is positioned in a narrow prompts

4 months ago

woman with light blonde hair, likely in her 20s or 30s, is depicted walking down a colorful, narrow alleyway. She is of light complexion. She wears a straw hat, a dark-denim, sleeveless jumpsuit with ruffled details on the bottom, and high heels. Her back is to the viewer, displaying a tan. Her posture is confident and graceful. The alleyway walls are painted with vibrant colors, including yellows, blues, oranges, and reds, with visible brushstrokes. Flower pots are positioned along the sides of the alley

4 months ago

woman, middle-aged, light-skinned, is standing in a narrow alleyway. She is positioned on the left side of the image, facing away from the viewer, with a profile view. She wears a dark jacket and a red, knee-length, A-line skirt.  The alleyway is paved with light gray, uneven cobblestones, showing cracks and shadows.  Yellow, weathered buildings line both sides of the narrow passage. The buildings are primarily a vibrant yellow, with some patches of faded or missing paint, revealing light gray stone underneath. Green shutters are visible on some windows.  Small red flowers, and white daisy-like flowers, grow along the path and at the edges of the alley.  Lush green foliage and trees are visible between and behind the buildings. Soft, dappled sunlight casts shadows on the path.  The lighting is warm and sunny, and the overall atmosphere is serene and peaceful. The composition is linear, focused on the alley and the woman, with a slightly high-angle perspective. The style is painterly, with a focus on light and shadow. The woman appears contemplative or thoughtful. The buildings and path create a sense of a charming, slightly aged European village or town.

5 months ago

A photorealistic, artistic image, maintaining the overall dark and moody composition. The central focus is a (singular, glistening, detailed Spider-Man web:1.4), meticulously (spun from distinct spider silk threads to clearly and legibly form the word "STOP" in capital letters:1.8). This web, (forming the word "STOP":1.7), is suspended in mid-air within a (narrow, rain-slicked, very dark and shadowy urban alleyway at night with a clear perspective showing its depth:1.3). To the left side of the alley, nestled against a shadowy wall and slightly in the foreground, stands a (classic red fire hydrant:1.3), its deep red color discernible. The (individual strands and threads making up the letters of "STOP" on the web:1.5) emit a (subtle but clear, faint rainbow-colored luminescence or iridescent glow:1.6), serving as a key light source for the web and its immediate surroundings. (Spider-Man himself is now a crucial and dynamic element:1.6). Positioned just behind the plane of the web, (his masked head and perhaps the very top of his shoulders are dramatically emerging through the natural opening of the letter 'O' in the web-formed word "STOP":1.9). (His head should be sharply in focus, appearing to dynamically jut out towards the viewer:1.8), creating a strong sense of depth and making it a powerful foreground element. The rest of his body remains mostly obscured or melds into the shadows behind the web. His mask should catch (subtle, realistic highlights from the glowing rainbow strands of the 'O' he is passing through:1.5) and any faint ambient light, emphasizing its classic form and texture. The alley itself remains characterized by deep shadows and natural night-time darkness. (A very faint, distant city glow might barely touch the far background:0.5). The red fire hydrant remains a contrasting element. Reflections on the wet pavement should primarily stem from the web's own rainbow luminescence. The (web-formed word "STOP":1.6) is still artfully spun. Its (glowing, rainbow-hued letterforms:1.5) appear (distinctly self-illuminated:1.4) against the (surrounding deep darkness:1.3). The image is cinematic, with high detail, focusing on the dramatic interplay between the (glowing web spelling "STOP":1.6) and (Spider-Man's head protruding directly towards the audience:1.7), all within the established dark, moody alley setting with the red hydrant as a side anchor

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

4 months ago

woman with light blonde hair, likely in her 20s or 30s, is depicted walking down a colorful, narrow alleyway. She is of light complexion. She wears a straw hat, a dark-denim, sleeveless jumpsuit with ruffled details on the bottom, and high heels. Her back is to the viewer, displaying a tan. Her posture is confident and graceful. The alleyway walls are painted with vibrant colors, including yellows, blues, oranges, and reds, with visible brushstrokes. Flower pots are positioned along the sides of the alley

4 months ago

woman, middle-aged, light-skinned, is standing in a narrow alleyway. She is positioned on the left side of the image, facing away from the viewer, with a profile view. She wears a dark jacket and a red, knee-length, A-line skirt.  The alleyway is paved with light gray, uneven cobblestones, showing cracks and shadows.  Yellow, weathered buildings line both sides of the narrow passage. The buildings are primarily a vibrant yellow, with some patches of faded or missing paint, revealing light gray stone underneath. Green shutters are visible on some windows.  Small red flowers, and white daisy-like flowers, grow along the path and at the edges of the alley.  Lush green foliage and trees are visible between and behind the buildings. Soft, dappled sunlight casts shadows on the path.  The lighting is warm and sunny, and the overall atmosphere is serene and peaceful. The composition is linear, focused on the alley and the woman, with a slightly high-angle perspective. The style is painterly, with a focus on light and shadow. The woman appears contemplative or thoughtful. The buildings and path create a sense of a charming, slightly aged European village or town.

