A sample prompt of what you can find in this page
Prompt by Pulsar212121

hair motion prompts

hundreds of results

9 months ago

In the textured realism of Simon Stålenhag, a moon-worshiping priestess stands ankle-deep in the calm waters of a misty lake, her naked body fully exposed (2.0). Her raven-black hair flows wildly in the wind (1.8), adding a dynamic sense of motion as she raises her arms in worship toward the vast, star-filled sky. The night is illuminated solely by torches (1.8) planted in an irregular pattern along the sandy beach behind her, their golden flames flickering against the cool, muted tones of the environment. Her posture is powerful yet serene, the natural curves of her body, including her softly rounded bubble butt (2.0), highlighted by the warm glow of the torches. The contrast between the golden torchlight and the cool misty darkness of the lake creates a striking interplay of light and shadow, emphasizing the contours of her figure (1.9). To her side, a silver-grey horse (1.7) stands peacefully, tied to a nearby tree on the shoreline, its sleek coat reflecting faint glimmers of the torchlight. The lake is veiled in a thin layer of smoke (1.8), which drifts softly across the surface, blending with the hazy reflection of the torches in the rippling water. The air is alive with hundreds of fireflies (1.9), their tiny golden lights moving erratically, adding texture and depth to the scene. The torches' crackling flames mix with the gentle rustle of leaves and the faint hum of the fireflies, creating a richly immersive atmosphere. The volumetric lighting (1.8) from the torches filters through the drifting smoke, casting soft, dynamic beams across the scene. The muted earthy tones of the surroundings, interspersed with the vibrant glow of the torches and the flickering fireflies, evoke Stålenhag’s characteristic balance of realism and mysticism, capturing a moment of sacred ritual and haunting beauty.

ElectricL
18 1.2k

9 months ago

A serene yet intense scene in a dense, ancient forest during the stillness of twilight. A woma, one of her breasts are showing, dressed in traditional Edo-period attire stands prominently in the frame, her upper body filling much of the composition. Her revealing garment, a loosely draped kimono, slips off one shoulder, fully exposing one breast, naturally presented in the scene. The fabric of her kimono, patterned with delicate floral designs, flows gently in the breeze, its vibrant reds and deep blues contrasting with the muted greens and browns of the forest. She holds a traditional Edo-period katana, its single, elegant hilt tightly wrapped in black silk, close to her face with both hands. The katana is proportioned perfectly, its slightly curved blade sharp and gleaming, reflecting the faint light of the crescent moon filtering through the towering trees. The polished steel captures the intricate patterns of folded metal, a hallmark of masterful Edo-period craftsmanship. The tsuka (handle) is a balanced, functional length, designed for precision, while the blade remains practical and deadly, fitting the refined nature of the scene. The faint reflection of a shadowy demon lingers in the blade, its ominous presence hinting at the unseen threat in the forest. Her expression is calm yet resolute, her eyes closed as though in prayer or deep contemplation, her soft features lit faintly by streaks of moonlight piercing through the canopy. Her hair, slightly disheveled, falls loosely around her shoulders, adorned with a simple hairpin, adding a touch of elegance. The breeze stirs her hair and the folds of her kimono, creating a sense of motion against the tranquil backdrop. Around her, autumn leaves fall gracefully, their vibrant reds and oranges contrasting with the muted greens and browns of the forest. Some leaves drift close to the viewer, framing her within the layered composition of the forest. The forest floor, moss-covered and bathed in soft moonlight, adds texture and grounding to the scene. The interplay of light and shadow creates long, dramatic highlights across her form and the intricate folds of her clothing. The katana’s blade glimmers, reflecting both the faint moonlight and the ominous shadow of the demon, as though the weapon itself is warning of the danger to come. The atmosphere is thick with tension, as though the forest itself holds its breath. The dynamic interplay of falling leaves, light and shadow, and the woman’s serene pose creates a cinematic and deeply emotional moment. The balance of elegance and quiet intensity evokes a timeless connection to the strength and grace of Edo-period Japan.

ElectricL
9 290

7 months ago

Abstract Full-Body Portrait of a Prostitute – Salvador Dalí (Late-Life Style, Singular Focus & Pure Surrealism) (Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

