obsession prompts

3 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

3 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

7 months ago

“A minimalistic, circular infographic-style logo featuring four simplified figures in traditional robes, appearing to be in a hypnotic trance, obsessed with their glowing smartphones. The figures are arranged symmetrically, with two in red robes on the left and right for balance and two in yellow robes in the center for leadership. Their mouths are agape, and they gaze at their smartphones with dark, empty eyes, illuminated by the glow of the screens. The dark, foreboding background incorporates subtle geometric constellations and a circular frame, with a palette of reds, grays, blacks, and yellows. The tone is ominous, emphasizing obsession and detachment, while maintaining a clean, symbolic design suitable for branding.”

6 months ago

A colossal, shadowy figure looms over a surreal, neon-lit underworld, its horns spiraling into infinity like fractal vortexes. Its body is composed of shifting cosmic voids, speckled with burning red stars and glowing sigils of forgotten knowledge. Its eyes are liquid gold, hypnotic and all-consuming, drawing souls into its boundless gaze. Below, two astral-bound figures kneel, shackled by chains of molten silver, yet upon closer inspection, the chains are loose—revealing that their imprisonment is a self-imposed illusion. Their bodies flicker between human and shadow, caught between desire and liberation. The Devil’s outstretched hands weave luminous strings of manipulation, controlling floating tarot cards, shifting golden coins, and burning forbidden books, symbols of temptation and earthly distractions. Around them, melting architectures of hedonistic palaces and warped neon cityscapes twist and collapse, representing the ephemeral nature of false power. Above, a crimson moon drips molten silver, forming a cascading river of lost souls, forgotten dreams, and abandoned ambitions, eternally flowing into the abyss. The air crackles with chaotic, surreal energy, embodying the raw force of passion, obsession, and the choice between enslavement and awakening. Salvador Dalí surrealism, hyper-detailed, haunting yet mesmerizing, celestial and infernal contrast, glowing sigils, cinematic 4K surrealism, fractal horns, neon shadows, liquid reality, ultra-sharp, dreamlike fantasy. --avoid: malformed, extra limbs, distorted anatomy, blurry, low-resolution, pixelated, stretched features, exaggerated distortions, cartoonish, low-poly, noisy, CGI look, unnatural lighting, bad proportions, poorly drawn hands, floating objects, watermark, text artifacts, random artifacts, generic horror elements.

7 months ago

“A minimalistic, circular infographic-style logo featuring four simplified figures in traditional robes, appearing to be in a hypnotic trance, obsessed with their glowing smartphones. The figures are arranged symmetrically, with two in red robes on the left and right for balance and two in yellow robes in the center for leadership. Their mouths are agape, and they gaze at their smartphones with dark, empty eyes, illuminated by the glow of the screens. The dark, foreboding background incorporates subtle geometric constellations and a circular frame, with a palette of reds, grays, blacks, and yellows. The tone is ominous, emphasizing obsession and detachment, while maintaining a clean, symbolic design suitable for branding.”

9 months ago

1990s, obsessive Asian superstar in opulent white furs and opulent satin gown, looking over shoulder, struggling and watching someone intensely, enticing eyes looking left/right, mouth slightly open, dramatic eyeshadow, gold necklace, gold bracelets, rings, big glossy lipstick, black cascading messy bouffant hair blunt fringe, exquisite makeup, lilac lipstick, heavy eyeshadow, struggling in a room full of foam

7 months ago

Tim Burton style movie poster featuring the word "OBSESSION" in bold PURPLE letters, complemented by creepy contrast colors. The design includes an image of a japanese womam sitting on a greve stone against a mountain edge scenery.

