A sample prompt of what you can find in this page
Prompt by Chorlo

gritty texture to the image prompts

very few results

6 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

A highly detailed, photorealistic image featuring three spray paint cans standing upright on a worn concrete floor, illuminated by warm, golden light that accentuates their metallic sheen. Each can is cleverly wrapped in iconic soda can branding: Coca-Cola, Pepsi, and Mountain Dew. Their labels are realistically worn and peeling in places, adding a touch of authenticity to the scene. The Coca-Cola spray can features the classic red label with bold white script, with deep brown paint dripping down its sides, mimicking the color of the soda. Its nozzle is a striking fire-engine red, and the plastic cap lies on the floor nearby, reflecting the ambient light. The Pepsi spray can showcases the signature blue and red branding, with rich brown paint dripping down in a way that evokes a freshly poured cola. Its cap, matching the brand's deep blue hue, is positioned close to the base of the can. The Mountain Dew spray can is wrapped in the dynamic green label with angular typography, while neon green paint drips down, resembling the soda’s vibrant color. Its matching green cap sits to the side, catching subtle reflections from the environment. The background is softly blurred, depicting an urban setting with hints of graffiti-covered walls and industrial elements, creating an atmosphere of street art culture. The lighting is soft and diffused, casting gentle highlights that enhance the realism of the metallic surfaces. The composition is balanced, with a close-up perspective and a shallow depth of field focusing on the cans while softly blurring the environment. The overall mood is energetic, creative, and gritty, reflecting both urban art and playful branding, with textures and details that emphasize scratches, imperfections, and drips for added realism.

4 days ago

A professional, ultra-realistic, and high-resolution black and white photograph of a powerful and alluring young chinese woman. She is captured from a dramatic low angle, looking down into the camera with a fierce, confident, and commanding expression. Her eyes are narrowed, and her head is tilted slightly. Her dark hair is styled in two tight, neat braids, with a few wet, stringy strands clinging to her face, giving her a gritty, edgy look. She is wearing a sleek, form-fitting, black, sleeveless turtleneck dress that perfectly accentuates her athletic and curvaceous physique. The setting is a minimalist studio with a plain, slightly textured, off-white wall as the background. The lighting is the most crucial artistic element. A single, hard, directional light source from above and in front of her creates a dramatic, high-contrast, chiaroscuro effect. This harsh lighting casts strong, defined highlights on the top of her head, her cheekbones, her chest, and the curve of her hip, while plunging the rest of her form into deep, inky blackness, creating a powerful silhouette. The photograph is a masterful black and white conversion, featuring a high-contrast, grainy, film-like texture that enhances the raw and gritty mood. The image is captured with a high-end full-frame camera and a wide-angle lens (e.g., 24mm or 35mm) to achieve the dramatic low-angle perspective and a slightly distorted, powerful composition. The overall mood is one of strength, dominance, edgy fashion, and raw, cinematic power.

9 months ago

A close up picture of her guitar hands: A female demon character, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty, atmospheric sensibilities, stands at the forefront of a rock music concert, her presence electrifying the air. With a Kodak Ektar lens-inspired aesthetic, warm, golden tones and subtle lens flare, the image exudes a sense of cinematic grandeur. Her athletic physique is accentuated by intricate, red snakeskin pattern shiny bodypaint, while her long, black hair cascades down her back like a dark waterfall, styled with sharp, choppy bangs framing her heart-shaped face. Large, curved horns protrude from her forehead, as if forged from the very metals of the earth. She plays a burning electric metal guitar, the instrument's body ablaze with fiery, hellish flames, as if the music itself has summoned forth the infernal forces. Ambient blue and red lighting effects dance across the scene, casting an ethereal, radiant glow, reminiscent of Syd Mead's hyper-realistic 3D renderings. The light dances across the metal accents of her boots, highlighting the detailed textures and surfaces, as if the gods themselves have descended upon the temple. With the atmospheric lighting of Roger Dean and the majestic cinematic composition of Ash Thorp, the image is a fusion of Norse and Egyptian mysticism, evoking an otherworldly energy, as if the concert has become a ritualistic invocation of ancient powers.

6 months ago

A powerful and intense full-body portrait of a female survivor in a post-apocalyptic world. The image exudes a sense of toughness and resilience, with the subject's worn and weathered skin adding to her rugged appearance. The makeshift shoulder armor, adorned with trophies and battle scars, serves as a testament to her strength and determination. The dusty tanned skin seems to glow with a subtle warmth, as if it's been infused with a deep-seated passion for survival. A braided brunette hairstyle adds a touch of elegance to the image, contrasting sharply with the rough-hewn texture of the subject's skin. The wasteland queen aesthetic is perfectly captured in this portrait, with the subject standing triumphantly amidst a graveyard of abandoned vehicles. The vehicle's twisted metal and rusted hulks seem to stretch out before her like skeletal fingers, a grim reminder of the devastation that surrounds her. A radiation sunset casts a sickly orange glow over the scene, adding to the overall sense of desolation and despair. Dramatic shadows dance across the subject's face, accentuating the sharp lines of her features and drawing attention to her intense gaze. The high-detail textures on the armor and clothing seem to leap off the screen, giving the image a raw and gritty realism that's impossible to ignore. The cinematic lighting style adds depth and dimension to the image, with the camera angles and composition carefully crafted to create a sense of tension and energy. The 9:16 aspect ratio adds a widescreen feel to the image, drawing the viewer's eye into the heart of the scene. Technical specifications: Camera: Canon EOS C500 Lens: 24-105mm f/4L IS USM Aperture: f/2.8 Shutter speed: 1/60s ISO: 800 HDR technique employed to capture detailed highlights and shadows Post-processing techniques applied to enhance colors, contrast, and overall image quality Image description: A female survivor stands triumphantly amidst a graveyard of abandoned vehicles, her worn and weathered skin adding to her rugged appearance. The makeshift shoulder armor, adorned with trophies and battle scars, serves as a testament to her strength and determination. Style: Gritty realism aesthetic High-detail textures add raw, tactile quality to image Dramatic shadows create sense of tension and energy Mood and atmosphere: Intense and powerful Worn and weathered skin adds to rugged appearance Desolate wasteland landscape provides grim backdrop for subject's triumph Composition: Vehicle graveyard stretches out before subject like skeletal fingers Abandoned vehicles seem to close in on her from all sides, creating sense of claustrophobia High-detail textures on armor and clothing add depth and dimension to image