ElectricL
8 310

9 months ago

A serene yet intense scene in a dense, ancient forest during the stillness of twilight. A woma, one of her breasts are showing, dressed in traditional Edo-period attire stands prominently in the frame, her upper body filling much of the composition. Her revealing garment, a loosely draped kimono, slips off one shoulder, fully exposing one breast, naturally presented in the scene. The fabric of her kimono, patterned with delicate floral designs, flows gently in the breeze, its vibrant reds and deep blues contrasting with the muted greens and browns of the forest. She holds a traditional Edo-period katana, its single, elegant hilt tightly wrapped in black silk, close to her face with both hands. The katana is proportioned perfectly, its slightly curved blade sharp and gleaming, reflecting the faint light of the crescent moon filtering through the towering trees. The polished steel captures the intricate patterns of folded metal, a hallmark of masterful Edo-period craftsmanship. The tsuka (handle) is a balanced, functional length, designed for precision, while the blade remains practical and deadly, fitting the refined nature of the scene. The faint reflection of a shadowy demon lingers in the blade, its ominous presence hinting at the unseen threat in the forest. Her expression is calm yet resolute, her eyes closed as though in prayer or deep contemplation, her soft features lit faintly by streaks of moonlight piercing through the canopy. Her hair, slightly disheveled, falls loosely around her shoulders, adorned with a simple hairpin, adding a touch of elegance. The breeze stirs her hair and the folds of her kimono, creating a sense of motion against the tranquil backdrop. Around her, autumn leaves fall gracefully, their vibrant reds and oranges contrasting with the muted greens and browns of the forest. Some leaves drift close to the viewer, framing her within the layered composition of the forest. The forest floor, moss-covered and bathed in soft moonlight, adds texture and grounding to the scene. The interplay of light and shadow creates long, dramatic highlights across her form and the intricate folds of her clothing. The katana’s blade glimmers, reflecting both the faint moonlight and the ominous shadow of the demon, as though the weapon itself is warning of the danger to come. The atmosphere is thick with tension, as though the forest itself holds its breath. The dynamic interplay of falling leaves, light and shadow, and the woman’s serene pose creates a cinematic and deeply emotional moment. The balance of elegance and quiet intensity evokes a timeless connection to the strength and grace of Edo-period Japan.

ElectricL
6 170

9 months ago

A serene yet intense scene in a dense, ancient forest during the stillness of twilight. The woman’s upper body fills the frame, her presence calm yet commanding. She holds a single, traditional Edo-period katana close to her face with both hands, the blade’s slightly curved edge gleaming faintly in the moonlight filtering through the towering trees. Her revealing kimono has slipped off one shoulder, clearly exposing one bare breast (visible and natural:1.8) while the other side remains draped, adding elegance and balance. The fabric, patterned with intricate floral designs, flutters gently in the wind, its vibrant reds and deep blues contrasting with the muted greens and browns of the forest. Her eyes are closed, her expression somber and contemplative, as though in prayer or deep focus. The katana’s blade reflects both the faint crescent moonlight and the ominous shadow of a demon, its smoky form hinted at in the polished steel. The hilt (tsuka) is tightly wrapped in black silk, simple yet refined, a testament to the weapon’s craftsmanship and purpose. The breeze stirs her slightly disheveled hair, adding subtle motion that complements the flowing fabric of her kimono. Around her, autumn leaves drift gracefully, their vivid reds and oranges framing her figure and creating depth in the composition. The interplay of light and shadow highlights the soft curves of her exposed form, the intricate details of her clothing, and the katana’s masterfully forged blade. The atmosphere is thick with quiet intensity, as though the forest itself holds its breath. The composition focuses entirely on her upper body, drawing attention to the poised katana, the reflection of unseen danger, and the serene yet powerful energy of her presence.

ElectricL
5 180

9 months ago

A serene yet intense scene in a dense, ancient forest during the stillness of twilight. The woman’s upper body fills the frame, her presence calm yet commanding. She holds a single, traditional Edo-period katana close to her face with both hands, the blade’s slightly curved edge gleaming faintly in the moonlight filtering through the towering trees. Her revealing kimono has slipped off one shoulder, clearly exposing one bare breast (visible and natural:1.8) while the other side remains draped, adding elegance and balance. The fabric, patterned with intricate floral designs, flutters gently in the wind, its vibrant reds and deep blues contrasting with the muted greens and browns of the forest. Her eyes are closed, her expression somber and contemplative, as though in prayer or deep focus. The katana’s blade reflects both the faint crescent moonlight and the ominous shadow of a demon, its smoky form hinted at in the polished steel. The hilt (tsuka) is tightly wrapped in black silk, simple yet refined, a testament to the weapon’s craftsmanship and purpose. The breeze stirs her slightly disheveled hair, adding subtle motion that complements the flowing fabric of her kimono. Around her, autumn leaves drift gracefully, their vivid reds and oranges framing her figure and creating depth in the composition. The interplay of light and shadow highlights the soft curves of her exposed form, the intricate details of her clothing, and the katana’s masterfully forged blade. The atmosphere is thick with quiet intensity, as though the forest itself holds its breath. The composition focuses entirely on her upper body, drawing attention to the poised katana, the reflection of unseen danger, and the serene yet powerful energy of her presence.

ElectricL
4 120