mouth agape prompts

7 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman wearing white lingerie who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles. The setting is a 1950's quaint bedroom at night. The woman is lying on her bed. Volumetric lighting from a nearby streetlight is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, slightly glowing eyes, bloody fangs, claws, and some are gigantic. They are coming from under her bed.

9 months ago

Photorealistic baby dragon with downy fluff and shiny iridescent scales hatching out of a cracked, speckled egg, tiny wings unfolding, and small flames erupting from its mouth as it takes its first breath of fire. In the background, a mother hen with soft, feathers and a shocked expression, beak agape, looks on in surprise, set against a warm, golden, farmyard-style wooden coop with soft, natural lighting, inspired by the realistic textures and atmospheric lighting of artists like Greg Rutkowski, Ian McQue, and Simon Stalenhag.

9 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles. The setting is a 1950's quaint bedroom at night. Volumetric lighting from a nearby streetlight is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, fangs, claws, and some are gigantic. --ar 35:43 --v 6.0

9 months ago

enormous giantess actress Jodie Whittaker as the 13th Doctor from Doctor Who, bigger than a galaxy floating in space, minuscule planets in front of her mouth, confused expression, mouth agape, looking down at the planet in front of her, very low angle extreme zoomed in close up of her mouth as she looms over the planet, eyes open, blue electricity and energy surrounding her photo-realistic hyperbole --v 5.2

9 months ago

enormous giantess actress Jodie Whittaker as the 13th Doctor from Doctor Who, bigger than a galaxy floating in space, minuscule planets in front of her mouth, eyes peering downward, confused expression, mouth agape, looking down at the planet in front of her, moon in her mouth, extreme zoomed in close up of her mouth as she looms over the planet, eyes open, blue electricity and energy surrounding her photo-realistic hyperbole --v 5.2

9 months ago

enormous giantess actress Jodie Whittaker as the 13th Doctor from Doctor Who, bigger than a galaxy floating in space, minuscule planets in front of her mouth, eyes peering downward, confused expression, mouth agape, looking down at the planet in front of her, moon in her mouth, extreme zoomed in close up of her mouth as she looms over the planet, eyes open, blue electricity and energy surrounding her, thousands of space ships surrounding her photo-realistic hyperbole --v 5.2

9 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles. The setting is a 1950's quaint bedroom at night. The woman is lying in bed under the covers. Volumetric lighting from a nearby streetlight is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, fangs, claws, and some are gigantic. They are coming from under her bed --ar 35:43 --v 6.0

7 months ago

“A minimalistic, circular infographic-style logo featuring four simplified figures in traditional robes, appearing to be in a hypnotic trance, obsessed with their glowing smartphones. The figures are arranged symmetrically, with two in red robes on the left and right for balance and two in yellow robes in the center for leadership. Their mouths are agape, and they gaze at their smartphones with dark, empty eyes, illuminated by the glow of the screens. The dark, foreboding background incorporates subtle geometric constellations and a circular frame, with a palette of reds, grays, blacks, and yellows. The tone is ominous, emphasizing obsession and detachment, while maintaining a clean, symbolic design suitable for branding.”

9 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles. The setting is a 1950's quaint bedroom at night. Volumetric lighting from a nearby streetlight is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, fangs, claws, and some are gigantic. --ar 35:43 --v 6.0

7 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman wearing white lingerie who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles. The setting is a 1950's quaint bedroom at night. The woman is lying in bed over the covers. Volumetric lighting from a nearby streetlight is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, fangs, claws, and some are gigantic. They are coming from under her bed.

7 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman in shredded white dress, who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with long black hair and freckles. The setting is a medieval quaint bedroom at night. The woman is lying on her bed. Volumetric lighting from a nearby streetlight is rim lighting terrifying goblins that are coming for the woman. The goblins are grotesque, beastly, sinister. They are coming dragging her from the bed.

4 months ago

A terrified hot dog with a human-like face, eyes bulging and mouth agape in a silent, existential scream, slowly sizzling in the hot summer evening in despair. It stands alone on a distorted bridge above a churning abyss of dark, swirling colors. Shadowy, looming figures in the background represent looming dread. A cracked clock melts beside it, symbolizing time running out. The sky is warped into chaotic waves of crimson and orange, echoing a soul in turmoil. In the haunting style of Edvard Munch’s The Scream — surreal perspective, expressionist brushwork, twisted, nightmarish imagery. Crows fly overhead, and ghostly hands rise from below, reaching toward the as if to drag it down. The entire scene drips with symbolic fear, anxiety, and fleeting mortality.

