providing some space between the foreground prompts

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

29 days ago

Ultra-realistic 8K selfie of Marilyn Monroe (around 30 years old, iconic Hollywood actress of the 1950s) and a 45-year-old middle-aged man (reference image provided). Marilyn Monroe appears youthful and radiant, with platinum blonde curled hairstyle, flawless smooth skin, glamorous red lipstick, eyeliner, and sparkling drop earrings. She wears her famous white halter dress with natural fabric folds, perfectly illuminated by neon lights. Next to her is the 45-year-old man from the reference photo: glasses, short brizzled goatee, green military-style cap, camouflage zip jacket, natural facial expression, realistic age appearance without exaggerated wrinkles. Both are standing together on a vibrant neon-lit city street at night, cinematic atmosphere, blurred yellow taxis in motion, pedestrians in bokeh. Lighting: hyper-realistic, warm and dramatic with neon reflections on skin and glasses. Depth of field: ultra-sharp foreground, softly blurred background. Resolution: 8K ultra-photorealistic, professional lens rendering. you should rejuvenate the man by at least 10 years and he should be identical to the photoo... Marilyn should be 30 years old, she cuts the shot in 3:2 horizontal and widens the back background so that you can see the shops and a little street, they are too compressed in the frame! Ultra-realistic 8K wide-angle photo, 16:9 ratio. A 45-year-old man (reference image provided, youthful appearance for his age, smooth natural skin, no deep wrinkles, healthy look) takes a selfie with Marilyn Monroe (around 30 years old, radiant, flawless skin, platinum blonde curls, red lipstick, wearing her famous white halter dress). Both are centered in the frame but with more space around them, leaving room to see the neon-lit city street in the background: glowing signs, shop windows, blurred pedestrians and taxis in soft focus. Lighting: cinematic neon glow with warm reflections on skin, realistic lens depth of field, ultra-sharp subjects in foreground, softly blurred background. Resolution: 8K UHD, professional full-frame lens rendering, hyper-realistic photography style.

4 months ago

A photorealistic, artistic image. The main subject is a (singular, glistening, detailed Spider-Man web:1.6), meticulously (spun from distinct spider silk threads to clearly and legibly form the word "STOP" in capital letters:1.8). This web, (forming the word "STOP":1.7), is suspended in mid-air as a temporary, abstract art installation within a (narrow, rain-slicked, very dark and shadowy urban alleyway at night with a clear perspective showing its depth:1.3). To the left side of the alley, nestled against a shadowy wall and slightly in the foreground, stands a (classic red fire hydrant:1.3). Its deep red color should be discernible, providing a distinct point of visual interest and contrast in the predominantly dark scene, without being overly lit. The (individual strands and threads making up the letters of "STOP" on the web:1.5) emit a (subtle but clear, faint rainbow-colored luminescence or iridescent glow:1.6), which is the primary light source illuminating the web and its immediate vicinity within the dark alley. The alley itself is characterized by deep shadows and natural night-time darkness. (A very faint, distant city glow might barely touch the far background:0.5). The (red fire hydrant:1.1) might catch a (subtle glint of moisture or a faint highlight from the distant city glow or the web's luminescence:0.9), but should remain mostly shrouded in the alley's ambient shadow, its red hue still adding a specific accent. Any (reflections on the wet pavement:0.9) should primarily be from the (web's own rainbow luminescence:1.2) or be the very muted sheen of a dark, wet surface. The (web-formed word "STOP":1.6) should appear artfully spun, spanning a significant portion of the open space. Its (glowing, rainbow-hued letterforms:1.5) should appear (distinctly self-illuminated by its own delicate rainbow glow:1.4) against the (surrounding deep darkness:1.3), creating a beautiful, almost otherworldly spectacle. (Spider-Man himself is secondary: perhaps a very small, silhouetted or deeply out-of-focus figure far in the background...:1.3). The core focus is on the (delicate yet strong, three-dimensional structure of this singular suspended web that spells "STOP":1.7), its texture, and its (subtle prismatic, self-originating rainbow glow on the individual strands forming the letters:1.5). The image should emphasize this solitary aerial web structure forming a clear word. Cinematic, high detail on the web-word, with its own rainbow glow being the key light feature, now complemented by the red accent in the darkened alley.

7 months ago

I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The camera focuses on my feet in the foreground, with my toes and feet naturally moving. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the distance, there is a window placed a few feet away from me, allowing a view of the far-off Milad Tower (Borj Milad) in Tehran. The window frame is clearly visible, with the tower appearing as a small feature in the far background. The Milad Tower is a tall, cylindrical structure with an observation deck at the top, and it’s positioned far away from me, beyond the window, creating a sense of depth in the scene. The tower is distant enough to be a subtle part of the overall view, adding to the peaceful, calm atmosphere of the room. The interior of the room is softly illuminated by the morning light coming through the window, casting light on the floor and my feet. The window itself is not very close to me, providing some space between the foreground (my feet) and the distant view of the Milad Tower, which remains faint and unobtrusive. This setup gives a sense of separation, with the focus still on the feet and the bedroom scene, while the window and the Milad Tower provide a distant and peaceful backdrop.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The camera focuses on my feet in the foreground, with my toes and feet naturally moving. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the distance, there is a window placed a few feet away from me, allowing a view of the far-off Milad Tower (Borj Milad) in Tehran. The window frame is clearly visible, with the tower appearing as a small feature in the far background. The Milad Tower is a tall, cylindrical structure, with a wide, round observation deck at the top, resembling a saucer. The body of the tower tapers as it rises and has a sleek, modern appearance with a distinctive design. The tower is lit at night, but in the morning light, it’s a darker silhouette against the horizon. The tower is positioned far away from me, beyond the window, creating a sense of depth in the scene. It should appear small and distant, but its unique shape, with the round observation deck, makes it recognizable even from this distance. The tower is not a central focus of the scene, but serves as a distant and peaceful backdrop. The interior of the room is softly illuminated by the morning light coming through the window, casting light on the floor and my feet. The window itself is not very close to me, providing some space between the foreground (my feet) and the distant view of the Milad Tower, which remains faint and unobtrusive. This setup gives a sense of separation, with the focus still on the feet and the bedroom scene, while the window and the Milad Tower provide a distant and peaceful backdrop.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.