A sample prompt of what you can find in this page
Prompt by SoraNaais

refracting the warm prompts

very few results

6 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.

3 months ago

This is a captivating, dreamlike portrait of a young Asian woman, bathed in a warm, ethereal light. Lighting: The lighting is the most striking feature of this image. It's dominated by a strong, warm backlight, likely from the sun during golden hour or a powerful artificial source mimicking it. This backlight: Creates a brilliant, almost blown-out halo effect around her dark hair and the edge of her right shoulder, making them luminous. Produces significant lens flare, visible as bright streaks and soft, circular bokeh orbs, some of which exhibit prismatic rainbow refractions, particularly noticeable around the flowers and her hair. This flare adds to the dreamy, almost magical quality of the shot. Casts her face in relative shadow, yet it's still softly illuminated, likely by diffused ambient light or a subtle fill light from the front/side. This creates a beautiful contrast, highlighting her features without harshness. The overall quality of light is soft and diffused, despite the strong backlight, contributing to the gentle, ethereal mood. The warmth of the light (golden yellows and oranges) dominates the highlights. Model's Expression: The model's expression is direct, intimate, and somewhat enigmatic. She gazes directly at the viewer with dark, expressive eyes that reflect the light. Her lips are softly parted, not quite forming a smile but conveying a sense of openness or perhaps a quiet, unspoken thought. There's a hint of vulnerability and pensiveness in her expression. It's not overtly sad, but rather introspective and perhaps a touch melancholic or wistful. The slight tilt of her head and the way her dark, tousled hair (with bangs) frames her face add to the intimacy and softness of her look. Other Details: Features & Appearance: She has delicate facial features, with smooth skin that catches the light subtly. Her dark, shoulder-length hair is slightly messy, contributing to the natural, unposed feel. Her makeup, if any, is very light and natural-looking. Attire: She's wearing a light-colored (likely cream or off-white) textured knit sweater, which also catches the backlight beautifully along its fuzzy edges. Props: She's holding a bouquet of white daisies with yellow centers. These flowers are in the foreground, some in sharper focus, others softly blurred, and they interact with the lens flare, adding to the visual interest and depth. Composition: It's a close-up shot, focusing on her face and upper body. The depth of field is shallow, keeping her face relatively sharp while the background and parts of the foreground are softly blurred. Atmosphere: The overall mood is dreamy, ethereal, intimate, and slightly nostalgic. The combination of soft focus, warm backlighting, lens flare, and her pensive expression creates this feeling. Technical: The image has a soft, slightly grainy texture, reminiscent of film photography, which enhances its artistic and vintage feel. In essence, it's a beautifully lit portrait that uses light and the model's subtle expression to evoke a powerful sense of intimacy and dreamlike beauty.

2 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.