A sample prompt of what you can find in this page
Prompt by OmarBaker

painted with thick prompts

hundreds of results

4 months ago

[Image Type: Ultra-realistic photograph / Highly detailed digital painting] of Albert Einstein. Facial Details: Face Shape: Somewhat oval, with clear features. Skin Tone: Light to medium, showing some wrinkles around the eyes and forehead (especially in the black and white photos, the skin might appear paler or duller). Hair: Color: Wild, wavy, and tending towards silver or light gray, with some darker strands in certain images, or may appear natural reddish-brown if the image is colorized. Length and Style: Medium length, thick, bushy, and "disheveled" around the head, without a defined style, giving him a distinctive look. Eyes: Color: Light brown, or light blue/grey (in colorized images, his eyes might appear blue-grey). Shape: Almond to slightly round, with a penetrating and intelligent gaze. Shows subtle lines under the eyes. Eyelashes and Eyebrows: Medium density eyelashes, and medium thickness eyebrows, tending towards grey/white and naturally following the arch of the eye. Nose: Prominent and straight, with a slightly rounded tip. Mouth and Lips: Medium-sized lips, closed or with a slight smile, with fine lines around the mouth. Chin: Slightly rounded, with some shadows suggesting a subtle double chin or strong bone structure. Distinguishing Features: A thick, full, and wide mustache covering the entire upper lip, matching the hair color (grey/silver or reddish-brown). Clear expressive lines are visible on the forehead and at the corners of the eyes. Body and Clothing Details: Body Build: Neck and shoulders are partially visible. Wearing a dark-colored formal suit (often black or dark brown), with a white or light-colored shirt and a dark tie (often a patterned tie or neatly knotted). Background and Lighting: Background: Typically a simple, monochromatic, or blurred and indistinct background, with the focus on the subject. Could be an indoor or undefined outdoor setting. Lighting: Natural, soft, and well-distributed light on the face, with some subtle shadows highlighting facial features. In some images, the lighting might be slightly more dramatic. Overall Mood/Feeling: An intelligent, contemplative, calm, and possibly subtly smiling or confident expression. ```

7 months ago

Abstract Full-Body Portrait of a Prostitute – Salvador Dalí (Late-Life Style, Singular Focus & Pure Surrealism) (Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

4 months ago

"Ultra-realistic, Highly Detailed Digital Painting / Photorealistic Illustration of Pierre Louis Dulong" Image Type: Ultra-realistic digital painting / Photorealistic illustration. (This clarifies the artistic medium, rather than a literal photograph). Overall Artistic Style: Highly detailed, reminiscent of a classical historical portrait, specifically a hand-colored engraving or lithograph. The rendering should achieve photorealistic quality for the subject's features while retaining the characteristic texture and coloring of such historical artworks, with a rich, almost cinematic illustrative quality. Likeness: Very strong and precise likeness to the provided historical portrait of Pierre Louis Dulong . Lighting: Soft, even, and natural-looking light, similar to an old studio portrait setup. The main light source should be subtly from the front-left or front-right, gently highlighting facial contours. Gentle fill light should soften any shadows. Avoid harsh shadows or overexposure. Depth of Field: Shallow depth of field to ensure the subject's face is in crisp, primary focus, with a softly blurred background that does not distract. Color Palette: Natural, rich, and historically appropriate colors. Emphasize warm yet slightly muted skin tones, vibrant deep blue eyes, and deep, textured clothing colors consistent with the original historical rendering. Subject Details: Age: Depicted as a man in his late 40s to early 50s. Expression: Calm, discerning, and contemplative. A dignified and intelligent gaze directed straight towards the viewer. Face Shape: Rounded but well-defined, with a strong, clean jawline. Hair: Color: Light ash blonde or rich golden-blonde, with subtle natural highlights and tonal variations. Style: Very thick, distinctly wavy to curly, appearing full around the head and ears. It should not be strictly swept back but rather voluminous and natural, as seen in the reference image. Sideburns: Very dense and full, extending low to cover a significant portion of the cheek, with defined but not razor-sharp edges, conveying a natural, bushy volume as in the original. Eyes: Color: Strikingly bright, deep blue, with clear whites and a focused pupil. Shape: Wide and slightly rounded, with an intelligent and direct gaze. Eyebrows: Moderately thick, naturally arched, and neatly groomed, precisely matching the hair color, enhancing the eye's expression. Nose: Straight, with a slightly broad bridge and a softly rounded tip. It should appear strong and proportional to his face. Mouth and Lips: Medium-full lips, naturally shaped, with a neutral to slightly contemplative expression, showing subtle definition. Chin: Clearly defined and proportional, projecting slightly, contributing to a strong and somewhat squarish lower face. Facial Pose: Direct frontal view, with a very subtle (1-2 degree) tilt clockwise, precisely mimicking the angle in the reference image. Clothing Details: Coat: A single-breasted (or not visibly double-breasted) wool frock coat in a deep, muted burgundy (dark reddish-purple) or deep maroon color. The fabric should exhibit a fine, tight, textured weave, characteristic of historical prints (e.g., a subtle stippled or cross-hatched appearance), not a smooth modern fabric. The lapels should be broad and well-defined. Cravat/Collar: A pristine white, high, stiff linen cravat or stock, wrapped neatly and tightly around the neck. Inner Garments/Tie: A small visible portion of a dark inner vest or waistcoat. A striped tie, with vertical stripes in dark, muted colors (e.g., dark red and brown), should be visible at the neck opening. Background & Atmosphere: Background: A soft, plain very light blue-grey background. Crucially, the background should feature a distinct stippled or cross-hatched texture, characteristic of historical engravings or lithographs, rather than a smooth, seamless sky. There should be minimal or no noticeable gradual shading effects. Overall Mood/Atmosphere: Calm, confident, and contemplative, conveying a sense of intellectual dignity and solemnity. Rendering Quality (Crucial for replication): Resolution: 8K resolution. Detail: Extreme textural detail for all elements: individual strands of hair, realistic skin texture (portraying it as a finely rendered surface, not smooth plastic), and the intricate weave/texture of his clothing. Color Gradations: Natural and subtle color gradations within the chosen artistic style. Lighting Definition: Clear and well-defined lighting that shapes the forms without harshness. Focus: A shallow depth of field to keep the primary focus on the subject.

