heavy shadows dominate the corners prompts

4 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

4 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

9 months ago

Depict a man seated at an ornate wooden desk in a richly detailed room, rendered in a black-and-white drawing with dramatic contrasts of light and shadow. His face is thin and pale, with sharp cheekbones and deep-set, contemplative eyes framed by a short mustache. His hair, dark and slightly unkempt, catches the faint light that defines his profile. He wears a finely tailored black suit with a high-collared white shirt and a silk cravat, the fabric's texture subtly highlighted by the interplay of light and shadow. His posture is both poised and weary, with one hand holding a pen suspended over an open notebook, as if frozen in an eternal moment of introspection. The room around him is a symphony of contrasts: dark, heavy shadows dominate the corners, while soft white highlights illuminate floating books, their pages caught mid-turn like fleeting memories. Behind him stands an ancient, cracked clock, its broken hands frozen in time, its face half-bathed in faint light and half-consumed by darkness. A large window reveals an otherworldly seascape stretching into infinity, rendered in muted grays. Fragmented symbols of memory—a teacup, a madeleine, blurred human silhouettes—drift across the horizon, their soft forms barely emerging from the shadows. The scene is intricately detailed, with the twisted grain of the desk, the folds of his suit, and the aged texture of the clock accentuated in rich black ink. The stark interplay of light and shadow, reminiscent of Gustave Doré’s etchings, evokes a sense of timelessness, melancholy, and the fleeting nature of memory.

9 months ago

Depict a man seated at an ornate wooden desk in a richly detailed room, rendered in a black-and-white drawing with dramatic contrasts of light and shadow. His face is thin and pale, with sharp cheekbones and deep-set, contemplative eyes framed by a short mustache. His hair, dark and slightly unkempt, catches the faint light that defines his profile. He wears a finely tailored black suit with a high-collared white shirt and a silk cravat, the fabric's texture subtly highlighted by the interplay of light and shadow. His posture is both poised and weary, with one hand holding a pen suspended over an open notebook, as if frozen in an eternal moment of introspection. The room around him is a symphony of contrasts: dark, heavy shadows dominate the corners, while soft white highlights illuminate floating books, their pages caught mid-turn like fleeting memories. Behind him stands an ancient, cracked clock, its broken hands frozen in time, its face half-bathed in faint light and half-consumed by darkness. A large window reveals an otherworldly seascape stretching into infinity, rendered in muted grays. Fragmented symbols of memory—a teacup, a madeleine, blurred human silhouettes—drift across the horizon, their soft forms barely emerging from the shadows. The scene is intricately detailed, with the twisted grain of the desk, the folds of his suit, and the aged texture of the clock accentuated in rich black ink. The stark interplay of light and shadow, reminiscent of Gustave Doré’s etchings, evokes a sense of timelessness, melancholy, and the fleeting nature of memory.

9 months ago

Depict a man seated at an ornate wooden desk in a richly detailed room, rendered in a black-and-white drawing with dramatic contrasts of light and shadow. His face is thin and pale, with sharp cheekbones and deep-set, contemplative eyes framed by a short mustache. His hair, dark and slightly unkempt, catches the faint light that defines his profile. He wears a finely tailored black suit with a high-collared white shirt and a silk cravat, the fabric's texture subtly highlighted by the interplay of light and shadow. His posture is both poised and weary, with one hand holding a pen suspended over an open notebook, as if frozen in an eternal moment of introspection. The room around him is a symphony of contrasts: dark, heavy shadows dominate the corners, while soft white highlights illuminate floating books, their pages caught mid-turn like fleeting memories. Behind him stands an ancient, cracked clock, its broken hands frozen in time, its face half-bathed in faint light and half-consumed by darkness. A large window reveals an otherworldly seascape stretching into infinity, rendered in muted grays. Fragmented symbols of memory—a teacup, a madeleine, blurred human silhouettes—drift across the horizon, their soft forms barely emerging from the shadows. The scene is intricately detailed, with the twisted grain of the desk, the folds of his suit, and the aged texture of the clock accentuated in rich black ink. The stark interplay of light and shadow, reminiscent of Gustave Doré’s etchings, evokes a sense of timelessness, melancholy, and the fleeting nature of memory.

1 month ago

Visual: A stark, deep indigo/almost black background (the void, the cold). Centered is an old, cracked flip phone (symbolizing the unexpected, outdated call from Sasa) lying open on a worn, dirty-yellow laminate floor (grandmother's house, the vomit scene). The small, green-lit screen displays only two stark lines of pixelated text: INCOMING: SASA "TARIK IS COLD." Foreground: Resting precariously on the edge of the open phone, about to fall into the void of the background, is a single, impossibly bright blue ROXIE pill. It casts a small, sharp shadow. Next to the phone, barely noticeable, is a faint, ghostly outline of a body shape rendered in icy, translucent blue lines, fading into the dark. Text: "STICKS & STONES" in heavy, bleached-bone white letters, cold and unforgiving, dominating the top third. Author name very small, bottom corner. Color Palette: Deep Indigo/Black (void, cold), Dirty Yellow (floor, sickness), Sickly Green (phone screen), Electric Blue (pill), Bleached Bone White (text, ghost).