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Prompt by Selfishreasons

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5 months ago

Marinette Dupain-Cheng, also known as Ladybug from the popular series "Miraculous: Tales of Ladybug & Cat Noir," is depicted in a captivating, vintage-inspired outfit that beautifully blends Victorian and cottagecore aesthetics with a hint of her superhero persona. Her ensemble is designed to be both charming and alluring, perfectly capturing her unique style. The centerpiece of her attire is a short, corset-style dress that hugs her figure, emphasizing her waist. The dress features a sweetheart neckline, which adds a touch of elegance and femininity. The bodice is adorned with intricate lace and floral embroidery in shades of red and black, subtly echoing the colors of her Ladybug suit. Delicate ribbons are laced up the front, adding a romantic and vintage feel. The skirt of the dress is short and flared, with layers of ruffles and patches of gingham and lace, creating a playful and whimsical look. Complementing her dress, Marinette wears knee-high socks that are light red and black spotted, knitted with ribbed textures for a cozy touch. The socks are finished with small bows at the top, adding an extra layer of charm to her outfit. Her footwear consists of simple, flat shoes that perfectly complement the overall vintage style of her ensemble. Marinette's hair is styled in a way that enhances her overall look. Her long, glossy locks are swept back in a loose, elegant updo, with a few strands framing her face. Her eyes sparkle with determination and kindness, reflecting her heroic spirit. Her physical appearance is youthful and vibrant, with a radiant complexion that highlights her natural beauty. The background of the image is set on the rooftops of Paris, with the iconic Eiffel Tower standing tall in the distance. The cityscape is bathed in a soft, golden light, creating a sense of warmth and nostalgia. The rooftops are adorned with charming details such as chimneys, skylights, and wrought-iron balconies, adding to the vintage atmosphere. The scene conveys a sense of heroism and adventure, perfectly capturing the essence of Ladybug's character.

Genie79
5 300

4 months ago

Create an extremely detailed and vibrant Wimmelbild depicting 'Peak Saturday at a Gen Z Paradise Mall.' The scene should be a multi-level modern shopping mall, bright and airy, with futuristic design accents, digital billboards, 'Instagrammable' art installations, and comfortable 'chill zones' with charging ports. The mall is teeming with diverse Gen Z individuals and groups, showcasing a wide array of current fashion trends (Y2K revival, streetwear, e-girl/e-boy, goth, cottagecore, etc.). Characters are engaged in numerous activities: Shopping in trendy stores: popular streetwear/fast fashion outlets, a K-pop/anime merchandise store, a high-tech gadget shop, a customizable sneaker store, a vintage/thrift pop-up shop, and an eco-friendly/sustainable products store. Long queues are visible for a bustling boba tea shop and other trendy snack kiosks in a vibrant food court. Groups of friends are hanging out, laughing, taking selfies, and filming TikTok dances in various picturesque spots. An influencer is live-streaming a 'shop with me' segment, interacting with a small crowd of followers. Someone is absorbed in a VR experience at the tech store. A spontaneous dance challenge or a small flash mob is captivating onlookers in a central atrium. People are Browse digital information kiosks, laden with shopping bags from popular brands. The overall aesthetic should be energetic, colorful, dynamic, and slightly chaotic (in a fun way), capturing the essence of Gen Z social life and consumer culture. The image should be rich in humorous details, relatable moments, and diverse interactions, inviting the viewer to explore every corner of the bustling mall.

The_Promptonaut
2 71

3 months ago

Watercolor-inspired digital painting Loose, impressionistic backgrounds. Contemporary digital illustration style: This represents modern digital art that's popular in concept art, character design, and online illustration communities - combining traditional artistic techniques with digital tools to create polished, commercially-viable artwork of a 24-year-old Kanak-Cherokee female chic minimalist with a warm and inviting expression. She has Pale skin with visible veins, giving a translucent appearance. The skin pores and texture are clearly visible and in focus. Her Cat eyes, Deep-set, grey eyes, framed by long, elegant eyelashes. Her haircut is Side-swept curls, haircolor is . Her eyebrows are Groomed arch shaped, complementing her delicate facial features. Her body is Firm, toned triceps with a sleek contour, small breast, toned abs, anorexic. Her upper body clothing is Cropped functional sleeve jacket, slightly open, Her midriff is clearly visible, Her lower body clothing is Low-rise gaucho pants with wide legs and maximum midriff exposure. She is positioned on the left side in the frame by the rule of thirds. She strikes a pose with hands in pockets, leaning slightly to one side, creating an easy-going, stylish look. . In the background A crowded flea market with eclectic stalls selling vintage clothes, antiques, and handmade crafts, offering a quirky, vibrant background full of textures and patterns.. The The lighting is diffused and warm, creating a dreamy, almost ethereal quality. The colors seem to glow and blend into each other, enhanced by the watercolor-like transparency effects. The overall effect is romantic, contemplative, and visually striking, with a professional quality typical of contemporary digital illustration work.

