shallow depth-of-field prompts

very few results

5 months ago

(Primary Subject: Woman, 3D-Printed in Realistic Modern Printer, 1.7 weight) — inside a dim, cluttered bedroom illuminated by the soft, flickering glow of LED strip lights and the rhythmic hum of a modern consumer-grade 3D printer, a surreal scene unfolds. A half-assembled woman is being slowly 3D-printed, layer by layer, inside the printer’s transparent enclosure—her form emerging from glowing PLA-like filament in smooth, hyper-detailed strokes (hyper-realistic printing detail, smooth skin texture, 1.6 weight). Her upper body—torso, arms, and part of her face—is almost complete, formed from semi-translucent material that glows faintly in the ambient light. Thin wisps of support scaffolding cling to her like cyber-organic scaffolds. Her lower half remains unformed, an unfinished spiral of molten filament still being printed as the nozzle moves with quiet precision (realistic filament printing, printer detail, suspended form, 1.5 weight). Seated nearby, a man in casual clothes sits cross-legged on the floor, bathed in warm, ambient screen light. He holds a crumpled instruction manual in one hand—clearly pulled from the open cardboard box lying beside him on the floor, its packaging marked with surreal branding: “SYNTH-CRAFT V2 | HOMEBODY EDITION” (instructional design realism, subtle surreal packaging, 1.4 weight). Loose tools, empty filament spools, soda cans, and old PC parts are scattered around the room, grounding the scene in everyday reality. Behind him, the room glows with scattered LED lighting in hues of electric blue, soft magenta, and warm amber, reflecting off his glasses and casting moody highlights onto the surrounding walls. Dust particles drift in the air, caught in the glow of the printer’s chamber, creating an eerie yet beautiful halo around the forming woman (cinematic atmosphere, volumetric light, dusty haze, 1.4 weight). Rendered with cinematic realism: soft film grain, subtle lens blur, realistic plastic sheen, and dramatic shallow depth-of-field—captured as if shot with a Leica Summilux lens. The entire image is grounded in the plausible, but steeped in a surreal undertone that suggests something far stranger is unfolding (photographic detail, cinematic framing, narrative tension, 1.3 weight). This is not just a print job—it’s manufactured intimacy, wrapped in plastic and instruction sheets.

ElectricL
3 470

6 months ago

A young Caucasian girl, aged 13-15, smiles joyfully while cradling a small winged unicorn with hyper-detailed, lifelike features. The girl has long, light brown hair with natural flyaway strands, rosy cheeks, and realistic skin texture (slight pores, faint freckles). She wears a casual black cotton t-shirt and faded blue jeans, lit by harsh fluorescent overhead lights that cast sharp, naturalistic shadows. In her hands, the unicorn is anatomically plausible: its size proportionate to a small cat, with ultra-fine white fur showing individual strands, subtly matted in places for realism. Its wings are feathered in intricate detail (similar to a dove’s wing structure), veins visible under the light, and folded neatly against its body. The horn is pearlescent ivory, tapered like an antelope’s, with faint ridged texture—no cartoonish sparkles. The unicorn’s eyes are large but realistic, with moist reflective pupils and subtle eyelashes. The storage room backdrop features cluttered, dusty cardboard boxes labeled ‘Fragile,’ a concrete floor with scuff marks, and a flickering fluorescent panel. Shot on a Sony A7 IV with 85mm lens, f/2.8 aperture for shallow depth-of-field, emphasizing the unicorn’s fur texture and the girl’s hands. Style: Hyper-realistic CGI, photorealistic skin and fabric details, muted fantasy elements grounded in biological plausibility, ambient occlusion lighting blending harsh fluorescents with soft window light from an off-screen source.

a3bdcda02be
1 72

5 months ago

(Primary Subject: Gigantic Bone-Crafted Spider-God in Subterranean Temple, 1.7 weight) — far below the known world, past layers of ash-fossil and silence, lies the Cathedral of Hollow Depths—a vast, bone-built cavern where a titanic arachnid creature, assembled entirely from the skeletal remains of extinct giants, sleeps in stillness. This is the Bone Spider: part deity, part weapon, part grief embodied. Its body spans a cathedral in width—eight skeletal legs twist like ribcages fused into spires, with joints of fossilized ivory and sinew-bound marrow. Its thorax is a tomb of whispering skulls, and from its open ribbed abdomen hangs a vast, silken tapestry woven from spinal cords and ghost threads. Ancient monastic figures have spent lifetimes adding to the tapestry, recording a single question: why does it still wait? A lone knight now descends the spiral bone stairway, their lantern casting flickering light through columns of femurs and vaulted ceilings made of petrified jawbones. Clutched in their gauntlet: a relic carved from the tooth of the first world-eater. This knight is not here to slay. They are here to ask the spider something. Something no one dares speak aloud. The atmosphere is hushed and holy. From the spider’s unmoving fangs drips liquid memory, collecting in stone basins etched with prayers. The air hums faintly, filled with psalms sung by deep-buried bone choirs. The architecture is Giger-esque fused with ancient cathedral design—organic, sacred, horrifyingly beautiful. Soft beams of bioluminescent green and faded amber pour from fractures in the cavern ceiling, creating volumetric shafts of sacred decay. The knight’s figure is dwarfed beneath the weight of silence and shadow, the Bone Spider looming like a sleeping god, its massive eye sockets hollow but aware. Rendered in dark cinematic realism, with richly detailed textures: bone porosity, decayed velvet, wet stone, silk-strand threads catching subtle glints of cold light. Subtle film grain, shallow depth-of-field, and burned edge vignetting evoke the look of forbidden 70s horror photography (sacred horror + visual dread, 1.4 weight).

ElectricL
0 59