A sample prompt of what you can find in this page
Prompt by Lastdance

kodak prompts

hundreds of results

8 months ago

close-up portrait of a female red demon, bathed in a warm, golden glow reminiscent of a sunset over a mystical realm. Her physique, honed from the fires of the underworld, is clad in a sleek, high-cut latex swimsuit with a snakeskin pattern that shimmers like polished obsidian, accentuating her athletic curves. Black latex boots rise up her legs like dark, glossy spires, while her raven tresses cascade down her back like a waterfall of night, styled with sharp, choppy bangs that frame her heart-shaped face like a dark, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. she smiles seductively to thew camera, and with Beckoning gesture to come to her with passion and desire smile on lips. Ambient blue and red lighting effects dance across the metal accents, casting a mesmerizing glow that evokes the fusion of ancient mythology and modern technology. The air is charged with an aura of anticipation, as if the very fabric of reality is about to be torn asunder by the demon's haunting melody. Melting lava flows across the floor like a river of liquid fire, casting flickering shadows on the walls as the demon's song builds to a crescendo. Inspired by the dark mysticism of Zdzisław Beksiński, the biomechanical nightmares of H.R. Giger, and the stark, gothic elegance of Ashley Wood, with a dash of Syd Mead's 8K hyper-realistic 3D rendering, Roger Dean's atmospheric lighting, and Ash Thorp's cinematic composition, all distilled through the warm, golden tones of a Kodak Ektar lens, complete with subtle lens flare and a hint of film grain.

3 months ago

close-up portrait of a female red demon, bathed in a warm, golden glow reminiscent of a sunset over a mystical realm. Her physique, honed from the fires of the underworld, is clad in a sleek, high-cut latex swimsuit with a snakeskin pattern that shimmers like polished obsidian, accentuating her athletic curves. Black latex boots rise up her legs like dark, glossy spires, while her raven tresses cascade down her back like a waterfall of night, styled with sharp, choppy bangs that frame her heart-shaped face like a dark, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. she smiles seductively to thew camera, and with Beckoning gesture to come to her with passion and desire smile on lips. Ambient blue and red lighting effects dance across the metal accents, casting a mesmerizing glow that evokes the fusion of ancient mythology and modern technology. The air is charged with an aura of anticipation, as if the very fabric of reality is about to be torn asunder by the demon's haunting melody. Melting lava flows across the floor like a river of liquid fire, casting flickering shadows on the walls as the demon's song builds to a crescendo. Inspired by the dark mysticism of Zdzisław Beksiński, the biomechanical nightmares of H.R. Giger, and the stark, gothic elegance of Ashley Wood, with a dash of Syd Mead's 8K hyper-realistic 3D rendering, Roger Dean's atmospheric lighting, and Ash Thorp's cinematic composition, all distilled through the warm, golden tones of a Kodak Ektar lens, complete with subtle lens flare and a hint of film grain.

5 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

5 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.