low-angle 35mm lens prompts

6 months ago

A low-angle, wide-angle analogue photograph of a woman holidng a Sony PlayStation Vita up to the camera, on a sunlit pier, against a clear blue sky. The photo is taken at an angle. The sun is behind the model creating a glow. She has dark brown hair let loose, she looks cool and beautiful. She's wearing a simple, front-tie croptop, bikini bottoms, and trainers and socks. She is turned around and showing off her back. Her skin is glistening with oil. The image has a raw, unpolished look — shot on 35mm film with a grungy, analogue aesthetic, with flash. No digital retouching, with natural lighting and imperfections intact, there are a few flecks of grain and scratches on the pic in a natural way. The photo feels spontaneous, carefree, and candid, capturing a nostalgic 90s summer vibe. Harsh sunlight creates subtle lens flare and dramatic shadows. The model wears minimal accessories, emphasising a natural, real-life look. Background includes a white wooden fence and distant hills by the ocean.

6 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

11 days ago

A professional, ultra-realistic, and high-resolution black and white photograph of a powerful and alluring young chinese woman. She is captured from a dramatic low angle, looking down into the camera with a fierce, confident, and commanding expression. Her eyes are narrowed, and her head is tilted slightly. Her dark hair is styled in two tight, neat braids, with a few wet, stringy strands clinging to her face, giving her a gritty, edgy look. She is wearing a sleek, form-fitting, black, sleeveless turtleneck dress that perfectly accentuates her athletic and curvaceous physique. The setting is a minimalist studio with a plain, slightly textured, off-white wall as the background. The lighting is the most crucial artistic element. A single, hard, directional light source from above and in front of her creates a dramatic, high-contrast, chiaroscuro effect. This harsh lighting casts strong, defined highlights on the top of her head, her cheekbones, her chest, and the curve of her hip, while plunging the rest of her form into deep, inky blackness, creating a powerful silhouette. The photograph is a masterful black and white conversion, featuring a high-contrast, grainy, film-like texture that enhances the raw and gritty mood. The image is captured with a high-end full-frame camera and a wide-angle lens (e.g., 24mm or 35mm) to achieve the dramatic low-angle perspective and a slightly distorted, powerful composition. The overall mood is one of strength, dominance, edgy fashion, and raw, cinematic power.

1 month ago

photograph of an iridescent asian woman doing yoga, holographic, with fluorescent lighting on a dark background, high contrast, dynamic pose, side view, wide angle, low camera position, full body shot, hyper-realistic, with detailed skin texture and depth of field. in the style of hajime sorayama, a colorful tradiotional asian woman (geisha style) doing a yoga pose against a solid black background, captured with a 35mm lens at f/2.8. a an asian woman doing gym, full body, in the style of james jean and hajime sorayama, with bioluminescent neon colors, dark background, low-angle shot, 35mm lens, hyper-realistic photography. a soft geisha woman performing, full-body pose, with a color gradient effect, holographic colors, against a dark background, with neon lights, in the style of infrared photography, hyper-realistic style.

1 month ago

A humanoid runner with a retro computer monitor for a head, sprinting down an urban street at dusk. The monitor glows faintly, displaying static and neon graphics. Sweat glistens on the athletic human body, captured mid-stride, low-angle 35mm lens, cinematic rim lighting, motion blur trailing arms and legs, dust rising from asphalt, photorealistic textures, ultra-HD, cinematic realism --ar 9:16 --style raw --v 7 --quality 2 --p 6u6ti8r