immediately identifiable prompts

9 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

9 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

2 months ago

travel photography, Dynamic architectural view waist up half body photo of a 24-year-old Malagasy-Jewish Sephardic female glamorous socialite with a Shelter breach assessment with eyes instantly identifying structural compromise with architectural precision, face revealing immediate calculation of repair requirements, jaw set with determination rather than defeat, subtle tension distribution indicating action preparation, expression showing problem-solving activation rather than emotional response. facial expression. She has Comprehensive toxic environment survival guide with specialized protection techniques for various contaminants tattooed across entire body, skin unusually resistant to chemical damage with enhanced barrier function, ritual branding creates permanent warning symbols at all major absorption points, chest tattooed with complete detoxification technique instructions, face bearing atmospheric quality assessment indicators.. The skin pores and texture are clearly visible and in focus. Her Large parabolic eyes, Gentle, deep brown eyes, framed by long, elegant eyelashes. Her haircut is Wind turbine maintainer's entanglement prevention cut with head kept uniformly bare, eliminating potentially fatal risk during repair of critical power infrastructure, safety requirements outweighing personal expression preferences.. Her eyebrows are neatly shaped, complementing her delicate facial features. Her body is Sculpted collarbones with visible muscle definition, small breast, toned abs, Female Bodybuilding style. She wears Modified security guard shirt with bottom portion removed, badge mount repurposed to hold small survival tool, patch areas showing lighter fabric where insignia were removed, reinforced with fishing line stitching at stress points., midriff, Deconstructed basketball shorts with waistband folded and stitched to sit lower, side seams expanded with mesh material from laundry bags for better ventilation, team markings faded but partially visible, drawstring replaced with adjustable bungee cord., In the background Drained reservoir basin settlement taking advantage of the rich sediment left behind by receding waters, the community is surrounded by the towering former shoreline creating natural protection from winds, residents live with the knowledge that rare catastrophic rainfall events could potentially refill the basin with little warning, evacuation paths are carefully maintained and regularly drilled.. She stands Toxic Zone Navigator position with body protected moving through contaminated area with methodical progression, stance revealing both scientific knowledge and survival instinct, path selection demonstrating contamination pattern understanding, breathing visibly controlled through specialized technique minimizing exposure., looking to the camera. She is positioned on the left side in the frame by the rule of thirds. The weather is Steam geysers erupting spontaneously from cracked pavement as underground water pipes rupture in the heat, scalding anyone unfortunate enough to be nearby, creating temporary sauna-like conditions in confined urban canyons, the moisture quickly evaporates leaving behind mineral deposits that accumulate on all surfaces.. the model is lighted with soft natural lighting in the style of Zara Nightshade

9 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.