A sample prompt of what you can find in this page
Prompt by ElectricL

silent prompts

hundreds of results

9 months ago

(Full-body shot, dramatic film-noir lighting, vintage 1960s aesthetics, ultra-detailed fabric and skin rendering, cinematic depth, alluring yet enigmatic presence) The femme fatale stands with her back to the camera, exuding an air of refined mystery. She is enveloped in a luxurious fur boa, its plush texture draping over her shoulders and cascading down her arms, concealing just enough to leave an aura of intrigue. She gazes toward an antique vanity mirror, her reflection revealing a captivating expression—lips slightly parted, eyes shadowed with a knowing intensity. The dim, amber glow of a mid-century bedside lamp casts long, seductive shadows, accentuating the contours of her poised figure. A sleek silk slip peeks through the embrace of the fur, tracing the lines of her form in soft highlights. Stockings shimmer subtly in the low light, held in place by delicate garters, adding a touch of elegance. In one hand, she holds a vintage cigarette holder, its unlit tip resting between her fingers as a thin wisp of smoke lingers in the air—a remnant of past indulgences. The room is an opulent mid-century dream, with a velvet chaise lounge partially visible behind her. An old rotary phone, its receiver off the hook, lies beside an untouched glass of whiskey on the vanity—silent witnesses to an untold story. The atmosphere is thick with timeless intrigue—she is a woman of untold secrets, a vision of vintage glamour and quiet power. With each carefully placed shadow, she remains an enigma—captivating, untouchable, and forever etched in the lingering haze of a noir dream.

7 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.