


7 months ago
Jesus walking on the beach, not walking on the water, but clearly on the beach next to the water. The perspective will be from behind Jesus as he walks along the beach. Move it a little closer to Jesus so it takes up more space in the frame. In the following example you can see one of the palms of his hands and you can see the sole of one of his feet. Paint a small hole clearly visible in the center of her hand and in the center of her foot she has holes in her hands and feet where nails would have been pierced but light appears in her. This is a painting of the RISEN LORD. golden colors and light shine golden light from pleyada starsand from the heaart golden light conecting . colors, ethereal lighting, exaggerated proportions, immersive and captivating visual storytelling, mesmerizing and intricate patterns, rich textures and depth, creator, fantasy elements, imaginative and vibrant world, emotional and dramatic scenes --ar 4:5 --s 250

6 months ago
Jesus walking on the beach, not walking on the water, but clearly on the beach next to the water. The perspective will be from behind Jesus as he walks along the beach. Move it a little closer to Jesus so it takes up more space in the frame. In the following example you can see one of the palms of his hands and you can see the sole of one of his feet. Paint a small hole clearly visible in the center of her hand and in the center of her foot she has holes in her hands and feet where nails would have been pierced but light appears in her. This is a painting of the RISEN LORD. golden colors and light shine golden light from pleyada starsand from the heaart golden light conecting . colors, ethereal lighting, exaggerated proportions, immersive and captivating visual storytelling, mesmerizing and intricate patterns, rich textures and depth, creator, fantasy elements, imaginative and vibrant world, emotional and dramatic scenes --ar 4:5 --s 250

6 months ago
Create a hyper-realistic surreal portrait where reality fractures into beautiful impossibility: a modern japanese femme fatale whose amber eyes emit an otherworldly luminescence , her liquid-obsidian hair defying gravity in a high ponytail where strands transform into ethereal smoke, intertwining with floating black pearls particles that orbit her form like microscopic galaxies, while her hair accessory morphs between solid and liquid states, defying physics by dripping upward into the void, her choker manifesting impossible geometries that pulse with mechanical life as the designer pendant seems to sink into a dimension beneath her skin creating reality ripples, her sleek latex corset-style top with a plunging sweetheart neckline reflecting light in physically impossible ways - simultaneously absorbing all light while emitting otherworldly bioluminescence, its material state fluctuating between liquid, solid, and vapor in mesmerizing paradox, each seam and curve of the fitted bodice creating ripples in the fabric of reality itself, skin transitioning between porcelain smoothness and crystalline fragments where golden circuit-like veins peek through the epidermis that fractals into infinite patterns, iridescent lips shifting colors with every angle despite the static nature of the image, all while the background warps into a vortex of inverse watercolor physics where paint flows against gravity and abstract forms suggest familiar shapes that dissolve upon focused attention, multiple impossible light sources creating contradictory shadows and highlights that challenge spatial perception, with microscopic details revealing infinite recursions hidden within textures that become increasingly surreal upon closer inspection, the entire composition dancing on the knife-edge between photorealistic precision and impossible surrealism, manifesting as a beautiful hallucination captured in perfect clarity where every element seems to breathe and move in peripheral vision yet remains hauntingly still when directly observed, creating an image that feels like a dream made tangible through digital artistry.