7 months ago

“A minimalistic, circular infographic-style logo featuring four simplified figures in traditional robes, appearing to be in a hypnotic trance, obsessed with their glowing smartphones. The figures are arranged symmetrically, with two in red robes on the left and right for balance and two in yellow robes in the center for leadership. Their mouths are agape, and they gaze at their smartphones with dark, empty eyes, illuminated by the glow of the screens. The dark, foreboding background incorporates subtle geometric constellations and a circular frame, with a palette of reds, grays, blacks, and yellows. The tone is ominous, emphasizing obsession and detachment, while maintaining a clean, symbolic design suitable for branding.”

5 months ago

An award-winning, psychologically charged double exposure oil painting that encapsulates the chilling tension and horror of Misery. The central figure is an injured writer, Paul Sheldon, trapped in a secluded home, his face a portrait of pain, fear, and growing desperation. His image blends with the twisted and claustrophobic environment of Annie Wilkes’ home, where his reality begins to unravel. The double exposure effect seamlessly merges Paul’s form with the oppressive, isolated surroundings—his body dissolving into the stark, unsettling details of the home: the dimly lit rooms, the ominous tools she uses to imprison and torture him, and the distorted shadows of Annie Wilkes lurking in the background. Annie’s eerie presence flickers through the composition, her wild eyes and terrifying grin subtly woven into the very structure of the house, merging with Paul’s image as the lines between captor and captive blur. The palette is dominated by muted, earthy tones of dark wood, grayish-blue light, and blood-red accents, emphasizing the isolation, tension, and violence that permeates the scene. The oil paint’s textured brushstrokes convey both the suffocating atmosphere of the home and the brutal physical and psychological torment that Paul endures. The image of the typewriter and the tools of his captivity are subtly integrated into his form, representing his helplessness and the looming threat of Annie’s unhinged obsession. This double exposure masterpiece evokes themes of fear, captivity, obsession, and survival, capturing the emotional horror and claustrophobic terror of Misery in a haunting, visually stunning manner.

6 months ago

A colossal, shadowy figure looms over a surreal, neon-lit underworld, its horns spiraling into infinity like fractal vortexes. Its body is composed of shifting cosmic voids, speckled with burning red stars and glowing sigils of forgotten knowledge. Its eyes are liquid gold, hypnotic and all-consuming, drawing souls into its boundless gaze. Below, two astral-bound figures kneel, shackled by chains of molten silver, yet upon closer inspection, the chains are loose—revealing that their imprisonment is a self-imposed illusion. Their bodies flicker between human and shadow, caught between desire and liberation. The Devil’s outstretched hands weave luminous strings of manipulation, controlling floating tarot cards, shifting golden coins, and burning forbidden books, symbols of temptation and earthly distractions. Around them, melting architectures of hedonistic palaces and warped neon cityscapes twist and collapse, representing the ephemeral nature of false power. Above, a crimson moon drips molten silver, forming a cascading river of lost souls, forgotten dreams, and abandoned ambitions, eternally flowing into the abyss. The air crackles with chaotic, surreal energy, embodying the raw force of passion, obsession, and the choice between enslavement and awakening. Salvador Dalí surrealism, hyper-detailed, haunting yet mesmerizing, celestial and infernal contrast, glowing sigils, cinematic 4K surrealism, fractal horns, neon shadows, liquid reality, ultra-sharp, dreamlike fantasy. --avoid: malformed, extra limbs, distorted anatomy, blurry, low-resolution, pixelated, stretched features, exaggerated distortions, cartoonish, low-poly, noisy, CGI look, unnatural lighting, bad proportions, poorly drawn hands, floating objects, watermark, text artifacts, random artifacts, generic horror elements.

