A sample prompt of what you can find in this page
Prompt by Pulsar212121

reflected in an elongated prompts

very few results

7 months ago

Abstract Full-Body Portrait of a Prostitute – Salvador Dalí (Late-Life Style, Singular Focus & Pure Surrealism) (Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

9 months ago

a cinematic black-and-white noir depiction of a vintage cobblestone street at night, shrouded in thick, atmospheric fog. Old-fashioned lampposts line the street, their soft, glowing light diffusing through the mist and casting elongated shadows that ripple faintly on the wet cobblestones. The reflections glimmer, adding texture and depth to the scene. Under one of the glowing streetlamps, a man in a trench coat and fedora leans slightly toward a woman in a classic 1940s dress. Her elegant silhouette is illuminated by the soft light, creating a captivating focal point amidst the hazy surroundings. Their body language suggests a quiet but intense exchange, adding an air of mystery and intrigue. In the background, additional figures holding umbrellas move through the fog, their outlines blending seamlessly into the moody atmosphere. A vintage car is parked further down the street, its polished surface reflecting the lamplight and adding to the period authenticity. The faint outlines of nearby buildings and shopfronts emerge through the mist, enhancing the depth and realism of the setting. The scene is rendered in intricate detail, with a focus on the interplay of light and shadow, capturing the glistening textures of the cobblestones, the folds of the woman’s dress, and the subtle highlights on the man’s fedora. The overall composition exudes the essence of classic noir, immersing the viewer in a mysterious, cinematic moment filled with drama and elegance.

7 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

7 months ago

The image features a person in a body of . They are wearing wearing a black bodycon dress. The dress is form-fitting and has a halter neckline with a deep V-neckline. The bodycon design is made up of multiple layers of mesh panels that create a fishnet-like pattern. The panels are cut out in a criss-cross pattern, creating a unique and eye-catching look. The woman is posing with one hand on her hip and the other resting on her thigh. She has long dark hair styled in loose waves and is wearing large hoop earrings. The background . . that accentuates their , complemented by a delicate . The surface reflects light, creating a serene atmosphere around them. Hair pink, Focus face Details, high Quality 16k Ultra HD , 20 Year old younger , looking hot, The image features a person with long, wavy hair that has a rich burgundy color. Poses Prompt: A woman sitting on the floor with legs bent, one leg tucked closer to the body, the other extended slightly. She is looking to the side, away from the camera. Her arms are relaxed, one hand resting lightly on the floor. Full body shot, capturing her posture and silhouette. Elegant and graceful pose, highlighting her form. Eyes Color:Light blue. Hair Color: Deep magenta or dark pink.Long, hair styled in loose waves. Eyes Color prompt : Light blue. Background Prompt: Solid, light-colored background, possibly a studio backdrop. A strong, directional light source creating a sharp, elongated shadow across the background. The shadow is the most prominent feature of the background, adding a sense of depth and dimension. Minimalist background, focusing attention on the subject. The background should be clean and uncluttered.

9 months ago

Here’s a **revised generative prompt** for the scene, emphasizing the artistic style of Ralph McQuarrie, known for his dramatic lighting, bold contrasts, and atmospheric world-building: *"A shadowy conference room aboard the Death Star, captured in the dramatic, painterly style of Ralph McQuarrie. Darth Vader sits at the end of a long, metallic table, his black, reflective armor melding with the deep shadows around him. Sparse overhead lighting creates stark contrasts, casting elongated shadows across the sleek, minimalistic walls. Glints of red and green indicator lights punctuate the darkness, reflecting faintly off Vader's polished helmet and the officer's uniform. Across the table, an Imperial officer leans forward, his arrogant sneer frozen in panic as he clutches his throat, choking under Vader’s invisible grip. The officer’s body is stiff, illuminated by a narrow beam of cold, focused light, highlighting his fear-stricken face. Vader’s gloved hand is raised in a deliberate, claw-like motion, exuding calm menace. The other officers sit in paralyzed silence, their faces half-lit by the eerie glow of the room, their wide eyes reflecting the tension. The composition emphasizes a foreboding sense of scale, with the towering Vader dominating the scene. The muted, industrial tones of the Death Star's walls and furniture contrast with the vivid red reflections on Vader’s chest panel, creating a balance between realism and stylized drama. The entire scene feels like a snapshot of power and fear, frozen in McQuarrie’s iconic cinematic perspective."*