9 months ago
"Princess Leia Organa, clad in her flowing white gown and iconic cinnamon-bun hairstyle, moves with urgency through the dimly lit, smoke-filled corridor of the Tantive IV. The air is thick with the tension of an impending Imperial boarding, punctuated by the distant echoes of blaster fire and the rhythmic pounding of stormtrooper boots. Her elegant but determined demeanor contrasts with the chaos around her. Her dark, resolute eyes scan the surroundings as she kneels down next to the astromech droid, R2-D2, whose dome-shaped head swivels to face her with a faint series of beeps and whistles. In her delicate yet determined hands, Leia holds a small, silver data disk—its polished surface gleaming faintly in the sporadic flicker of emergency lights. The disk contains vital information: the stolen plans for the Empire's deadly weapon, the Death Star. Her fingers tremble slightly, not with fear but with the weight of the responsibility she bears. She leans in closer to R2, her expression a mixture of defiance and hope, as she presses a hidden release on the droid's front panel. The small compartment on R2's dome slides open with a soft mechanical hiss, revealing a slot illuminated by a faint blue glow. The droid emits a sequence of chirps, as if acknowledging the gravity of the moment. Leia, her brow furrowed in concentration, carefully inserts the disk into the slot. A quiet click resounds as the disk locks into place, the soft glow intensifying briefly before dimming. Leia lingers for a second, resting a hand gently on R2’s dome, her voice barely above a whisper. ‘You must get this to Obi-Wan Kenobi,’ she says, her tone resolute yet laced with urgency. ‘This is our only hope.’ R2 beeps a series of reassuring tones, as if pledging to fulfill her request. Without hesitation, Leia rises to her feet, her flowing gown swirling around her as she glances back toward the distant sound of approaching troopers. Her heart races, but her resolve is unshaken. Turning to flee into the shadows, she disappears down the corridor, leaving R2-D2 to carry the galaxy's most critical secret into the unknown."

4 months ago
Jesus walking on the busy road , not walking on the water, but clearly on the beach next to the water. The perspective will be from behind Jesus as he walks along the beach. Move it a little closer to Jesus so it takes up more space in the frame. In the following example you can see one of the palms of his hands and you can see the sole of one of his feet. Paint a small hole clearly visible in the center of her hand and in the center of her foot she has holes in her hands and feet where nails would have been pierced but light appears in her. This is a painting of the RISEN LORD. golden colors and light shine golden light from pleyada starsand from the heaart golden light conecting . colors, ethereal lighting, exaggerated proportions, immersive and captivating visual storytelling, mesmerizing and intricate patterns, rich textures and depth, creator, fantasy elements, imaginative and vibrant world, emotional and dramatic scenes --ar 4:5 --s 250

6 months ago
The Bell family's farmhouse exudes a rustic charm, with its simple yet functional furnishings typical of early 19th-century Tennessee. The wooden floorboards creak softly underfoot, their surface worn smooth by years of use. A large hearth dominates one wall, its embers casting a faint orange glow that dances across the room. A sturdy oak table, scarred with knife marks and stains from countless meals, sits at the center, surrounded by mismatched chairs. A woven rug lies askew near the rocking chair, which now stands eerily still. Pewter dishes and earthenware line the shelves of a tall cupboard, their muted shine catching the flicker of candlelight. The faint scent of beeswax mingles with the earthy aroma of the surrounding farmland, creating an atmosphere both homely and unsettling. In the dim light, the Bell Witch emerges, her form both ethereal and unnervingly vivid. Her face is a haunting visage of pale, almost translucent skin stretched tightly over sharp cheekbones. Hollow eyes, glowing faintly with an unnatural light, seem to pierce through the very fabric of reality, locking onto her observer with an intensity that chills the soul. Her lips are thin and cracked, twisted into a faint, mocking smile that hints at her malevolent intent. Wisps of dark, unkempt hair frame her face, moving as if stirred by an invisible breeze. Her tattered garments, a patchwork of shadow and spectral light, shimmer faintly, as though caught between the physical and the otherworldly. As she steps closer, the air grows colder, and the oppressive silence is broken only by the faint sound of her whispered laughter—a sound that seems to echo from every corner of the room. Her presence transforms the farmhouse, turning its rustic charm into a stage for fear and despair, as the Bell Witch stands as a chilling embodiment of the unknown."

