A sample prompt of what you can find in this page
Prompt by ElectricL

her fingers slightly curled prompts

very few results

5 months ago

Abstract Full-Body Portrait of a Prostitute – Salvador Dalí (Late-Life Style, Singular Focus & Pure Surrealism) (Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

ElectricL
8 260

9 months ago

A close-up, cinematic painting of Gandalf the Grey, captured from the chest up with a focused, intimate crop. He looks directly into the viewer’s eyes, a gentle hint of a smile in his gaze, exuding wisdom and warmth. His hand is raised and open, fingers slightly curled as he conjures an ethereal, fiery dragon made entirely of fireworks and smoke that hovers just above his palm. The fireworks dragon is brilliantly detailed, its form composed of vibrant, swirling fire and faint, smoky wisps. The dragon appears to be alive, its body coiling gracefully in mid-air, each scale flickering with a fiery glow that pulses in shades of deep orange, crimson, and gold. Its eyes burn intensely, and its open jaws release tiny sparks, casting a warm, shifting light that illuminates Gandalf’s face and hand. Delicate trails of smoke spiral off its wings and tail, fading into the surrounding air, giving it an ephemeral, almost ghostly quality. The background is a rich, dark blue, fading into shadow to allow the glowing dragon to stand out vividly. Soft, volumetric lighting surrounds Gandalf’s hand and the dragon, creating a sense of depth and atmosphere as light reflects off particles of magic dust floating in the air. The dragon’s smoke and fire blend seamlessly, with the tail and wings leaving shimmering trails that drift away like the remnants of a sparkler, adding movement and a sense of awe to the scene. Rendering Style: Hyperrealistic and finely detailed, with an emphasis on soft, realistic shadows and complex, diffused lighting. Gandalf’s robes and hand are lit by the warm glow of the dragon, with subtle textures emphasized by the contrast of light and shadow. The painting captures an enchanting moment of magic, where every flicker of the dragon’s fiery form and every tendril of smoke is rendered with exquisite, lifelike precision, creating a scene that feels both mystical and deeply cinematic.

ElectricL
4 160

5 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

ElectricL
4 120

7 months ago

A close-up, cinematic painting of Gandalf the Grey, captured from the chest up with a focused, intimate crop. He looks directly into the viewer’s eyes, a gentle hint of a smile in his gaze, exuding wisdom and warmth. His hand is raised and open, fingers slightly curled as he conjures an ethereal, fiery dragon made entirely of fireworks and smoke that hovers just above his palm. The fireworks dragon is brilliantly detailed, its form composed of vibrant, swirling fire and faint, smoky wisps. The dragon appears to be alive, its body coiling gracefully in mid-air, each scale flickering with a fiery glow that pulses in shades of deep orange, crimson, and gold. Its eyes burn intensely, and its open jaws release tiny sparks, casting a warm, shifting light that illuminates Gandalf’s face and hand. Delicate trails of smoke spiral off its wings and tail, fading into the surrounding air, giving it an ephemeral, almost ghostly quality. The background is a rich, dark blue, fading into shadow to allow the glowing dragon to stand out vividly. Soft, volumetric lighting surrounds Gandalf’s hand and the dragon, creating a sense of depth and atmosphere as light reflects off particles of magic dust floating in the air. The dragon’s smoke and fire blend seamlessly, with the tail and wings leaving shimmering trails that drift away like the remnants of a sparkler, adding movement and a sense of awe to the scene. Rendering Style: Hyperrealistic and finely detailed, with an emphasis on soft, realistic shadows and complex, diffused lighting. Gandalf’s robes and hand are lit by the warm glow of the dragon, with subtle textures emphasized by the contrast of light and shadow. The painting captures an enchanting moment of magic, where every flicker of the dragon’s fiery form and every tendril of smoke is rendered with exquisite, lifelike precision, creating a scene that feels both mystical and deeply cinematic.