7 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

2 months ago

Macro angle head shot half body photo of a 24-year-old Māori-Zhuang female glamorous socialite with a Seasonal transition assessment with eyes tracking environmental indicators with calendar precision, face revealing complex calculation comparing current patterns against experience baseline, subtle tension or relaxation responding to confirmation or divergence, expression showing crucial evaluation determining survival strategy adjustment. facial expression. She has Full-body wild food identification system with specialized preparation indicators for thousands of edible species tattooed in nutritional hierarchy, skin exhibits specialized detoxification capabilities with enhanced filtering mechanisms, strategic cutting creates permanent warning symbols at all major digestive awareness points, face tattooed with complete toxicity testing techniques, hands bearing precision harvesting instructions for maximum sustainability.. The skin pores and texture are clearly visible and in focus. Her Elongated diamond eyes, Subtle, light grey eyes, framed by long, elegant eyelashes. Her haircut is Radiation zone pathfinder's protective pattern featuring strategic coverage of most vulnerable areas while maintaining practical ultra-short base, calculated approach to minimizing exposure during necessary zone transits.. Her eyebrows are neatly shaped, complementing her delicate facial features. Her body is Firm, toned arms with visible muscle contours, small breast, toned abs, Female Bodybuilding style. She wears Modified yoga top with strips cut out to create ventilation channels, fabric stiffened from sun exposure and salt, deliberately tattered hem wrapped with duct tape to prevent further unraveling, faded brand logo now unrecognizable., bare midriff, Lightweight athletic shorts with waistband folded and stitched to create lower rise, side seams opened and reconnected with crossing cord creating decorative ventilation pattern, team logo deliberately defaced with resistance symbols., In the background Former ski resort community utilizing the existing infrastructure designed for climate extremes, snowmaking equipment has been repurposed for water management and cooling mist systems, chairlifts provide transportation to higher elevations where temperatures are slightly more moderate, the lodge buildings with their robust construction offer protection from increasingly violent storms.. She stands Resource Distribution Coordinator position with body centrally placed creating organizational focal point, stance projecting authority through deliberate stillness amid activity, hands directing allocation with precise gestures reflecting inventory calculation, eyes continuously assessing both supplies and community needs simultaneously., looking to the camera. She is positioned on the left side in the frame by the rule of thirds. The weather is Supercell storm training where multiple severe thunderstorms follow identical tracks hours apart, each system further destabilizing landscapes damaged by its predecessors, creating compound flooding as drainage systems overwhelmed by initial rainfall face successive inundation before recovery is possible.. the model is lighted with soft natural lighting in the style of Phoenix Blaze

9 months ago

"A shadowy conference room aboard the Death Star, captured in the dramatic, painterly style of Ralph McQuarrie. Darth Vader sits at the end of a long, metallic table, his black, reflective armor melding with the deep shadows around him. Sparse overhead lighting creates stark contrasts, casting elongated shadows across the sleek, minimalistic walls. Glints of red and green indicator lights punctuate the darkness, reflecting faintly off Vader's polished helmet and the officer's uniform. Across the table, an Imperial officer leans forward, his arrogant sneer frozen in panic as he clutches his throat, choking under Vader’s invisible grip. The officer’s body is stiff, illuminated by a narrow beam of cold, focused light, highlighting his fear-stricken face. Vader’s gloved hand is raised in a deliberate, claw-like motion, exuding calm menace. illustrate A shadowy conference room aboard the Death Star, captured in the dramatic, painterly style of Ralph McQuarrie. Darth Vader sits at the end of a long, metallic table, his black, reflective armor melding with the deep shadows around him. Sparse overhead lighting creates stark contrasts, casting elongated shadows across the sleek, minimalistic walls. Glints of red and green indicator lights punctuate the darkness, reflecting faintly off Vader's polished helmet and the officer's uniform. Across the table, an Imperial officer leans forward, his arrogant sneer frozen in panic as he clutches his throat, choking under Vader’s invisible grip. The officer’s body is stiff, illuminated by a narrow beam of cold, focused light, highlighting his fear-stricken face. Vader’s gloved hand is raised in a deliberate, claw-like motion, exuding calm menace. The other officers sit in paralyzed silence, their faces half-lit by the eerie glow of the room, their wide eyes reflecting the tension. The composition emphasizes a foreboding sense of scale, with the towering Vader dominating the scene. The muted, industrial tones of the Death Star's walls and furniture contrast with the vivid red reflections on Vader’s chest panel, creating a balance between realism and stylized drama. The entire scene feels like a snapshot of power and fear, frozen in McQuarrie’s iconic cinematic perspective."*