7 months ago
First-person POV, I grip the curved dagger tightly in my right hand, its sharp edge glinting under the faint moonlight. My left hand steadies the flickering torch, casting eerie, shifting shadows on the large canvas tent ahead. The night is cold and silent, the only sound coming from the distant rustling of fabric and the hushed breathing of my companions. Four Persian soldiers, clad in traditional robes of Nader Shah Afshar’s era, move cautiously around me. Their loose, earth-toned garments, cinched with thick fabric belts, billow slightly as they step forward. Their heads are wrapped in cloth turbans, much like those of ancient desert warriors, partially concealing their expressions. Their leather sandals press lightly into the dirt, their movements careful and deliberate. The tent’s entrance sways in the breeze, revealing only darkness inside. Every muscle in my body tenses as I inch closer, the weight of the moment heavy on my chest. The firelight flickers against the fabric of the tent, painting dancing shadows of soldiers poised for action. I tighten my grip on the dagger. The night is about to change.high details. Realistic.

7 months ago
First-person POV, i grip the curved dagger tightly in my right hand, its sharp edge glinting under the faint moonlight. My left hand steadies the flickering torch, casting eerie, shifting shadows on the large canvas tent ahead. The night is cold and silent, the only sound coming from the distant rustling of fabric and the hushed breathing of my companions. Four Persian soldiers, clad in traditional robes of Nader Shah Afshar’s era, move cautiously around me. Their loose, earth-toned garments, cinched with thick fabric belts, billow slightly as they step forward. Their heads are wrapped in cloth turbans, much like those of ancient desert warriors, partially concealing their expressions. Their leather sandals press lightly into the dirt, their movements careful and deliberate. The tent’s entrance sways in the breeze, revealing only darkness inside. Every muscle in my body tenses as I inch closer, the weight of the moment heavy on my chest. The firelight flickers against the fabric of the tent, painting dancing shadows of soldiers poised for action. I tighten my grip on the dagger. The night is about to change.

7 months ago
POV first-person perspective, I make my way toward the canvas tent, the dagger clearly visible in my hand as I grip it firmly with readiness. The blade glints faintly in the dim light, held with the precision of a seasoned warrior. Alongside me, two soldiers move quietly, their bodies slightly hunched and poised, signaling their intent to strike at any moment. Their movements are sharp and deliberate, preparing for an imminent attack. All three of us are dressed in black, historical Arab soldier attire, made from loose, breathable fabric designed for battle and travel. The dark cloth blends into the night, making us harder to detect, while still allowing for swift, fluid movements. The night is thick with tension. Two torches flicker on either side of the tent, casting long, distorted shadows across the ground. The dark atmosphere adds to the sense of danger, the stillness broken only by the occasional rustling of the wind. Every step forward feels like a step closer to the unknown, as the air grows heavier with the promise of action.

6 months ago
Jesus walking on the beach, not walking on the water, but clearly on the beach next to the water. The perspective will be from behind Jesus as he walks along the beach. Move it a little closer to Jesus so it takes up more space in the frame. In the following example you can see one of the palms of his hands and you can see the sole of one of his feet. Paint a small hole clearly visible in the center of her hand and in the center of her foot she has holes in her hands and feet where nails would have been pierced but light appears in her. This is a painting of the RISEN LORD. golden colors and light shine golden light from pleyada starsand from the heaart golden light conecting . colors, ethereal lighting, exaggerated proportions, immersive and captivating visual storytelling, mesmerizing and intricate patterns, rich textures and depth, creator, fantasy elements, imaginative and vibrant world, emotional and dramatic scenes --ar 4:5 --s 250

