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Prompt by AkiraS

running pose prompts

very few results

6 months ago

A beautiful, ethereal feminine android suspended a few meters up in the air above a smoky battlefield at dusk . her pose is dynamic, sensual and strong, s Her body is crafted from molten glass-like material, perfectly smooth and seamless, flowing like warm mercury under soft light. Her outer surface glows subtly, reflecting hues of iridescent pink, lavender, and amber, with gentle liquid movement across her curves. Beneath the surface, a faint golden lattice glows from within, like divine circuitry seen through water. Her form is elegant and non-mechanical—no armor, no plating, no cables or joints, just flowing, synthetic grace. A single soft amber-gold energy line runs up the outer sides of her legs, over her hips, along her arms and shoulders like a sacred trace. Her face is covered by a translucent golden visor, smooth and radiant, reflecting the light and sorrow of the battlefield. Draped over her figure is a sheer, weightless fabric, hovering gently with her motion, caught in the strong breeze of nearby flames. Above her head floats a painterly, radiant halo, glowing with divine brilliance—like sunlight diffused through amber glass. Around her, a broken battlefield is bathed in volumetric light from the setting sun behind her. Ash falls softly. Flowers bloom in the footprints she leaves. Her posture is serene and emotional, her gesture reverent—a divine vision bringing peace to the dying. Rendered in the style of an impressionist oil painting with renaissance lighting, soft brush texture, warm golden tones, and deep chiaroscuro contrast. A surreal mix of sacred myth and futuristic elegance.

ElectricL
0 62

2 months ago

Create an abstract painting where the cybernetic figure emerges from and decays into pure urban filth. The 3/4 pose should barely hold together, disintegrating into a maelstrom of caustic paint effects, chemical burns, and toxic waste. The pink hair should look like it's been dragged through hell - rendered as violent, contaminated streaks that appear to be actively decomposing, with areas where the paint bubbles and splits like festering wounds. Treat the canvas like an abandoned city wall - build up thick, crusty layers of media only to deliberately destroy them. The metallic bra and leather jacket should be buried under decades of grime, suggested only through traces of corroded metal and rotting leather visible beneath layers of industrial sludge. Add thick impasto areas that crack like dried mud, revealing diseased colors beneath. Create regions where multiple paint layers interact violently - separating, bleeding, and creating chemical reactions that eat through the surface. The cybernetic elements should look like they're actively decomposing - use techniques like acid etching, rust transfers, and actual material deterioration. Let paint thinner create unpredictable decay patterns. Include areas where metallic paint oxidizes into toxic blooms and where different media repel each other like oil and water, creating leprous textures. The background should feel like a toxic waste dump - incorporate actual dirt, rust, and urban debris into the paint. Use techniques that deliberately destroy the medium: oversaturate areas until the canvas rots, allow metallic elements to oxidize naturally, encourage paint to crack and flake. Add layers of grime using dry brushing with actual ash and dirt. Create effects that suggest chemical spills, acid rain damage, and industrial accidents through caustic color interactions and material decay. The color palette should feel diseased - contaminated pinks that turn gangrenous, metals oxidized to poisonous greens, blacks that break down into putrid browns. Every color should look like it's been soaked in toxic waste and left to rot. Build up texture with actual organic matter - coffee grounds, sand, rust - anything that adds real physical decay to the surface. The entire piece should look like it was created in a contaminated zone - intentionally damaged, corroded, and infected. The paint application should appear desperate and uncontrolled, as if the artist's tools were found in a junkyard. Let accidents and material failures become part of the piece - runs, drips, chemical reactions, and decomposition should all contribute to its apocalyptic aesthetic.

AkiraS
0 92