9 months ago

Here’s a **revised generative prompt** for the scene, emphasizing the artistic style of Ralph McQuarrie, known for his dramatic lighting, bold contrasts, and atmospheric world-building: *"A shadowy conference room aboard the Death Star, captured in the dramatic, painterly style of Ralph McQuarrie. Darth Vader sits at the end of a long, metallic table, his black, reflective armor melding with the deep shadows around him. Sparse overhead lighting creates stark contrasts, casting elongated shadows across the sleek, minimalistic walls. Glints of red and green indicator lights punctuate the darkness, reflecting faintly off Vader's polished helmet and the officer's uniform. Across the table, an Imperial officer leans forward, his arrogant sneer frozen in panic as he clutches his throat, choking under Vader’s invisible grip. The officer’s body is stiff, illuminated by a narrow beam of cold, focused light, highlighting his fear-stricken face. Vader’s gloved hand is raised in a deliberate, claw-like motion, exuding calm menace. The other officers sit in paralyzed silence, their faces half-lit by the eerie glow of the room, their wide eyes reflecting the tension. The composition emphasizes a foreboding sense of scale, with the towering Vader dominating the scene. The muted, industrial tones of the Death Star's walls and furniture contrast with the vivid red reflections on Vader’s chest panel, creating a balance between realism and stylized drama. The entire scene feels like a snapshot of power and fear, frozen in McQuarrie’s iconic cinematic perspective."* This version focuses on Ralph McQuarrie’s signature elements: dramatic lighting, rich contrasts, and a blend of realism and stylization. Let me know if you'd like it further tweaked!

9 months ago

A stunning sensual woman like Angelina Jolie with an hourglass figure, proportionate features, and radiant skin sits elegantly on the sun deck of a luxury boat, her gaze captivating the endless ocean. She wears a Alizarin Crimson sun hat and a high-fashion Alizarin Crimson color light summer dress, exuding a sense of summery elegance and sophistication. Brown hair, green eyes. The clear blue water glistens in the sunlight, reflecting the vibrant sky, while behind the boat, white foamy waves crash in a dynamic, elongated pattern, contrasting with the deep, serene blue sea. On the distant horizon, the silhouettes of small islands or mountains add depth to the tranquil yet vibrant landscape. Capturing the essence of a breezy, sunny day on the water, the scene embodies freedom, seduction, intimacy, and relaxation. With a sensual, flirty smile, her skin glistens with subtle water droplets. In a 8k resolution head and shoulders portrait, the artwork is inspired by the dynamic lighting and intricate details of Greg Rutkowski, the elegant lines of Artgerm, and the vibrant colors of WLOP, with a touch of Alphonse Mucha's Art Nouveau flair. The piece features hyperdetailed, volumetric lighting, reminiscent of Unreal Engine 5, with a triadic color scheme that's trending on Artstation, evoking a sense of luxury and high-end art. Hyperrealistic, splash art, concept art, mid shot, intricately detailed, color depth, dramatic, 2/3 face angle, side light, colorful background