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Prompt by 510acf8a621

sitting in seat prompts

hundreds of results

7 months ago

(Primary Subject: Woman, 3D-Printed in Realistic Modern Printer, 1.7 weight) — inside a dim, cluttered bedroom illuminated by the soft, flickering glow of LED strip lights and the rhythmic hum of a modern consumer-grade 3D printer, a surreal scene unfolds. A half-assembled woman is being slowly 3D-printed, layer by layer, inside the printer’s transparent enclosure—her form emerging from glowing PLA-like filament in smooth, hyper-detailed strokes (hyper-realistic printing detail, smooth skin texture, 1.6 weight). Her upper body—torso, arms, and part of her face—is almost complete, formed from semi-translucent material that glows faintly in the ambient light. Thin wisps of support scaffolding cling to her like cyber-organic scaffolds. Her lower half remains unformed, an unfinished spiral of molten filament still being printed as the nozzle moves with quiet precision (realistic filament printing, printer detail, suspended form, 1.5 weight). Seated nearby, a man in casual clothes sits cross-legged on the floor, bathed in warm, ambient screen light. He holds a crumpled instruction manual in one hand—clearly pulled from the open cardboard box lying beside him on the floor, its packaging marked with surreal branding: “SYNTH-CRAFT V2 | HOMEBODY EDITION” (instructional design realism, subtle surreal packaging, 1.4 weight). Loose tools, empty filament spools, soda cans, and old PC parts are scattered around the room, grounding the scene in everyday reality. Behind him, the room glows with scattered LED lighting in hues of electric blue, soft magenta, and warm amber, reflecting off his glasses and casting moody highlights onto the surrounding walls. Dust particles drift in the air, caught in the glow of the printer’s chamber, creating an eerie yet beautiful halo around the forming woman (cinematic atmosphere, volumetric light, dusty haze, 1.4 weight). Rendered with cinematic realism: soft film grain, subtle lens blur, realistic plastic sheen, and dramatic shallow depth-of-field—captured as if shot with a Leica Summilux lens. The entire image is grounded in the plausible, but steeped in a surreal undertone that suggests something far stranger is unfolding (photographic detail, cinematic framing, narrative tension, 1.3 weight). This is not just a print job—it’s manufactured intimacy, wrapped in plastic and instruction sheets.

ElectricL
3 530

6 months ago

Using the attached image, regenerate an image in the same style as this one. But with the following description: You need to draw a mille-fleurs tapestry of The Lady and the Unicorn, woven after 1515 but destroyed in Boussac in 1845. George Sand gives a rather brief description. "The lady is seated on a very rich throne. She wears a sort of royal turban on her forehead. There is something Asian in the ornaments of her finery and the canopy above her." So we will have a lion on the left and a unicorn on the right. Be as precise as possible and use the setting and colors of the attached piece. You need two different trees: an oak and an orange tree. The wooden throne must be wide, with a backrest that stops at the lady's shoulders. The figurines of a small lion and a small unicorn are carved on the top of the throne's uprights. The drooping tips of the canopy should not be visible, hidden by the lion and the unicorn. The lady's head is turned towards the unicorn; her turban should not be too large. The lion should be the same size as the unicorn. He should be on the left, with all four paws on the ground, standing upright and proud. He has a plumed tail. He is looking to his left (not looking at us). He is sitting on his haunches. He is holding the pole of the oriflamme-style flag, with a red background and a blue diagonal band rising to the left, bearing three rising white crescent moons, as in the attached image. The trunk of the tree on the left should not be behind his head. The unicorn is white. He is proudly raising his head. His four paws are on the ground. He is sitting on his haunches. He is looking at the lady. Thank you.

afdd8854f10
3 70

7 months ago

high angle shot, traditional Iranian engagement gathering in a warm and nostalgic 1950s setting. The young couple sits in a beautifully decorated room, surrounded by their families the boy’s parents and the girl’s parents, all dressed in elegant yet traditional attire. The room is adorned with a Persian carpet, and classic cushions line the walls, providing comfortable seating. A large bouquet of flowers sits at the center, along with a beautifully arranged tray of sweets and fresh fruits, symbolizing hospitality and celebration. The women wear modest, fully covered dresses with scarf neatly wrapped over their heads, while the elderly fathers, with their dignified white hair, sit with composed expressions, leading the conversation. The girl, with her voluminous, curly hair softly tucked under a delicate scarf, wears a long-sleeved fitted blouse and a flowing flared skirt, modest yet stylish for the era. She sits gracefully beside her mother, her hands resting in her lap, occasionally stealing shy glances at the young man, her cheeks subtly flushed. The boy, his hair slicked back with wax and a thin mustache neatly groomed, wears a cream-colored, wide-collared suit, paired with a crisp white shirt and a thin dark tie. Sitting beside his father, he maintains a composed yet slightly nervous demeanor, glancing at the girl as the elders discuss the match. The conversation is warm yet formal, as both families exchange words of tradition, respect, and future plans. The wooden-framed windows allow soft natural light to seep in, casting a gentle glow over the gathering. The air is filled with a blend of nervous excitement, formality, and deep-rooted tradition, marking a timeless moment of Iranian cultural heritage. high realistic. high details.

70e0d698fc3
2 72