AkiraS
2 120

7 months ago

An 80s senior portrait photo with a side-view double exposure in the top left. Subject: Blonde woman in her senior year of high school, with her hair in a high ponytail. She has blue eyes and a friendly smile. In the main photo she is saluting the viewer. In the double exposure she is in a side-view, looking upward. Clothing: The individual in the image is wearing a black and white color-blocked blouse with a sharp collar, paired with a high-waisted, gingham-patterned skirt in shades of black, white, and possibly gray. The blouse has an oversized fit, while the skirt is fitted at the waist and flares out slightly. The individual is also holding a black handbag with a structured design. She is wearing large dangling black and white earrings. In the double exposure image she is wearing a letterman's jacket for Adams High School and holding a tennis racket. In this double exposure her hair is down. Photographic Features Double exposure: The image includes a side view of the woman as a double exposure that is large and overlapping the main image and should fill the upper left quadrant. In traditional film photography, double exposure involves exposing the same frame of film twice. The photographer would first take the main portrait shot. Then, without advancing the film, they would take a second shot of the subject’s face, often with a different lighting setup to create a softer, ethereal look. This would result in both images being superimposed on the same frame. This photo should be feathered to allow the backgrounds still blend together without a harsh background outline. Lighting: The lighting in these photos was typically studio lighting, which was bright and even, minimizing shadows. The superimposed face often had a soft, diffused light to give it an ethereal, almost heavenly glow. Depth of Field: The main image usually had a sharp focus, capturing the details of the subjects. The superimposed face, however, was often slightly blurred or softened to create a dreamy effect and to distinguish it from the main image. Color Grading: The colors in these photos were often vibrant and saturated, typical of the film used during that era. The superimposed face might have a slightly different color tone, often with a bluish or purplish tint to enhance the dreamy, otherworldly effect. Camera Used: These portraits were typically taken with medium-format or 35mm film cameras, which were common in professional photography studios at the time. Film Used: The film used was usually color negative film, which was popular for its ability to capture vibrant colors and fine details. Brands like Kodak and Fujifilm were commonly used. Age of Photo: These types of portraits were particularly popular in the late 70s and throughout the 80s. The fashion styles, hairstyles, and overall aesthetic are strong indicators of this time period. Overall Impression These portraits have a nostalgic charm and are often remembered fondly for their unique and somewhat whimsical style. They capture a moment in time and reflect the photographic trends and techniques of the era.