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

5 months ago

Positive Prompt: masterpiece, best quality, ultra-HD, absurdres, photorealistic, 8k, dynamic close-up action-style studio photo of a fit woman doing a star jump (maximal extension) in the air, modern dance studio, wearing an ultramodern, colorful athletic top and leggings that end at the knee, showcasing her full bust and narrow waist with realistic anatomical precision, muscular definition, in motion. Soft, even studio lighting, cinematic lighting, dramatic shadows, illuminates her flexed body. Plain white studio backdrop, minimalist background, emphasizing the form and motion. Freeze-frame timing, sharp focus, capturing the moment of maximal extension, slight motion blur in hair and limbs, graceful, powerful, athletic, ethereal brushstroke, (realistic skin texture:1.2), detailed eyes, expressive face, (Canon EOS R5, 85mm lens), studio strobes, depth of field Negative Prompt (very common for SD): ugly, deformed, bad anatomy, disfigured, poor quality, low quality, worst quality, blurry, mutated, extra limbs, missing limbs, text, signature, watermark, logo, bad lighting, grainy, cropped, out of frame, multiple figures, collage

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

7 months ago

raditional Japanese pagoda standing tall in a foggy mountain valley, positioned slightly off-center to the right in a mid-range view. Dense mist surrounds the base and rolls through the distant layered hills. Entire scene rendered in monochrome charcoal tones with no color grading. Warm interior lighting with slight intensity variation across floors, one or two brighter windows, and subtle light spill for realism, while preserving the tranquil, cinematic mood. Subtle stone steps or a narrow rocky path leading toward the pagoda, partially revealed through the mist for realism and grounded presence. Soft pink petals drifting in the air — extremely minimal, serving only as atmospheric accents. Petals should have around 30–50% saturation, subtle but noticeable against the grayscale charcoal background, with mild size variation and slight foreground presence. Three to four birds flying with varied size and distance, soft motion blur, and partial mist integration. Bare branches subtly frame the scene on the sides. Full cherry blossom trees in very soft, subtle pink. No foliage should obscure the pagoda. Moody ink wash aesthetic, inspired by Ghost of Tsushima — cinematic yet understated. High detail in the pagoda structure, gentle shadows, calm, and mysterious tone. Minimalist, peaceful composition with deep atmosphere and silence.

8 months ago

• Central Cylinder: Imagine a straight, horizontal cylinder. This is the main body of the shape. • Truncated Cones: At each end of the cylinder, picture a cone that has been cut off (truncated) at its narrow end. These truncated cones flare outwards, increasing in diameter as they move away from the central cylinder. • Rings: Just before each truncated cone begins, there's a thick, circular ring encircling the cylinder. These rings are significantly wider than the cylinder itself and have a distinct thickness. • Inner Rods/Cage: Inside the central cylinder, visualize a series of thin, straight rods running parallel to the cylinder's length. These rods are evenly spaced around the interior, creating a cage-like structure. • Spin-Up Mechanism: Thrusters or reaction control systems (RCS) positioned tangentially on the city’s perimeter would fire to initiate rotation. Once spinning, minimal energy is needed to maintain it in the frictionless vacuum of space.

3 months ago

The Upstairs Void (Abstract & Haunting) Visual: A distorted perspective looking down a narrow, dimly lit hallway towards a half-open door at the end (grandmother's upstairs). The hallway walls are textured like rough, splintered wood (sticks). The floorboards are warped and stained a deep, unnatural blue near the doorway, pooling outward like spilled ink or cold liquid. Through the doorway is only pitch blackness (the void). Foreground (Bottom Corner): A single, pristine, bright blue ROXIE pill lies on the warped floorboards. It seems to be the source of the blue stain bleeding towards the black door. The blue stain subtly forms the shape of a collapsed figure as it spreads. Text: "STICKS & STONES" in large, crude, fragmented charcoal-gray letters (like stones roughly thrown), positioned vertically along the splintered wall or starkly across the top. Author name tiny, near the pill. Color Palette: Deep Umber/Splintered Brown (walls, sticks), Unnatural Electric Blue (stain, pill), Pitch Black (void), Charcoal Gray (text). Why it fits: Represents the specific location of death ("upstairs"), the isolation, the poison spreading (blue stain), the void of loss (black doorway). The splintered wood = sticks, the text = stones. The pill is small but the focal point of the disaster.