A sample prompt of what you can find in this page
Prompt by ElectricL

outer glow prompts

hundreds of results

5 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

7 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

3 months ago

A hyper-realistic, cinematic image of a lone ninja sitting in deep meditation amidst a violent blizzard, his body partially covered by layers of snow. Dressed in traditional Japanese white clothing with red stitching along the outer edges (white clothing with red stitching:1.5), the ninja sits cross-legged, his posture calm and unyielding despite the fierce winds and cold. His eyes are closed, and his expression reflects deep inner focus, as though he is completely at peace with the chaotic storm around him. The snowfall is relentless, and over time, it has begun to pile up around him, covering his legs, shoulders, and the folds of his clothing (snow covering ninja:1.4). His stillness has allowed the snow to gather on him, giving the appearance of him becoming one with the environment, a figure of tranquility amidst the violent storm. His skin glistens with frost, but he seems unaffected by the freezing temperatures, radiating a quiet strength. The blizzard rages on, with snow and ice particles swirling wildly in the air, carried by the fierce winds (swirling snow and ice:1.5). The ninja's white clothing almost blends into the snow-covered ground, while the red stitching subtly stands out, drawing the eye to the intricate details of his outfit. Volumetric light beams break through the storm, casting soft, ethereal glows on the ninja and the snow beneath him, creating a mystical, dreamlike atmosphere (volumetric light in blizzard:1.4). The snowflakes catch the light as they fall, creating a shimmering effect that contrasts beautifully with the ninja’s still figure. The overall color palette features cold, muted tones of pale blues and whites, emphasizing the harshness of the environment, while the red stitching on the ninja’s clothing provides a stark, minimal contrast. The scene feels almost timeless, as if the ninja has transcended the physical world, achieving a state of complete calm and mastery over the elements." Key Elements and Weights: Ninja in White Clothing with Red Stitching: The ninja wears traditional white clothing with red stitching along the edges, sitting in a meditative pose, undisturbed by the storm (white clothing with red stitching:1.5). Snow Covering Ninja: The ninja is partially covered by snow, with snow piling up around his legs, shoulders, and clothing, symbolizing his stillness and deep focus (snow covering ninja:1.4). Blizzard with Swirling Snow: The blizzard rages on, with snow and ice particles swirling violently through the air, contrasting with the ninja’s stillness (swirling snow and ice:1.5). Volumetric Light in Blizzard: Volumetric light beams cut through the storm, casting a soft glow on the ninja and the snow, enhancing the scene's ethereal and serene atmosphere (volumetric light in blizzard:1.4). Cold Color Palette with Red Accents: The color palette is dominated by cold, muted tones of pale blues and whites, with the red stitching on the ninja’s outfit providing a minimal but striking contrast (cold blues and whites:1.4). Visual Impact: The snow-covered ninja remains calm and still, allowing the snow to gather around him, a symbol of his complete control over his mind and body despite the harsh elements. The white clothing with red stitching subtly contrasts with the snow and storm, making the ninja blend with his environment while still standing out in the details. The blizzard creates a dynamic and chaotic background, but the ninja's serene posture serves as the focal point of the scene, exuding tranquility and spiritual strength. The volumetric light beams add a mystical, dreamlike quality to the scene, creating depth and atmosphere as they interact with the swirling snow. The overall color palette, dominated by cold tones with the occasional flicker of red stitching, enhances the feeling of isolation and calm in the midst of the chaotic storm.

9 months ago

High-definition double exposure artwork with vibrant colors featuring a macro white filigree feather placed on a rustic wooden table surface. Around the feather, there are pine cones, cinnamon sticks, and tiny people walking along a swirling road leading to the Chardham pilgrimage sites – Yamunotri, Gangotri, Kedarnath, and Badrinath. Each location is depicted with detailed temple architecture, snow-capped Himalayan peaks, flowing holy rivers, and pilgrims on their spiritual journey. Inside the feather, there is a cinematic winter shaman-style girl portrait with glowing aurora borealis over arctic landscapes, blending seamlessly with trees, a caravan of deers, wooden houses, and a dynamic play of light and shadows. The artwork is inspired by Kuindzhi and Rockwell with expressive brushstrokes, transparent washes, and a hyperrealistic texture. The outer edge of the feather features the words 'Bhargawa Holidays' in an elegant, vintage-inspired script. The image is captured from a top-angle shot, resembling a professional postcard with ultra-detailed textures, dynamic shadow play, and deep cinematic depth. The Chardham temples are intricately designed, glowing with sacred energy, while the feather’s surface reflects pilgrimage scenes with luminism-inspired lighting and an ethereal, airy mood. Image Settings: Aspect Ratio: 9:16 (vertical format for posters and postcards) Resolution: Ultra HD, hyperrealistic textures with cinematic depth Lighting: Soft and ethereal with dynamic shadows and glowing highlights Focus: Macro close-up on feather, slight blur on wooden background Art Style: Double exposure, hyperrealism, mixed with expressive brushstrokes and luminism Composition: Central feather with Chardham locations inside, "Bhargawa Holidays" text on the outer edge Colors: Rich and vibrant hues with cool arctic blues, warm wood browns, and glowing temple golds Mood: Mystical, spiritual, and cinematic, blending nature and divine essence A masterpiece of surreal storytelling, combining pilgrimage, nature, and artistic brilliance through a double exposure cinematic style.