Slinkychips PRO
1 92

5 months ago

Make a simple LOGO/Symbol that represents the following information.. History of the Hakka People - Key Points Here's a breakdown of Hakka history in point form, covering their origins, migrations, culture, and modern situation: **I. Origins & Early History (Pre-Song Dynasty - Before 960 AD)** * **Han Chinese Roots:** The Hakka are a subgroup of the Han Chinese, *not* a separate ethnic group. Their name “Hakka” (客家) literally means “guest families.” * **Northern Origins:** Most scholars believe the Hakka originated from areas of North and Central China (Henan, Shanxi, Shaanxi) during periods of upheaval. * **Multiple Migrations:** They weren’t a single migration, but *waves* of migration southward over centuries, starting as early as the Qin and Han dynasties (221 BC – 220 AD). * **Avoiding Conflict:** These migrations were often driven by political instability, war, and famine. The Hakka tended to move *away* from conflict, not to conquer. * **Early Settlers in Jiangxi:** The Jiangxi province became an early and important staging ground for their southern migrations. **II. The Long Migration & Settlement (Song - Ming Dynasties - 960 - 1644 AD)** * **Southern Migration Intensifies:** The Song Dynasty (960-1279) saw a significant acceleration of Hakka migration southwards. * **Conflict with Existing Populations:** As they moved south, the Hakka often settled in marginal lands or areas already inhabited by other groups (including other Han Chinese, and minority groups like the She and Yao). This led to frequent conflicts and clashes. * **“Guest” Status:** They were often seen as outsiders or "guests" by the existing populations, hence the name “Hakka.” They were often denied full integration. * **Settlement in Guangdong, Fujian, Jiangxi:** The Hakka eventually settled primarily in the provinces of Guangdong, Fujian, and Jiangxi, as well as parts of Sichuan, Hunan, and Guangxi. * **Fortified Villages (Weitou):** Due to constant threats and conflict, the Hakka developed a unique architectural style – fortified, circular villages known as *Weitou* (围头). These served as both homes and defensive structures. * **Development of Distinct Culture:** During this period of migration and isolation, the Hakka developed their own distinct language, customs, and traditions. **III. Qing Dynasty & Modern Era (1644 - Present)** * **Qing Dynasty Stability:** The Qing Dynasty (1644-1912) brought a period of relative stability, allowing the Hakka to consolidate their settlements and develop their economy. * **Continued Marginalization:** However, they remained largely marginalized from mainstream Chinese society, often facing discrimination and economic hardship. * **Taiping Rebellion (1850-1864):** A significant number of Hakka joined the Taiping Rebellion, a large-scale uprising against the Qing Dynasty. This further complicated their relationship with the central government. * **Overseas Migration:** In the late 19th and early 20th centuries, many Hakka emigrated overseas, primarily to Southeast Asia (Malaysia, Indonesia, Thailand, Singapore) and other parts of the world. They became successful merchants and entrepreneurs. * **Communist Revolution (1949):** After the Communist Revolution in 1949, the Hakka were initially seen as a potentially rebellious group due to their history of independence and resistance. * **Recognized as a Minority Group:** In the 1990s, the Chinese government officially recognized the Hakka as one of China’s 56 ethnic groups, though they are still considered a subgroup of the Han Chinese. * **Cultural Revival & Tourism:** In recent decades, there has been a growing interest in Hakka culture and heritage, with efforts to preserve their traditions, language, and architecture. Hakka villages are becoming popular tourist destinations. * **Diaspora Connections:** The Hakka diaspora remains strong, with significant communities around the world maintaining connections to their ancestral homeland. **Key Characteristics of Hakka Culture:** * **Language:** Hakka language (Hakka Hua), a Sinitic language distinct from Mandarin and Cantonese. * **Architecture:** Circular fortified villages (Weitou). * **Cuisine:** Unique Hakka cuisine, known for preserved foods, stuffed tofu, and savory flavors. * **Ancestor Veneration:** Strong emphasis on ancestor worship. * **Matrilineal Traditions (in some areas):** Some Hakka communities retain elements of matrilineal inheritance and family structures. * **Emphasis on Education:** Historically, the Hakka placed a high value on education. This list provides a concise overview of Hakka history and culture. It’s a complex and fascinating story of migration, adaptation, and resilience.

59d7140c729
1 38

6 months ago

A vibrant scene from the 1970s in Karaj, depicting a famous street like Shahr-e Karaj or Valiasr Street. The street is alive with movement, showcasing the daily life of that era. On both sides of the road, low-rise buildings with the architecture typical of 1970s Iran line the street, featuring a mix of modern concrete buildings and traditional Iranian style, with arches and geometric patterns. Some buildings are adorned with large, colorful signs for local businesses, cafes, and small shops. The street is full of classic cars from the era like Peugeot 404, Chevrolet Impala, and Fiat 125, parked along the curb or driving slowly past. Pedestrians stroll along wide sidewalks, dressed in the style of the 1970s: women wearing colorful dresses with modest cuts and headscarves, while men wear suits with narrow ties and hats. Some women have their hair styled in the popular bob cuts or soft curls of the era. The atmosphere is lively with local street vendors selling small items on the sidewalks, and a few people sitting at outdoor cafés. The trees along the road are leafy and green, providing shade. A small, modernist fountain may be visible in a nearby public square or park area, adding a sense of calm to the bustling street. The sky is clear with a warm golden glow, typical of the sunlight in Karaj during the 1970s, casting soft shadows across the street. The image is in color, with rich, earthy tones that evoke the nostalgia of this period. The scene captures the sense of growth and modernity blending with tradition, showcasing the charm of Karaj in the early days of its development as a suburban city close to Tehran.

9ef39b3309e
0 46