murciélago. The bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; he is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation. Two legends, separated by centuries, fused in a single moment of defiance. The new light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. "Tribute Murciélago" — JDHampton

11 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early sunrise. Golden hour morning. A large sun breaks the horizon, flooding the open landscape with brilliant, violent colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the earth. The Lamborghini Murciélago LP 670-4 SV. Apex predator. Its orange hide is not paint, but a warning. The colour of no games. Its scissor doors are closed. Sealed. This silence is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture in the dawn light. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And materializing from the morning haze, the legendary Black fighting bull known as Murciélago. The bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; he is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation. Two legends, separated by centuries, fused in a single moment of defiance. The new light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. "Tribute Murciélago" — JDHampton

11 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early Sunrise, golden hour morning, large sunrise, brilliant colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the open landscape. The Murciélago LP 670-4 SV. Apex predator. Its orange hide is not a paint, but a warning, the colour of a no games. Its scissor doors are not open; they are splayed. A predator's broken jaw frozen mid-snarl. This is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And rising behind this mechanical spectre is the legendary Black fighting bull known as Murciélago, the bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; it is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation = Murciélago. Two legends, separated by centuries, fused in a single moment of defiance. The last light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. — JDHampton

11 days ago

**TRIBUTE: THE SCAR AND THE BULL** A raw still frame. Not a photograph. An artifact of intent. It is a scar on the landscape. The Murciélago LP 670-4 SV. Apex predator. Its orange hide is not a paint, but a warning, the colour of a venomous fish or a dying star. Its scissor doors are not open; they are splayed. A predator's broken jaw frozen mid-snarl. This is its war cry. Not a sound, but a pressure wave of pure intent. The vast cliff face behind it is the only witness, eroding in its presence. Every line is a fracture. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And rising behind this mechanical spectre, a phantom. A legendary Black fighting bull, rendered in spray paint and soul by an unseen hand upon the cliff wall. It is the ghost of Murciélago, the bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; it is standing. An immovable force meeting an unstoppable object—his own reincarnation. Two legends, separated by centuries, fused in a single moment of defiance. The last light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. — JDHampton

11 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early sunrise. Golden hour morning. A large sun breaks the horizon, flooding the open landscape with brilliant, violent colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the earth. The Lamborghini Murciélago LP 670-4 SV. Apex predator. Its orange hide is not paint, but a warning. The colour of no games. Its scissor doors are closed. Sealed. This silence is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture in the dawn light. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And materializing from the morning haze, the legendary Black fighting bull known as Murciélago. The bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; he is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation. Two legends, separated by centuries, fused in a single moment of defiance. The new light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. "Tribute Murciélago" — JDHampton

11 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early sunrise. Golden hour morning. A large sun breaks the horizon, flooding the open landscape with brilliant, violent colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the earth. The Lamborghini Murciélago LP 670-4 SV. Apex predator. Its orange hide is not paint, but a warning. The colour of no games. Its scissor doors are closed. Sealed. This silence is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture in the dawn light. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And materializing from the morning haze, the legendary Black fighting bull known as Murciélago. The bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; he is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation. Two legends, separated by centuries, fused in a single moment of defiance. The new light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. "Tribute Murciélago" — JDHampton