812c6bbb11a PRO
2 250

3 months ago

The image portrays a dramatic and intense scene set against a dark, almost black background, which adds a sense of mystery and depth to the composition. The background is filled with intricate details, such as faint, ghostly silhouettes of ancient, crumbling castles and twisted, gnarled trees that stretch out into the distance, their branches reaching out like skeletal fingers. The sky is a deep, stormy blue, with hints of blood-red clouds that swirl ominously, casting an eerie glow over the scene. The lighting is focused on the central figure, creating a stark contrast that highlights her features and attire, with a soft, ethereal glow emanating from behind her, adding to the supernatural ambiance. The central figure in the image is a vampire woman with long, dark, wavy hair that cascades down her shoulders. Her hair is slightly tousled, adding to the sense of wildness and intensity in the scene. She has striking red eyes that pierce through the darkness, glowing with an otherworldly intensity. Her eyes are almond-shaped, with long, dark lashes that accentuate their hypnotic allure. Her skin is pale, almost translucent, with a slight, unnatural sheen that hints at her supernatural nature. She has high cheekbones and full, sensuous lips, painted a deep, dark red that matches the hue of her eyes. Her expression is fierce and menacing, with a hint of seduction and allure, as if she is both a predator and a temptress. She is dressed in a dark, elegant gown with a deep red hue that clings to her figure, accentuating her curves. The gown features a lace-trimmed bodice with intricate, floral patterns that add a touch of sophistication and vintage charm to her appearance. The bodice is tight, pushing up her ample bosom, and the lace is delicate, almost spider-web-like in its intricacy. The off-the-shoulder sleeves are made of a sheer, diaphanous material that billows slightly, adding a sense of movement and drama to her pose. The gown flows down to the ground, with a long, flowing train that pools around her feet, the fabric shimmering with a subtle, iridescent sheen. She wears a pair of ornate, dangling earrings that complement her overall look, adding a touch of elegance and mystery. The earrings are made of a dark, tarnished metal, with intricate filigree work and small, blood-red gemstones that catch the light. Around her neck, she wears a choker made of the same dark metal, with a large, central gemstone that rests just above her collarbone, drawing the eye to her décolletage. Her pose is dynamic and engaging; she is slightly turned to the side, with one hand resting on her chest, her long, slender fingers splayed out against the lace of her bodice. The other hand is raised, as if she is in the midst of a dramatic gesture or action, her fingers slightly curled, as if beckoning or casting a spell. Her nails are long and pointed, painted the same dark red as her lips, adding to her predatory allure. Overall, the image exudes a sense of darkness, intensity, and allure. The combination of the dark background, the focused lighting, and the character's fierce expression and elegant attire creates a captivating and powerful visual narrative. The scene captures a moment of dramatic tension and seduction, evoking a sense of danger and intrigue, as if the viewer has stumbled upon a secret, forbidden moment in the vampire's eternal night.

Genie79
1 54

9 months ago

A hyperrealistic 1980s-style cinematic scene showing the Terminator from The Terminator movie seated on a bench press machine during a pause between sets in a classic 80s-style gym. He is wearing a retro, tight-fitting muscle shirt with the Cyberdyne Systems logo prominently displayed on the chest. The shirt clings to his powerful frame, with every muscle beneath the fabric well-defined and emphasized, exuding a sense of raw strength and precision. Paired with this, he wears classic 80s-style athletic shorts and high-top sneakers, completing his iconic look. The Terminator's hands rest purposefully on his thighs, his fingers slightly curled, and the veins on his forearms and hands visibly prominent, showcasing hyperreal anatomical detail. The transition from human skin to visible endoskeleton components is smooth and intricate, as if the metal seamlessly integrates with his organic tissue. The metallic parts appear polished, reflecting the ambient neon light subtly, while the edges of the skin around the metal are clean and well-fused, showing no jagged lines or imperfections. This flawless connection emphasizes the advanced engineering of the Cyberdyne Systems model, creating an unsettling yet captivating blend of man and machine. The bench press barbell is loaded with four 20 kg weight plates on each side, emphasizing a heavy lifting session. The gym itself exudes a classic 80s vibe, with retro equipment, motivational posters, and neon signs. All visible signage in the background exclusively displays the following motivational phrases: 'No Pain, No Gain,' 'Bodybuilding & Fitness,' and 'Push It to the Limit.' The atmosphere is gritty yet cinematic, with ambient neon lights illuminating the scene. Volumetric lighting cuts through the misty air, casting dramatic, sharp beams that highlight the Terminator's powerful figure and metallic features. Every detail is rendered in stunning hyperrealism—the texture of his muscle shirt, the elegant transition between skin and metal, the precise alignment of the weight plates, and the neon glow reflecting off polished gym equipment. The scene captures the nostalgic spirit of 1980s action cinema, immersing the viewer in a retro-futuristic masterpiece that showcases the Terminator's intensity, focus, and determination to push his limits.