9 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles. The setting is a 1950's quaint bedroom at night. The woman is lying in bed under the covers. Volumetric lighting from a nearby streetlight is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, fangs, claws, and some are gigantic. They are coming from under her bed --ar 35:43 --v 6.0

7 months ago

“A minimalistic, circular infographic-style logo featuring four simplified figures in traditional robes, appearing to be in a hypnotic trance, obsessed with their glowing smartphones. The figures are arranged symmetrically, with two in red robes on the left and right for balance and two in yellow robes in the center for leadership. Their mouths are agape, and they gaze at their smartphones with dark, empty eyes, illuminated by the glow of the screens. The dark, foreboding background incorporates subtle geometric constellations and a circular frame, with a palette of reds, grays, blacks, and yellows. The tone is ominous, emphasizing obsession and detachment, while maintaining a clean, symbolic design suitable for branding.”

9 months ago

enormous giantess actress Jodie Whittaker as the 13th Doctor from Doctor Who, bigger than a galaxy floating in space, minuscule planets in front of her mouth, eyes peering downward, confused expression, mouth agape, looking down at the planet in front of her, moon in her mouth, extreme zoomed in close up of her mouth as she looms over the planet, eyes open, orange electricity and energy surrounding her, thousands of space ships surrounding her, several tiny planets in her mouth, gazing downwards at the planets in front of her photo-realistic hyperbole --v 5.2

9 months ago

enormous giantess actress Jodie Whittaker as the 13th Doctor from Doctor Who, bigger than a galaxy floating in space, minuscule planets in front of her mouth, eyes peering downward, side angle, thousands of space ships flying around her face, confused expression, mouth agape, looking down at the planet in front of her, moon in her mouth, extreme zoomed in close up of her mouth as she looms over the planet, eyes open, blue electricity and energy surrounding her photo-realistic hyperbole --v 5.2

9 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful portrait of an attractive woman who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles wearing glasses and a floral pattern top. Vibrant colors and bold outlines with a pop art influence. A red background with a yellow sun in the foreground that is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, fangs, claws, and some are gigantic. --ar 35:43 --v 6.0

9 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful portrait of an attractive woman who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles wearing glasses and a pattern top. Vibrant colors and bold outlines with a pop art influence. A red background with a yellow sun in the foreground that is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, fangs, claws, and some are gigantic. --ar 35:43 --v 6.0

9 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles. The setting is a 1950's quaint bedroom at night. The woman is lying in bed under the covers. Volumetric lighting from a nearby streetlight is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, fangs, claws, and some are gigantic. They are coming from under her bed --ar 35:43 --v 6.0

9 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful portrait of an attractive woman who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles wearing glasses and a floral pattern top. Vibrant colors and bold outlines with a pop art influence. A red background with a yellow sun in the foreground. --ar 35:43 --v 6.0

9 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles. The setting is a 1950's quaint bedroom at night. The woman is lying in bed under the covers. Volumetric lighting from a nearby streetlight is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, fangs, claws, and some are gigantic. They are coming from under her bed --ar 35:43 --v 6.0

5 months ago

A horrifying, dark fantasy scene of rotting skulls and decomposing faces grotesquely fused into the bark and roots of a cursed forest tree. The figures are twisted with pain and rage, their hollow eyes glowing with eerie golden light, their mouths agape with jagged, broken teeth. Vines and roots pierce through their flesh and skulls, wrapping around their heads like serpents. Moss and ivy grow from their gaping wounds and hollow sockets, blending the undead forms with the ancient, gnarled wood.

9 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles. The setting is a 1950's quaint bedroom at night. The woman is lying in bed under the covers. Volumetric lighting from a nearby streetlight is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, fangs, claws, and some are gigantic. They are coming from under her bed --ar 35:43 --v 6.0

9 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles. The setting is a 1950's quaint bedroom at night. The woman is lying in bed under the covers. Volumetric lighting from a nearby streetlight is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, fangs, claws, and some are gigantic. They are coming from under her bed --ar 35:43 --v 6.0