A sample prompt of what you can find in this page
Prompt by MixDiX

giving it a rich prompts

hundreds of results

8 months ago

(Fine art photography:1.5, Cinematic portrait:1.4, Intimate close-up:1.4, High-resolution 8K:1.5, Soft natural lighting:1.3, Warm skin tones:1.3, Sharp details:1.5, Shallow depth of field:1.3, Freckles enhancement:1.3, Dreamlike atmosphere:1.2) A strikingly freckled woman with flowing auburn hair, lying on soft white sheets in a dimly lit bedroom. Her piercing green eyes lock onto the viewer with an intensity that is both vulnerable and powerful. The soft glow of window light gently kisses her skin, accentuating the delicate contours of her face, the texture of her freckles, and the curve of her lips. Her arms are wrapped around her legs, drawing them close to her chest in a protective yet sensual pose. The warmth of her body contrasts with the cool tones of the background, creating a beautiful juxtaposition between warmth and isolation. Loose strands of coppery hair cascade onto the sheets, forming intricate, natural patterns that add depth and movement to the composition. The bokeh-rich background fades into soft shadows, enhancing the sense of intimacy and personal connection. Her skin glows naturally, tiny beads of moisture visible on her collarbones, giving the impression of a warm summer evening or a moment caught between sleep and waking. Her expression is soft yet piercing, inviting the viewer into a moment of quiet introspection. The setting is minimalist yet atmospheric, with subtle grain and soft highlights reminiscent of classic film photography. There is an unmistakable sense of presence and emotion, where every detail—from the way her fingers graze her skin to the diffused lighting spilling in through an unseen window—feels deliberate, artistic, and timeless.

5 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

7 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

5 months ago

[Image Type: Ultra-realistic, high-resolution color photograph / Modern digital portrait] of Antoine Lavoisier, captured with sharp focus and intricate detail, as if taken by a professional photographer using a contemporary digital camera. Overall Photographic Style: - Lighting: Natural, soft, and sophisticated studio lighting or natural daylight, emphasizing realistic skin tones and subtle shadows that define facial contours. - Depth of Field: Shallow depth of field to keep Antoine Lavoisier in crisp, sharp focus while gently blurring the background. - Color Palette: Natural and balanced, reflecting realistic skin undertones, hair colors, and fabric textures. - Sharpness & Detail: Extreme sharpness on facial features, revealing individual pores, very subtle lines, and distinct hair strands. Subject Details (Antoine Lavoisier): - Age: Depicted in his prime to mature years (late 30s to early 50s), appearing refined and intelligent. - Expression: Calm, composed, and highly intelligent. His gaze is direct and thoughtful, suggesting deep intellect. - Face Shape: More rounded, maintaining his noble and balanced appearance. - Skin Tone: Fair to light complexion with realistic, healthy skin undertones. - Hair: - Color: A distinguished shade of powdered grey or white, with hints of light brown beneath. - Style: Styled in a voluminous, tightly curled wig or coiffure, pulled back from the forehead and sides. - Eyes: - Color: Clear light blue or bright blue. - Shape: More rounded at the center, giving a subtly softer gaze. - Eyebrows: Thin to medium density, neatly arched, and light-colored. - Nose: Prominent, straight, and well-proportioned. - Mouth and Lips: Medium fullness, slightly pursed, with a muted natural pink tone. - Chin: Well-formed, slightly rounded. - Distinguishing Features: The powdered wig and refined expression conveying scientific rigor. Body and Clothing Details: - Posture: Dignified and upright. - Clothing: Formal 18th-century attire with modern realism. - Tailored Coat: Dark-colored, rich fabric (e.g., deep charcoal grey, dark brown, or muted deep red/maroon). - Shirt/Cravat: White linen dress shirt with ruffles at the front (jabot) and a neatly tied white cravat. Background: - Style: Simple, elegant, softly out-of-focus background (e.g., blurred study, dark textured wall, muted professional backdrop). - Color Tone: Dark grey, deep brown, rich dark green, or subtle gradient. Overall Mood/Atmosphere: Intellectual, pioneering, distinguished, and profound, conveying his status as a foundational figure in chemistry.