6 months ago

A colossal, shadowy figure looms over a surreal, neon-lit underworld, its horns spiraling into infinity like fractal vortexes. Its body is composed of shifting cosmic voids, speckled with burning red stars and glowing sigils of forgotten knowledge. Its eyes are liquid gold, hypnotic and all-consuming, drawing souls into its boundless gaze. Below, two astral-bound figures kneel, shackled by chains of molten silver, yet upon closer inspection, the chains are loose—revealing that their imprisonment is a self-imposed illusion. Their bodies flicker between human and shadow, caught between desire and liberation. The Devil’s outstretched hands weave luminous strings of manipulation, controlling floating tarot cards, shifting golden coins, and burning forbidden books, symbols of temptation and earthly distractions. Around them, melting architectures of hedonistic palaces and warped neon cityscapes twist and collapse, representing the ephemeral nature of false power. Above, a crimson moon drips molten silver, forming a cascading river of lost souls, forgotten dreams, and abandoned ambitions, eternally flowing into the abyss. The air crackles with chaotic, surreal energy, embodying the raw force of passion, obsession, and the choice between enslavement and awakening. Salvador Dalí surrealism, hyper-detailed, haunting yet mesmerizing, celestial and infernal contrast, glowing sigils, cinematic 4K surrealism, fractal horns, neon shadows, liquid reality, ultra-sharp, dreamlike fantasy. --avoid: malformed, extra limbs, distorted anatomy, blurry, low-resolution, pixelated, stretched features, exaggerated distortions, cartoonish, low-poly, noisy, CGI look, unnatural lighting, bad proportions, poorly drawn hands, floating objects, watermark, text artifacts, random artifacts, generic horror elements.

9 months ago

1990s, obsessive Asian superstar in opulent white furs and opulent satin gown, looking over shoulder, struggling and watching someone intensely, enticing eyes looking left/right, mouth slightly open, dramatic eyeshadow, gold necklace, gold bracelets, rings, big glossy lipstick, black cascading messy bouffant hair blunt fringe, exquisite makeup, lilac lipstick, heavy eyeshadow, struggling in a room full of foam

6 months ago

A colossal, shadowy figure looms over a surreal, neon-lit underworld, its horns spiraling into infinity like fractal vortexes. Its body is composed of shifting cosmic voids, speckled with burning red stars and glowing sigils of forgotten knowledge. Its eyes are liquid gold, hypnotic and all-consuming, drawing souls into its boundless gaze. Below, two astral-bound figures kneel, shackled by chains of molten silver, yet upon closer inspection, the chains are loose—revealing that their imprisonment is a self-imposed illusion. Their bodies flicker between human and shadow, caught between desire and liberation. The Devil’s outstretched hands weave luminous strings of manipulation, controlling floating tarot cards, shifting golden coins, and burning forbidden books, symbols of temptation and earthly distractions. Around them, melting architectures of hedonistic palaces and warped neon cityscapes twist and collapse, representing the ephemeral nature of false power. Above, a crimson moon drips molten silver, forming a cascading river of lost souls, forgotten dreams, and abandoned ambitions, eternally flowing into the abyss. The air crackles with chaotic, surreal energy, embodying the raw force of passion, obsession, and the choice between enslavement and awakening. Salvador Dalí surrealism, hyper-detailed, haunting yet mesmerizing, celestial and infernal contrast, glowing sigils, cinematic 4K surrealism, fractal horns, neon shadows, liquid reality, ultra-sharp, dreamlike fantasy. --avoid: malformed, extra limbs, distorted anatomy, blurry, low-resolution, pixelated, stretched features, exaggerated distortions, cartoonish, low-poly, noisy, CGI look, unnatural lighting, bad proportions, poorly drawn hands, floating objects, watermark, text artifacts, random artifacts, generic horror elements.

