A sample prompt of what you can find in this page
Prompt by ElectricL

lit only by flickering torchlight prompts

very few results

7 months ago

A radiant, sensual Arabian enchantress (1.8) reclines gracefully atop layers of velvet cushions and patterned silks in a lavish desert pavilion. Her bronze skin glows in the dim amber candlelight, and sheer fabrics cling to her voluptuous curves (1.6), revealing more than they conceal. Gold bangles coil around her wrists and ankles, and delicate filigree chains drape across her bare hips (1.5), catching the soft flicker of the torchlight. Her eyes — kohl-lined, smoldering with mystery — gaze toward the viewer (1.5), while her dark, cascading hair spills across her shoulder like ink over parchment. Her pose is relaxed but powerful, her presence commanding. The scene is rich in depth — in the foreground, intricate carved lanterns, incense burners emitting curling smoke (1.4), and low tables adorned with exotic fruits and shimmering goblets frame the space. In the midground, gauzy curtains flutter in the warm desert breeze, backlit by a burning sunset that casts molten gold and rose hues across the silken drapes. In the background, silhouettes of distant minarets and domes glint beneath a twilight sky pierced by the first emerging stars (1.3). A white tiger lies at her side — still, regal, alert. Its fur glows softly in the layered lighting, both shadowed and rim-lit by the ambient glow. The pavilion is elevated, revealing a view over the vast desert dunes, with torches dotting the landscape like fireflies. Style & Light: (Frazetta x Vallejo:1.6), heroic fantasy realism, saturated sunset palette, volumetric shadows, warm light rays filtering through incense smoke, sensual anatomy and heavy fabrics with textured brushwork. The final image is both erotic and majestic — mythic, powerful, and timeless.

6 months ago

Create a masterpiece oil painting in a realistic, atmospheric style, inspired by the chilling events in the suburbs of southern Sydney. The scene is set at twilight under an ominous blood-red sky, with a rising full moon partially obscured by swirling clouds. In the foreground, a large, shadow-drenched shed looms ominously on a secluded property near Barton Park, lit only by flickering torchlight. Cult members, cloaked in crimson and black robes, are arranged in a semicircle, performing a sinister ritual. Their faces are partly masked, their hands raised in supplication or soaked in dark fluids—devotion or madness indistinguishable. At the center of the ritual space, a symbolic altar of stone and rusted iron holds the carved remains of ancient demonic sigils from a forgotten grimoire. Faint outlines of chained female figures can be seen in the shadowed distance—ghostly silhouettes of captivity, not detailed graphically, but clearly tragic in tone. In the background, barely visible through the trees, sits a house of torment—its windows barred, a dim light glowing within. A religious building looms even farther away, its steeple outlined under the cursed moon, bearing silent witness to the desecration. Above, the night sky swirls with unnatural energy, as if a gateway is opening between worlds. The painting should evoke a palpable tension: horror without gratuity, symbolism without sensationalism. The tone is eerie, cinematic, and investigative, with subtle nods to the task force closing in—perhaps a pair of headlights breaking the treeline, or the faint silhouette of Detective Tank Dodge watching from a ridge, jaw tight, gun ready, truth dawning. This is a composition of duality—sacrifice and salvation, evil and justice—locked in a battle beneath a cursed sky.