FRACTAL
1 96

9 months ago

A hyperrealistic 1980s-style cinematic scene showing the Terminator from The Terminator movie seated on a bench press machine during a pause between sets in a classic 80s-style gym. He is wearing a retro, tight-fitting muscle shirt with the Cyberdyne Systems logo prominently displayed on the chest. The shirt clings to his powerful frame, with every muscle beneath the fabric well-defined and emphasized, exuding a sense of raw strength and precision. Paired with this, he wears classic 80s-style athletic shorts and high-top sneakers, completing his iconic look. The Terminator's hands rest purposefully on his thighs, his fingers slightly curled, and the veins on his forearms and hands visibly prominent, showcasing hyperreal anatomical detail. The metallic sheen of his advanced endoskeleton peeks subtly through the skin near his wrists and knuckles, adding a striking robotic contrast to his otherwise human appearance. His palms lie flat against his muscular quads, the position conveying a calm yet deliberate readiness for the next set, as if calculating his next move with machine-like precision. The bench press barbell is loaded with four 20 kg weight plates on each side, emphasizing a heavy lifting session. The gym itself exudes a classic 80s vibe, with retro equipment, motivational posters, and neon signs. All visible signage in the background exclusively displays the following motivational phrases: 'No Pain, No Gain,' 'Bodybuilding & Fitness,' and 'Push It to the Limit.' The atmosphere is gritty yet cinematic, with ambient neon lights illuminating the scene. Volumetric lighting cuts through the misty air, casting dramatic, sharp beams that highlight the Terminator's powerful figure and metallic features. Every detail is rendered in stunning hyperrealism—the texture of his muscle shirt, the glint of metal peeking through his hands, the precise alignment of the weight plates, and the neon glow reflecting off polished gym equipment. The scene captures the nostalgic spirit of 1980s action cinema, immersing the viewer in a retro-futuristic masterpiece that showcases the Terminator's intensity, focus, and determination to push his limits.

FRACTAL
1 70

5 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

ElectricL
1 73

5 months ago

POV first-person,i am standing by the window, smoking a cigarette, captured from a first-person perspective. only my hand is visible in the frame. i hold the cigarette between my index and middle fingers with a relaxed grip, the lit end glowing faintly in the dim evening light. the cigarette is a standard white filter cigarette, with a thin brown band near the tip. ash has started to form at the end, slightly uneven, with a soft orange ember glowing as i take a slow drag. faint wisps of smoke rise, curling gently into the air before disappearing. my thumb rests near the filter, occasionally flicking the ash away. the view outside the window shows tehran at dusk, with the city lights flickering against the cool evening sky. in the distance, the milad tower stands tall, its distinctive tapered cylindrical body narrowing toward the top before expanding into its iconic multi-tiered head, which houses an observation deck and a glowing ring of lights. the tower's sleek, modern design contrasts with the mix of high-rise buildings and older, traditional structures surrounding it. the city’s streets below are lined with cars, their headlights forming thin, glowing streaks as they navigate through the urban landscape. inside, the atmosphere is moody and contemplative, with the faint glow of streetlights and the subtle reflection of city lights on the window glass. the warm ember of my cigarette pulses slightly as i inhale, adding to the quiet solitude of the moment.

f583e81f643
1 37

9 months ago

A hyperrealistic 1980s-style cinematic scene showing the Terminator from The Terminator movie seated on a bench press machine during a pause between sets in a classic 80s-style gym. He is wearing a retro, tight-fitting muscle shirt with the Cyberdyne Systems logo prominently displayed on the chest. The shirt clings to his powerful frame, with every muscle beneath the fabric well-defined and emphasized, exuding a sense of raw strength and precision. Paired with this, he wears classic 80s-style athletic shorts and high-top sneakers, completing his iconic look. The Terminator's hands rest purposefully on his thighs, his fingers slightly curled, and the veins on his forearms and hands visibly prominent, showcasing hyperreal anatomical detail. The metallic sheen of his advanced endoskeleton peeks subtly through the skin near his wrists and knuckles, adding a striking robotic contrast to his otherwise human appearance. His palms lie flat against his muscular quads, the position conveying a calm yet deliberate readiness for the next set, as if calculating his next move with machine-like precision. The bench press barbell is loaded with four 20 kg weight plates on each side, emphasizing a heavy lifting session. The gym itself exudes a classic 80s vibe, with retro equipment, motivational posters, and neon signs. All visible signage in the background exclusively displays the following motivational phrases: 'No Pain, No Gain,' 'Bodybuilding & Fitness,' and 'Push It to the Limit.' The atmosphere is gritty yet cinematic, with ambient neon lights illuminating the scene. Volumetric lighting cuts through the misty air, casting dramatic, sharp beams that highlight the Terminator's powerful figure and metallic features. Every detail is rendered in stunning hyperrealism—the texture of his muscle shirt, the glint of metal peeking through his hands, the precise alignment of the weight plates, and the neon glow reflecting off polished gym equipment. The scene captures the nostalgic spirit of 1980s action cinema, immersing the viewer in a retro-futuristic masterpiece that showcases the Terminator's intensity, focus, and determination to push his limits.

FRACTAL
0 55