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Prompt by 91e1b4b2a90

random angle prompts

very few results

3 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

3 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

9 months ago

A weary and sorrowful knight stands amidst the devastation of a chaotic battlefield, gripping his sword firmly with both hands in a natural and deliberate pose. The tarnished blade rests upright, its point embedded in the blood-soaked earth, the hilt held tightly in his gauntleted hands. His battered armor, weathered and dulled to an ancient patina reminiscent of Excalibur (1981), is dented, scratched, and stained with grime and dried blood. His tattered, frayed cape ripples dramatically in the faint wind, its faded colors contrasting with the grim, smoke-filled horizon. Scattered around him are the bodies of fallen soldiers, each unique in appearance and attire. The enemies vary widely: some are tall, others short; some clad in partial chainmail or leather armor, while others wear tattered cloaks or remnants of mismatched uniforms. A few bear helmets, some feature exposed faces, and others lie sprawled in broken, incomplete plate armor. The random positioning adds to the chaos—one corpse slumps over a shattered shield, another lies face down in a crater, while others sprawl awkwardly across jagged rocks. Blood pools unevenly around the battlefield, flowing into the cracks and craters, adding to the raw brutality of the scene. Above, ancestral banners flutter irregularly in the faint breeze, their unique emblems and designs contrasting with their torn and bloodstained edges. Some banners are partially burned, their poles leaning at precarious angles, while others stand upright, catching the golden light of the setting sun. The terrain itself is rugged and uneven, with jagged rocks, craters, and mounds of churned-up dirt. Shattered weapons, discarded helmets, and broken shields are scattered randomly, adding depth and realism to the desolate environment. The lighting is dynamic and cinematic, with golden sunlight breaking through the smoke, casting uneven, jagged shadows across the torn ground. The knight's face is partially obscured by his dented and dirt-streaked helm, his sorrowful expression visible through the grimy visor. Dust and ash float in the air, diffusing the light and creating a moody, textured atmosphere. Each detail—the weathered banners, the cracked armor, the scattered remnants of war—emphasizes the profound loss and heavy toll of battle.

6 months ago

Textured and Mixed-Media Art:: 3D relief effect:: sculptural details raised from the canvas:: heavy acrylics, resin, modeling paste:: full cinematic:: full cinematography style:: UHD:: forgotten very old history style:: caricature extreme drawings:: random angle and focus on the motion trail tango projection of legs:: confusion of pencil sketches of figures and faces:: swirls of images:: reflections on fabric:: laminarity of the intangible:: x-ray:: emerald background:: shadow-shining body shape for 3D printing:: x-ray projection:: covered with a veil of gently transparent ivory mother-of-pearl smoky shiny fabric:: repeating its contours and swaying under the breath of a light breeze:: bizarre folds form projections of faces and figures:: flying moths of white ash:: diamart style:: vivid and vibrant colours:: painting on canvas:: vivid atmosphere:: watery ambiance:: Van Gogh style expressive strokes:: Chinese Ink Brush painting mystery:: surreal art style:: hyper-realistic yet dreamlike:: double exposure elements creating layered depth:: shimmering translucent textures:: delicate interplay of light and shadow:: soft luminescence casting an ethereal glow:: flowing movement captured in fabric contours:: soft surrealism:: avant-garde high fashion photography:: striking contrast between fluidity and structure:: intricate detail in sheer fabric revealing hidden shapes:: floating silhouettes merging with the background:: impressionistic rendering of form and motion:: breathtaking visual masterpiece:: signature by "Nanzi"::