9 months ago

A **highly detailed, action-packed scene** featuring the **Fantastic Four** in their **classic blue suits** with the iconic **white “4” emblem**, staying true to **Jack Kirby’s original comic book style**. The team is dynamically posed in a moment of **high-stakes action** against a **colossal cosmic threat**. - **Mr. Fantastic (Reed Richards)** is at the forefront, his **body stretching and twisting in impossible ways**, extending across the battlefield with an **elongated arm grabbing a collapsing piece of debris**. His **face shows intense focus**, and his **gray temples stand out against his dark hair** as he strategizes under immense pressure. - **The Thing (Ben Grimm)** is mid-action, his **massive orange, rock-like form braced against a powerful shockwave**, throwing a **devastating punch** at an enemy with his signature battle cry: **"IT’S CLOBBERIN’ TIME!"** His **rocky hide is intricately detailed**, with **realistic cracks and depth**, giving him a **monolithic, powerful presence**. - **Human Torch (Johnny Storm)** is soaring through the sky, his **entire body engulfed in flames**, leaving behind a **bright, fiery trail**. His **eyes glow intensely with fire**, and he hurls a **controlled stream of fire** at an **approaching enemy spaceship**, his famous catchphrase **"Flame On!"** integrated into the energy burst. - **Invisible Woman (Sue Storm)** stands confidently, her **hands raised as she generates a massive, shimmering force field** to shield her teammates. The **transparent energy distorts light realistically**, with **subtle glowing edges**, while another force field encases **a group of civilians she is protecting** from falling debris. The backdrop is a **dramatic cosmic battleground**, possibly **New York City under siege**, or **outer space**, with a **menacing Galactus, Doctor Doom, or Annihilus looming in the background**. The colors are **bold and vibrant**, using **classic Marvel comic book shading and inking techniques** to capture the **nostalgic, dynamic energy of a 1960s-70s Fantastic Four comic book cover**. The **camera angle is dynamic and slightly tilted**, emphasizing **perspective, scale, and movement** as **debris flies, energy beams streak across the air, and the Fantastic Four’s abilities explode into action**. The **lighting is high-contrast and dramatic**, blending **classic comic panel aesthetics with a modern, cinematic feel**, incorporating **motion blur and deep shadows** for enhanced realism while **retaining the comic book charm**. A **masterpiece of superhero action**, blending **hyper-detailed comic book stylization, cinematic intensity, and larger-than-life cosmic storytelling**. **Ultra-detailed 8K resolution, trending on ArtStation, with Unreal Engine 5-level fidelity. Vertical aspect ratio.**

5 months ago

A close-up portrait of a person wearing an ornate and otherworldly headdress and collar. The image is a detailed portrait of a person with an unusual appearance. They are wearing a large, sculptural headdress that appears to be made of a dark, textured material that resembles moss or coral, from which abstract, spiky branches extend upwards. Embedded within the headdress are small, round elements that have a metallic or jewel-like quality, shimmering with hints of blue and gold. The person's face is partially obscured by an intricate face mask composed of a blue, slightly metallic material covered in countless small, iridescent blue and gold dots that create a textured, patterned effect. Prominently displayed on the forehead, above the eyes, and on the chest are larger, round, glowing orange orbs with a fiery appearance, suggesting embedded jewels or energy sources. The person has striking bright orange eyes and smooth, pale skin visible beneath the mask. They are wearing a layered collar that stands up around their neck and shoulders, featuring a ridged outer layer with sharp points and an inner layer with a feathery or layered texture. Both the collar and the garment beneath it are adorned with complex, ornate patterns in shades of blue, gold, and black, giving a sense of ancient or alien craftsmanship. The background is a dark, undefined space, which emphasizes the intricate details of the subject. The overall atmosphere is one of mystery, fantasy, and regal intensity, suggesting a powerful and perhaps otherworldly being. The mood is serious and captivating, drawing the viewer into the subject's enigmatic presence. Afrofuturism.

7 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

7 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.