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Prompt by 99bc4ce28e2

his face with humanoid features prompts

very few results

5 months ago

A monumental 6-meter-tall sculpture stands in a pristine, white-walled exhibition space. Its form is ambiguous yet resonant — suggesting a toy-like humanoid figure made of a single, inflated continuous surface. The geometry is mathematically generated and defined by the following parametric equation: x(u, v) = (1.5 + 0.3 \cdot \sin(5v)) \cdot \cos(v) + 0.2 \cdot \cos(2u) y(u, v) = (1.5 + 0.3 \cdot \sin(5v)) \cdot \sin(v) + 0.2 \cdot \sin(2u) z(u, v) = 0.6 \cdot u + 0.5 \cdot \sin(3v + \frac{\pi}{4}) for u \in [0, 3\pi] and v \in [0, 2\pi]. The resulting form undulates gently, swelling and contracting with bulbous, limb-like protrusions. It evokes the figure of a soft, abstract humanoid — one whose “head” is slightly larger than the lower forms, suggesting animation or presence without literal anatomy. Its skin is chrome-polished, with a translucent lavender glaze that reflects and distorts its surroundings. Subtle ridges on the upper surface imply crossed eyes without carving them, integrating symbolism through topological features. The figure leans forward slightly, balanced, as if breathing or listening. The feet-like base is wide and pressing softly into a terrazzo floor. The sculpture feels both digital and intimate — a monumental ballooned body born from mathematics, standing alone in a room filled with diffused white light and long, warped shadows. The face has two deep oval hollows, symmetrically set wide apart — not literal eyes, but alien symbols. Below them, a shallow, arc-shaped crease bends gently across the lower face, like a ghost of a smile. The geometry is playful but still and quiet — mixing a graphic clarity with an alien like face. The head is slightly oversized in proportion, giving the figure an animated presence. Reflections warp and flow across its curved face, refracting the viewer’s image within a facial field that feels curious but unknowable.

2 months ago

A dark, decayed factory steeped in dampness and neglect. Rows of broken, lifeless androids hang from chains and diagnostic cables, their battered forms suspended like relics of a forgotten era. Each android faces forward, their heads slumped and limbs dangling limply, as if gravity alone holds them in place. The androids are diverse—some humanoid with slender frames and fragmented synthetic skin, others industrial with exposed hydraulics, rusted plating, and shattered components. Many are missing limbs, their wires and cables hanging loosely, sparking faintly in the oppressive gloom. Among the rows, two androids stand out—their hands intertwined in a final act of connection before their power cells died. One is humanoid, its delicate features cracked and weathered, its synthetic skin peeling to reveal intricate, rusting frameworks. The other is industrial, bulkier, with heavier plating and exposed joints, its arm barely holding on by a tangle of wires. Their clasped hands emit a faint glow, flickering like dying embers, the last remnant of their shared existence. The factory is drenched in atmosphere. Thick haze and mist cling to every surface, illuminated by the weak, flickering glow of malfunctioning CRT screens and sparking cables. Dim red light spills from a cracked overhead lamp, casting diffuse shadows across the room. A faint, rhythmic drip echoes through the cavernous space, the sound amplified by the oppressive silence. A flickering sign above the rows reads: “ANDROID MULTI-PURPOSE FOUNDRY.” The foundry walls are lined with rusted, obsolete machinery and control panels. Pools of stagnant water collect on the floor, reflecting the faint, scattered light in jagged, broken patterns. Dust and smoke swirl in the air, cutting through the faint godrays that streak through shattered skylights, further obscured by the thick haze. The shadows of dangling chains and lifeless androids create eerie silhouettes on the mist-covered walls. The atmosphere is suffocatingly gritty, a testament to the decay of innovation. The androids stand as silent witnesses to a bygone era, their shattered forms a chilling reflection of the hubris and failure of their creators. The two holding hands, surrounded by rows of decaying machines, remain a quiet, haunting symbol of connection amidst the ruin.

6 months ago

A towering, ornate figure resembling an ancient Egyptian pharaoh dominates the center of the image, set against a dramatic, fiery background. The figure wears a golden headdress with blue and black horizontal stripes, and a stylized face mask with intricate details around the eyes and mouth. The figure's body is clad in elaborate, dark metallic armor with golden accents and intricate carvings. Large, decorative shoulder pieces extend outward, and the chest area features a prominent, circular golden emblem. The figure's hands are large and appear armored, with sharp, claw-like extensions. Behind the central figure is a large, glowing orange circle with hieroglyphic-like symbols etched onto its surface. The light from this circle illuminates the figure from behind, creating a strong backlight and rim lighting effect. The background features swirling clouds and fiery textures in shades of orange, yellow, and dark grey, suggesting a dramatic or supernatural setting. Ultra-realistic cinematic scene captured with a full-frame DSLR, low-angle wide lens. A towering humanoid figure stands in front of the Great Pyramid of Giza under a stormy night sky. The figure resembles a youthful male pharaoh with light blue skin and glowing blue eyes, blending realism with subtle sci-fi influence. He wears a detailed golden pharaonic mask and a nemes headdress with cobra and vulture symbols. His body is adorned in dark royal robes with authentic gold and turquoise inlays, and a glowing ankh pendant rests on his chest. Faint blue electricity subtly dances around his arms and chest — realistic and restrained, not cartoonish. His expression is powerful yet serene. The Great Pyramid behind him appears weathered, massive, and grounded on dark, uneven desert terrain. Low fog rolls in at the base, partially covering his legs. The sky is filled with dense, gray-blue storm clouds and faint moonlight breaking through, casting dramatic highlights on the stone and his garment. Shot in hyper-realism, resembling a scene from a high-budget historical sci-fi film like Dune or Prometheus, with advanced lighting, shadow depth, and photorealistic textures