8 months ago
A **dimly lit bedroom at night**, shrouded in an **eerie, unsettling glow** as **moonlight filters through the window**, casting **elongated, warped shadows** across the walls. A **small nightlight flickers weakly**, its feeble glow unable to banish the **darkness that seeps into every corner**, thick with an **unnatural, suffocating dread**. From the **half-open closet**, a pair of **glowing, predatory eyes peer out**, their **unblinking stare filled with malice**. **Elongated, clawed fingers**, impossibly thin and grotesque, **curl around the doorframe**, the very fabric of reality seeming to **twist and distort where they touch**. Beneath the bed, **something slithers**—a presence barely visible **except for its impossibly wide, sharp-toothed grin**, stretching far beyond what should be humanly possible. Its form is **fluid yet unnatural**, shifting with **shadowy tendrils that coil and retract** in the gloom. A **young adult lies frozen in terror**, gripping their **blanket like a lifeline**, their **wide, paralyzed eyes locked on the horrors surrounding them**. Their body is bathed in the **cold, blue-tinted moonlight**, which **flickers unnaturally as though the nightmare itself distorts reality**. The **room appears slightly warped**, as if the very air is **bending under the weight of the nightmare**. The furniture tilts at subtle, impossible angles, and the shadows **move with an unsettling sentience**, creeping ever closer. The **monsters are grotesque yet amorphous**, shifting between **skeletal, insectoid, and abyssal forms**, an **amalgamation of fear given shape**. Their **bodies ripple with an eerie, liquid darkness**, their **faces obscured by shifting voids or twisted, elongated grins**. The **color palette is dominated by deep, muted blues, sickly purples, and spectral grays**, punctuated by the **faint, malevolent glow of spectral eyes and unholy grins**. The **cinematic, atmospheric lighting** enhances the **balance between horror and surrealism**, evoking the **primal fear of what lurks unseen in the night**. Rendered in **ultra-high-definition, hyper-detailed dark fantasy realism**, the composition immerses the viewer in a **waking nightmare**, a place where **fear takes physical form, and the boundary between dream and reality is terrifyingly thin**.

7 months ago
First-person POV, I am lying on my back inside the tent, my breath slow and heavy. The dim light of the oil lamp flickers against the fabric walls. A warm, red liquid seeps from my abdomen, spreading across the ground beneath me. My crimson silk robe, embroidered with golden Persian motifs, is slightly disheveled, and my dark wool tunic clings to me, damp and heavy. My right hand still grips the hilt of my sword, its blade resting on the ground beside me. The tent’s entrance shifts slightly with the night breeze , and beyond it, four armed figures move cautiously. Their weapons catch the faint light as they draw closer. I stare at the ceiling of the tent, my vision sharp, my grip firm. This is not the end.

3 months ago
.” The couch glided to a halt and settled down on the ground, nestling itself between some wide trees and grass. Mohini stepped out and gestured for Ariadne to follow. They walked a bit along a narrow, uneven trail, with Mohini peering intently at the trees around them. Ariadne studied the trees more closely: they were immense and full of leaves, branches pushing out in all directions. The leaves shimmered and glowed with a faint, silvery light. They moved gently in the breeze, except there was no breeze. She stepped closer and examined one of the tree’s branches. She noticed that the leaves, shaped somewhat like those of a maple tree, pulsated. Strange forms moved across their surface. She looked more closely at one: a scene played out on the surface of the leaf, like a movie or television screen, except three-dimensionally. Figures walked along a pathway in front of a large building. There was something vaguely familiar about it—she reached out and grasped the leaf, trying to steady its gentle sway. Her eyes widened in astonishment.

3 months ago
.” The couch glided to a halt and settled down on the ground, nestling itself between some wide trees and grass. Mohini stepped out and gestured for Ariadne to follow. They walked a bit along a narrow, uneven trail, with Mohini peering intently at the trees around them. Ariadne studied the trees more closely: they were immense and full of leaves, branches pushing out in all directions. The leaves shimmered and glowed with a faint, silvery light. They moved gently in the breeze, except there was no breeze. She stepped closer and examined one of the tree’s branches. She noticed that the leaves, shaped somewhat like those of a maple tree, pulsated. Strange forms moved across their surface. She looked more closely at one: a scene played out on the surface of the leaf, like a movie or television screen, except three-dimensionally. Figures walked along a pathway in front of a large building. There was something vaguely familiar about it—she reached out and grasped the leaf, trying to steady its gentle sway. Her eyes widened in astonishment.