5 months ago

Image Type: Digital photograph, formal studio portrait. Overall Photographic Style: Photorealistic, ultra-high resolution, exceptionally sharp focus on the subject's face, professional and classic portraiture. The style emphasizes clarity, intricate detail, and a timeless, dignified quality, mimicking master photography from the early 20th century but with modern digital precision. Lighting: Soft, even, and diffused studio lighting. The main light source appears to be from the front-left (from the viewer's perspective), casting subtle, delicate highlights on the forehead, the top of the head, and the prominent cheekbones. Gentle, soft shadows fall on the right side of the face, under the nose, and within the beard, defining contours without harshness. The overall illumination is balanced and volumetric, bringing out realistic textures. Depth of Field: Extremely shallow depth of field (very strong bokeh effect). The subject's face, every strand of his hair and beard, and the immediate details of his suit are in razor-sharp focus. The background is rendered as an entirely smooth, indistinct wash of color, completely devoid of any patterns or features, providing maximum subject isolation. Color Palette: Monochromatic (black and white tones). The image exhibits a rich and extensive grayscale range, including deep, true blacks in the suit, bright whites in the shirt collar, and a full spectrum of nuanced mid-grays, contributing significantly to the perception of depth, texture, and form within the portrait. Subject Details: Age: Appears to be a relatively young to middle-aged man, approximately in his late 30s to early 50s. Expression: Intense, direct, and thoughtful gaze. His eyes are fixed straight ahead, looking directly towards the viewer, conveying a strong sense of intellectual depth, focus, and solemnity. His lips are set in a firm, neutral line, showing no discernible smile or overt emotion. Face Shape: Oval to slightly elongated, with a moderately broad forehead, well-defined cheekbones, and a lean appearance. Hair: Short to medium length, neatly combed back and slightly parted on the left side (from the viewer's perspective). It appears thick and has a subtle wave or volume on top. Hair Color: Appears light gray or salt-and-pepper in this grayscale image, with visible individual strands and tones. Hair Style: Classic gentleman's style, swept back smoothly from the forehead and sides, maintaining a tidy appearance. Eyes: Appears to be a light color (e.g., light blue or grey in a colorized version). They are deeply set under prominent brow ridges, giving them an intense and penetrating quality. The pupils are clearly visible and focused. Eyebrows: Medium thickness, distinct, and follow a relatively straight line, matching the light hair color. They are well-defined. Nose: Prominent, straight, and relatively long, with a well-defined bridge. Mouth and Lips: Mostly hidden by the mustache and beard. What is visible suggests a firm, neutral line. Chin: Completely covered by the beard. Distinguishing Features: A full, well-groomed beard that covers his cheeks and chin, connecting to a matching mustache. The beard is of medium length, appearing slightly trimmed and shaped, not excessively long or wild. His intense, deep-set eyes are also a strong distinguishing feature. In the specific pose of the reference image, his right hand is raised, with his fingers gently touching his chin/jawline, adding to a contemplative posture. Body and Clothing Details: Pose: An upper-body portrait, encompassing the subject's head, shoulders, and the upper part of his chest. The subject is angled slightly to the viewer's right, with his head turned to look directly forward (towards the camera). His right hand is raised, with his fingers gently resting against his chin or lower jawline, suggesting a thoughtful or pensive mood. His posture is upright, poised, and formal. Clothing: Dressed in a dark, formal suit jacket, likely made of fine wool or a similar subtly textured fabric. Beneath the jacket, a light-colored (appears white or light cream in grayscale) collared dress shirt is visible. A dark, possibly plain or subtly patterned, necktie or cravat is neatly fastened at his collar. Background: A plain, solid-colored studio backdrop, appearing to be a dark gray or a very dark neutral tone. It is uniformly lit and appears perfectly smooth, without any patterns, objects, or discernible features. This absolute simplicity ensures that the subject is the singular and undisputed focus of the photograph. Overall Mood/Atmosphere: Deeply intellectual, serious, contemplative, dignified, and classically timeless. The portrait evokes a strong sense of scientific rigor, profound thought, and an aura of historical significance.

6 months ago

Using the attached image, regenerate an image in the same style as this one. But with the following description: You need to draw a mille-fleurs tapestry of The Lady and the Unicorn, woven after 1515 but destroyed in Boussac in 1845. George Sand gives a rather brief description. "The lady is seated on a very rich throne. She wears a sort of royal turban on her forehead. There is something Asian in the ornaments of her finery and the canopy above her." So we will have a lion on the left and a unicorn on the right. Be as precise as possible and use the setting and colors of the attached piece. You need two different trees: an oak and an orange tree. The wooden throne must be wide, with a backrest that stops at the lady's shoulders. The figurines of a small lion and a small unicorn are carved on the top of the throne's uprights. The drooping tips of the canopy should not be visible, hidden by the lion and the unicorn. The lady's head is turned towards the unicorn; her turban should not be too large. The lion should be the same size as the unicorn. He should be on the left, with all four paws on the ground, standing upright and proud. He has a plumed tail. He is looking to his left (not looking at us). He is sitting on his haunches. He is holding the pole of the oriflamme-style flag, with a red background and a blue diagonal band rising to the left, bearing three rising white crescent moons, as in the attached image. The trunk of the tree on the left should not be behind his head. The unicorn is white. He is proudly raising his head. His four paws are on the ground. He is sitting on his haunches. He is looking at the lady. Thank you.