A sample prompt of what you can find in this page
Prompt by Morgue

in the impressionist style of Monet prompts

very few results

7 months ago

"Ultra-detailed 4K portrait merging Impressionist brushwork with Baroque chiaroscuro. An Egyptian pharaoh with a hyper-realistic face and an ornate gold headdress embedded with lapis lazuli and turquoise dynamically pins down a stylized Israeli soldier. The god Horus looms behind them as a semi-abstract Impressionist figure - iridescent wings blurred in motion, glowing eyes piercing through thick, textured brushstrokes. Lighting features a single dramatic light source from the left, casting sharp shadows on the pharaoh’s determined face and the soldier’s strained muscles, while warm golden rays illuminate hieroglyphic patterns floating in a smoky, abstract background. The color palette includes vibrant Impressionist hues like crimson, burnt orange, and cerulean softened by Baroque-era depth. Textures contrast photorealistic sweat on skin with thick oil-paint strokes on Horus’ feathers. The composition creates diagonal tension between the pharaoh’s spear and Horus’ talons, evoking dynamic movement. The mood is theatrically intense, contrasting the pharaoh’s calm authority with the soldier’s anguish." Additional instructions: Style hybridization: Impressionism meets Caravaggio, hyper-detailed faces, cinematic lighting, f/1.2 aperture for bokeh. Horus: semi-transparent, fragmented brushstrokes suggesting divine wrath. Soldier: modern military uniform stylized with muted, desaturated tones to avoid politicized realism. Lighting: Rembrandt lighting on faces, Monet-style dappled gold highlights on hieroglyphic backgrounds. Use --style raw equivalent for blending realism with artistic brushwork.

13 days ago

STYLE: "In style of Rembrandt van Rijn + Claude Monet + John Singer Sargent, where Rembrandt's dramatic chiaroscuro and dignified compositional structure should provide the foundational gravitas and tonal depth, Monet's broken color technique and atmospheric light should dissolve edges into shimmering heat and dust, and Sargent's confident alla prima brushwork should capture spontaneous energy and material textures with fluid strokes. The fusion should manifest as classically composed portraiture rendered with impressionist immediacy, where solid forms emerge from dappled light and loose brushwork, creating tension between timeless dignity and fleeting moment." SUBJECT: "A weathered biker astride a chrome-heavy motorcycle, leather jacket suggested through bold brushstrokes rather than tight rendering, bandana catching fragmented light, hands and handlebars described with confident gestural marks, face emerging from shadow with impressionist color notes defining character, positioned in three-quarter view with machine's chrome surfaces breaking light into violet and orange reflections, overall figure solid yet atmospheric." SETTING: "Scene set in Sturgis rally grounds during golden hour, with dust and heat rendered as visible atmosphere through broken color and soft edges, distant motorcycles suggested as color masses and light patterns rather than detailed forms, Black Hills landscape dissolving into lavender and gold atmospheric perspective, ground described with varied brushstrokes capturing texture through color temperature shifts, warm sunlight filtering through dust creating impressionist envelope of light that unifies the classical composition."modern iron horse and rider."