3 months ago
.” The couch glided to a halt and settled down on the ground, nestling itself between some wide trees and grass. Mohini stepped out and gestured for Ariadne to follow. They walked a bit along a narrow, uneven trail, with Mohini peering intently at the trees around them. Ariadne studied the trees more closely: they were immense and full of leaves, branches pushing out in all directions. The leaves shimmered and glowed with a faint, silvery light. They moved gently in the breeze, except there was no breeze. She stepped closer and examined one of the tree’s branches. She noticed that the leaves, shaped somewhat like those of a maple tree, pulsated. Strange forms moved across their surface. She looked more closely at one: a scene played out on the surface of the leaf, like a movie or television screen, except three-dimensionally. Figures walked along a pathway in front of a large building. There was something vaguely familiar about it—she reached out and grasped the leaf, trying to steady its gentle sway. Her eyes widened in astonishment.

3 months ago
.” The couch glided to a halt and settled down on the ground, nestling itself between some wide trees and grass. Mohini stepped out and gestured for Ariadne to follow. They walked a bit along a narrow, uneven trail, with Mohini peering intently at the trees around them. Ariadne studied the trees more closely: they were immense and full of leaves, branches pushing out in all directions. The leaves shimmered and glowed with a faint, silvery light. They moved gently in the breeze, except there was no breeze. She stepped closer and examined one of the tree’s branches. She noticed that the leaves, shaped somewhat like those of a maple tree, pulsated. Strange forms moved across their surface. She looked more closely at one: a scene played out on the surface of the leaf, like a movie or television screen, except three-dimensionally. Figures walked along a pathway in front of a large building. There was something vaguely familiar about it—she reached out and grasped the leaf, trying to steady its gentle sway. Her eyes widened in astonishment.

6 months ago
Create a hyper-realistic surreal portrait where reality fractures into beautiful impossibility: a modern japanese femme fatale whose amber eyes emit an otherworldly luminescence , her liquid-obsidian hair defying gravity in a high ponytail where strands transform into ethereal smoke, intertwining with floating black pearls particles that orbit her form like microscopic galaxies, while her hair accessory morphs between solid and liquid states, defying physics by dripping upward into the void, her choker manifesting impossible geometries that pulse with mechanical life as the designer pendant seems to sink into a dimension beneath her skin creating reality ripples, her sleek latex corset-style top with a plunging sweetheart neckline reflecting light in physically impossible ways - simultaneously absorbing all light while emitting otherworldly bioluminescence, its material state fluctuating between liquid, solid, and vapor in mesmerizing paradox, each seam and curve of the fitted bodice creating ripples in the fabric of reality itself, skin transitioning between porcelain smoothness and crystalline fragments where golden circuit-like veins peek through the epidermis that fractals into infinite patterns, iridescent lips shifting colors with every angle despite the static nature of the image, all while the background warps into a vortex of inverse watercolor physics where paint flows against gravity and abstract forms suggest familiar shapes that dissolve upon focused attention, multiple impossible light sources creating contradictory shadows and highlights that challenge spatial perception, with microscopic details revealing infinite recursions hidden within textures that become increasingly surreal upon closer inspection, the entire composition dancing on the knife-edge between photorealistic precision and impossible surrealism, manifesting as a beautiful hallucination captured in perfect clarity where every element seems to breathe and move in peripheral vision yet remains hauntingly still when directly observed, creating an image that feels like a dream made tangible through digital artistry.

8 months ago
Serena Williams recently sparked buzz when she surprised fans during Kendrick Lamar's Super Bowl LIX halftime show by performing a brief crip walk. This move, which she famously showcased back in 2012 after her Olympic gold-medal win, was a nod to her signature celebration—even though she later joked on social media that “Man, I did not crip walk like that at Wimbledon, I would’ve been fined!” Her appearance, set against Lamar’s performance of “Not Like Us” (a track featuring a diss aimed at her ex, Drake), quickly went viral and has been shared widely across social media platforms and news outlets. For a closer look at the moment, you can find video compilations on YouTube and clips on her official Instagram profile. These videos capture the unexpected yet iconic dance that connects her past celebrations with her current cultural impact.