8 months ago

(Cyberpunk, futuristic, dystopian underworld, high detail, cinematic lighting, dark and moody atmosphere) A wiry and gaunt man with sunken, exhausted eyes that have a manic glint, framed by dark circles from years of working in dimly lit back-alley clinics. His pale skin looks sickly under the flickering neon light, and his thin face is lined with tension, his lips slightly parted as if muttering to himself. His hair is unkempt, streaked with oil and grime, further emphasizing his haggard, overworked look. He wears a dingy off-white lab coat, once pristine but now stained with grease, blood, and years of unwashed grime. The fabric is frayed at the edges, hanging loosely over his thin frame. His cybernetic enhancements are crude and patched-together, a collection of exposed wiring and rusted plating barely held together. His left shoulder has a mechanical plating rig, jagged and uneven, with loose bolts and sparking neon-blue wiring protruding in places. His chipped tooth shows when he speaks, adding to his rough, jittery appearance. The background is a dark, cluttered ripperdoc lab, filled with outdated cybernetic parts, flickering monitors, and half-functioning medical equipment. The air is thick with smoke from a nearby vent, and a dull, flickering green med-lab light casts eerie shadows across the scene. A neon-red light from the alley outside spills through a cracked window, contrasting with the cold surgical glow of malfunctioning overhead lamps. The atmosphere is gritty, chaotic, and oppressive, embodying the tension of a street-level surgeon who exists between life and death, law and crime. Rendered in ultra-detailed, cinematic composition, sharp focus, 8K resolution, ray tracing, cyberpunk noir aesthetics, high contrast lighting, depth of field, volumetric lighting, intricate detailing, realistic skin texture, futuristic urban decay, science fiction concept art, hyper-realistic digital painting, dramatic chiaroscuro lighting, neon reflections, moody atmosphere, cybernetic enhancements, grunge aesthetic. Negative Prompt: (bad composition, low detail, low resolution, deformed anatomy, distorted features, asymmetrical face, extra limbs, missing fingers, unrealistic eyes, unnatural skin texture, overly stylized, washed-out colors, blurry, poorly rendered cybernetics, uncanny valley, cartoonish, low-quality render, watermark, text, overexposed lighting, excessive glow, lack of contrast, amateurish design, low effort, duplicate elements, broken limbs, unbalanced composition, generic design, bad perspective, flat shading, soft focus, dull colors, clean or polished cybernetics, generic futuristic doctor, overly heroic pose, pristine environment)

7 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.