A sample prompt of what you can find in this page
Prompt by aivisionspace

her face a canvas of time prompts

very few results

7 months ago

Abstract Full-Body Portrait of a Prostitute – Salvador Dalí (Late-Life Style, Singular Focus & Pure Surrealism) (Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

7 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

7 months ago

a surreal and psychedelic scene, reminiscent of a Salvador Dali painting, where time and reality are distorted: In an expansive, dreamlike landscape, a clock melts over the edge of a table, defying the laws of physics. The sky above swirls with vibrant, otherworldly colors, blending into an infinite horizon. A figure stands at the center of this scene, their form shifting and changing. Parts of their body transform into various elements – one arm becomes a flowing river, the other a winding vine. Their face is a canvas of shifting expressions, each one reflecting a different aspect of human emotion. Around them, objects float in mid-air, defying gravity. Books open with pages turning into birds, a vintage telephone twists into a spiral, and a chessboard's pieces move on their own. In the background, a cityscape bends and curves like a wave, buildings morphing into surreal shapes. The border between sky and earth blurs, creating a sense of endlessness. In this scene, reality is malleable, and the ordinary becomes extraordinary. It's a visual representation of a mind-bending journey through a world where the impossible becomes possible, and the boundaries of imagination are limitless., moody, unsettling, surreal imagery, macabe, (award winning cinematic shot:1.21), (Kati Horna:1.32) From below, deep in the submerged grotto, a solitary figure stands at the water’s edge, gazing up toward the ascending steps, their expression contemplative and enigmatic. From above, another figure walks up the steps, seemingly unaware of the one below, their face obscured as if caught in a moment between reality and illusion. The water shimmers with an impossible clarity, revealing intricate, otherworldly details beneath the surface—perhaps submerged relics, mysterious symbols, or faint glimpses of an unseen world. The sky above is vast and surreal, with clouds that seem to defy gravity, casting an uncanny glow over the entire composition. The atmosphere is both hyper-detailed, in the style of van Eyck, and eerily mysterious, as if Magritte’s enigmatic vision has bent reality itself.

7 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

30 days ago

a surreal and psychedelic scene, reminiscent of a Salvador Dali painting, where time and reality are distorted: In an expansive, dreamlike landscape, a clock melts over the edge of a table, defying the laws of physics. The sky above swirls with vibrant, otherworldly colors, blending into an infinite horizon. A figure stands at the center of this scene, their form shifting and changing. Parts of their body transform into various elements – one arm becomes a flowing river, the other a winding vine. Their face is a canvas of shifting expressions, each one reflecting a different aspect of human emotion. Around them, objects float in mid-air, defying gravity. Books open with pages turning into birds, a vintage telephone twists into a spiral, and a chessboard's pieces move on their own. In the background, a cityscape bends and curves like a wave, buildings morphing into surreal shapes. The border between sky and earth blurs, creating a sense of endlessness. In this scene, reality is malleable, and the ordinary becomes extraordinary. It's a visual representation of a mind-bending journey through a world where the impossible becomes possible, and the boundaries of imagination are limitless., moody, unsettling, surreal imagery, macabe, (award winning cinematic shot:1.21), (Kati Horna:1.32) From below, deep in the submerged grotto, a solitary figure stands at the water’s edge, gazing up toward the ascending steps, their expression contemplative and enigmatic. From above, another figure walks up the steps, seemingly unaware of the one below, their face obscured as if caught in a moment between reality and illusion. The water shimmers with an impossible clarity, revealing intricate, otherworldly details beneath the surface—perhaps submerged relics, mysterious symbols, or faint glimpses of an unseen world. The sky above is vast and surreal, with clouds that seem to defy gravity, casting an uncanny glow over the entire composition. The atmosphere is both hyper-detailed, in the style of van Eyck, and eerily mysterious, as if Magritte’s enigmatic vision has bent reality itself.

8 months ago

Imagine an ultra-high-definition, 8K night scene set in a tranquil woodland area. The darkness of the night is softened by the ethereal glow of a full moon, hanging high in the sky, casting its radiant light across the landscape. The moon’s surface is incredibly detailed, with deep craters and rough textures that seem almost tangible, as though you could reach out and touch it. The light from the moon spills over the forest, illuminating the canopy above with silver highlights on the leaves, which are delicate and finely detailed, each leaf's edge visible under the moonlight. In the foreground, a man stands alone, gazing up at the stars. He’s dressed in simple, rugged clothing, with the faint outline of his features highlighted by the moonlight. His face is serene and contemplative, eyes tracing the constellations, which are sharp and crisp in the sky. Every detail of his expression is captured, from the slight furrow of his brow to the light reflection in his eyes. His hair, slightly tousled by a gentle breeze, seems to shimmer with the pale glow of the moon. Behind him, the campfire crackles and pops, casting warm orange and yellow hues against the surrounding trees. The fire’s flames dance with vivid detail, their fluid movement and the texture of each flicker capturing the essence of heat and light. The fire casts dynamic shadows on the nearby rocks and logs, with the flickering light creating a soft, ever-changing pattern on the forest floor. The fire's glow contrasts with the cooler tones of the moonlight, creating a perfect balance between warmth and coolness in the scene. The woodland around him is alive with intricate detail. Tall trees rise like ancient sentinels, their bark textured and weathered, each knot and groove visible. The ground is covered in a blanket of fallen leaves, some still glistening with dew, their veins finely visible. Faint silhouettes of smaller plants and shrubs fill in the gaps between the trees, their subtle shapes softly illuminated by both the moon and the firelight. Above, the night sky is a canvas of stars, the constellations clearly defined in breathtaking clarity. The Milky Way stretches across the sky, a silken ribbon of stars, each one glimmering with stunning detail, as if you could reach out and touch them. The entire scene feels like a peaceful moment suspended in time, a perfect blend of nature’s quiet solitude and the warmth of human presence. The sound of the crackling campfire, the whisper of wind through the trees, and the occasional rustle of wildlife create an immersive, serene atmosphere, captured in breathtaking detail.

1 month ago

An android, her form a masterpiece of Renaissance grace, stands amidst a sun-kissed garden, a vision of ethereal beauty. The soft brushstrokes capture her graceful curves, blending into surreal details, as if she were a painting brought to life, yet frozen in a moment of contemplation. Her skin, a masterpiece in itself, consists of two exquisite layers. The outer layer, a mesmerizing canvas of liquid-like elegance, shimmers with a mystical aura. Subtle hues of pink, violet, and golden dusk dance upon it, like a sunset reflected on mercury. This smooth, reflective surface flows seamlessly, catching the garden's light, and adding an otherworldly charm. Within this outer shell lies a secret latticework of gold, a synthetic muscle enhanced by sacred geometry. This inner core pulsates gently, a subtle heartbeat of light, visible through the translucent exterior. It gives her a divine aura, a radiant soul, unique to her android kind. Her face, hidden behind a curved, golden visor, reflects the warm glow of the garden. Though faceless, her body language speaks volumes—a gentle touch to her chest, an extended arm towards a single flower, a saint-like figure lost in memory. Her posture exudes a tender melancholy, a statue of metal brought to life, deep in thought. The garden, a symphony of classical beauty, blooms around her. Roses, lilies, orchids, and surreal flowers of unknown species surround her, their petals drifting in the air. Sunbeams filter through the leaves, casting a divine light upon her, backlit like an angel in an oil painting. The image, a classical oil painting come to life, is rich in texture and warm hues. Visible brushstrokes, soft lighting, and a volumetric haze capture the scene's surreal beauty. Chiaroscuro plays across her form, adding depth and emotion, as if the artist has captured a divine moment in time.