7 months ago
POV first-person perspective, I make my way toward the canvas tent, the dagger clearly visible in my hand as I grip it firmly with readiness. The blade glints faintly in the dim light, held with the precision of a seasoned warrior. Alongside me, two soldiers move quietly, their bodies slightly hunched and poised, signaling their intent to strike at any moment. Their movements are sharp and deliberate, preparing for an imminent attack. All three of us are dressed in black, historical Arab soldier attire, made from loose, breathable fabric designed for battle and travel. The dark cloth blends into the night, making us harder to detect, while still allowing for swift, fluid movements. The night is thick with tension. Two torches flicker on either side of the tent, casting long, distorted shadows across the ground. The dark atmosphere adds to the sense of danger, the stillness broken only by the occasional rustling of the wind. Every step forward feels like a step closer to the unknown, as the air grows heavier with the promise of action.

9 months ago
"Princess Leia Organa, clad in her flowing white gown and iconic cinnamon-bun hairstyle, moves with urgency through the dimly lit, smoke-filled corridor of the Tantive IV. The air is thick with the tension of an impending Imperial boarding, punctuated by the distant echoes of blaster fire and the rhythmic pounding of stormtrooper boots. Her elegant but determined demeanor contrasts with the chaos around her. Her dark, resolute eyes scan the surroundings as she kneels down next to the astromech droid, R2-D2, whose dome-shaped head swivels to face her with a faint series of beeps and whistles. In her delicate yet determined hands, Leia holds a small, silver data disk—its polished surface gleaming faintly in the sporadic flicker of emergency lights. The disk contains vital information: the stolen plans for the Empire's deadly weapon, the Death Star. Her fingers tremble slightly, not with fear but with the weight of the responsibility she bears. She leans in closer to R2, her expression a mixture of defiance and hope, as she presses a hidden release on the droid's front panel. The small compartment on R2's dome slides open with a soft mechanical hiss, revealing a slot illuminated by a faint blue glow. The droid emits a sequence of chirps, as if acknowledging the gravity of the moment. Leia, her brow furrowed in concentration, carefully inserts the disk into the slot. A quiet click resounds as the disk locks into place, the soft glow intensifying briefly before dimming. Leia lingers for a second, resting a hand gently on R2’s dome, her voice barely above a whisper. ‘You must get this to Obi-Wan Kenobi,’ she says, her tone resolute yet laced with urgency. ‘This is our only hope.’ R2 beeps a series of reassuring tones, as if pledging to fulfill her request. Without hesitation, Leia rises to her feet, her flowing gown swirling around her as she glances back toward the distant sound of approaching troopers. Her heart races, but her resolve is unshaken. Turning to flee into the shadows, she disappears down the corridor, leaving R2-D2 to carry the galaxy's most critical secret into the unknown."

7 months ago
POV first-person perspective, I make my way toward the canvas tent, the dagger clearly visible in my hand as I grip it firmly with readiness. The blade glints faintly in the dim light, held with the precision of a seasoned warrior. Alongside me, two soldiers move quietly, their bodies slightly hunched and poised, signaling their intent to strike at any moment. Their movements are sharp and deliberate, preparing for an imminent attack. All three of us are dressed in black, historical Arab soldier attire, made from loose, breathable fabric designed for battle and travel. The dark cloth blends into the night, making us harder to detect, while still allowing for swift, fluid movements. The night is thick with tension. Two torches flicker on either side of the tent, casting long, distorted shadows across the ground. The dark atmosphere adds to the sense of danger, the stillness broken only by the occasional rustling of the wind. Every step forward feels like a step closer to the unknown, as the air grows heavier with the promise of action.