6 months ago

A colossal, shadowy figure looms over a surreal, neon-lit underworld, its horns spiraling into infinity like fractal vortexes. Its body is composed of shifting cosmic voids, speckled with burning red stars and glowing sigils of forgotten knowledge. Its eyes are liquid gold, hypnotic and all-consuming, drawing souls into its boundless gaze. Below, two astral-bound figures kneel, shackled by chains of molten silver, yet upon closer inspection, the chains are loose—revealing that their imprisonment is a self-imposed illusion. Their bodies flicker between human and shadow, caught between desire and liberation. The Devil’s outstretched hands weave luminous strings of manipulation, controlling floating tarot cards, shifting golden coins, and burning forbidden books, symbols of temptation and earthly distractions. Around them, melting architectures of hedonistic palaces and warped neon cityscapes twist and collapse, representing the ephemeral nature of false power. Above, a crimson moon drips molten silver, forming a cascading river of lost souls, forgotten dreams, and abandoned ambitions, eternally flowing into the abyss. The air crackles with chaotic, surreal energy, embodying the raw force of passion, obsession, and the choice between enslavement and awakening. Salvador Dalí surrealism, hyper-detailed, haunting yet mesmerizing, celestial and infernal contrast, glowing sigils, cinematic 4K surrealism, fractal horns, neon shadows, liquid reality, ultra-sharp, dreamlike fantasy. --avoid: malformed, extra limbs, distorted anatomy, blurry, low-resolution, pixelated, stretched features, exaggerated distortions, cartoonish, low-poly, noisy, CGI look, unnatural lighting, bad proportions, poorly drawn hands, floating objects, watermark, text artifacts, random artifacts, generic horror elements.

6 months ago

A colossal, shadowy figure looms over a surreal, neon-lit underworld, its horns spiraling into infinity like fractal vortexes. Its body is composed of shifting cosmic voids, speckled with burning red stars and glowing sigils of forgotten knowledge. Its eyes are liquid gold, hypnotic and all-consuming, drawing souls into its boundless gaze. Below, two astral-bound figures kneel, shackled by chains of molten silver, yet upon closer inspection, the chains are loose—revealing that their imprisonment is a self-imposed illusion. Their bodies flicker between human and shadow, caught between desire and liberation. The Devil’s outstretched hands weave luminous strings of manipulation, controlling floating tarot cards, shifting golden coins, and burning forbidden books, symbols of temptation and earthly distractions. Around them, melting architectures of hedonistic palaces and warped neon cityscapes twist and collapse, representing the ephemeral nature of false power. Above, a crimson moon drips molten silver, forming a cascading river of lost souls, forgotten dreams, and abandoned ambitions, eternally flowing into the abyss. The air crackles with chaotic, surreal energy, embodying the raw force of passion, obsession, and the choice between enslavement and awakening. Salvador Dalí surrealism, hyper-detailed, haunting yet mesmerizing, celestial and infernal contrast, glowing sigils, cinematic 4K surrealism, fractal horns, neon shadows, liquid reality, ultra-sharp, dreamlike fantasy. --avoid: malformed, extra limbs, distorted anatomy, blurry, low-resolution, pixelated, stretched features, exaggerated distortions, cartoonish, low-poly, noisy, CGI look, unnatural lighting, bad proportions, poorly drawn hands, floating objects, watermark, text artifacts, random artifacts, generic horror elements.

5 months ago

An award-winning double exposure oil painting inspired by Richard Laymon’s The Stake, where horror, obsession, and ancient evil converge. The central figure is a writer or vampire hunter, crouched over a half-dug grave in a desolate, moonlit clearing. His eyes are locked on a weathered wooden stake in his hand—part weapon, part relic. Within his silhouette, the double exposure reveals a rotting coffin buried in the earth, its lid cracked, revealing a corpse twisted in death or undeath—fangs bared, eyes open. Around it swirl memories and hallucinations: bloodstained pages, flashes of a seductive vampire woman, and glimpses of past violence beneath the soil. Branches and roots weave through the imagery like veins, binding life, death, and lore together. The palette is rich with deep browns, crimson reds, and haunted moonlight grays, with earthy textures and streaks of decay. Oil brushstrokes crawl across the canvas like creeping ivy, alternating between smooth illusions and gnarled, dry textures of old wood and disturbed earth. Themes of repressed horror, myth colliding with reality, and the cost of curiosity permeate the painting. The double exposure captures both a literal and metaphorical unearthing—where digging for the truth awakens something better left buried.