slightly faded and worn prompts

8 months ago

"A hyper-realistic, film-grained Polaroid photo of three irresistibly cute young Aphrodite standing siting on a hood of a Dodge. She is drinking warm beer. She has delicate, ethereal beauty with glowing skin, expressive eyes, and flowing hair, dressed in warm, elegant yet casual outfits. The ambiance is filled with warm earth tones, and softly blurred lights in the background. Captured in a long exposure shot, creating a dreamy, cinematic feel with a natural sense of motion. The atmosphere is intimate, nostalgic, and inviting. The golden-hour sunlight casts a soft glow on her sun-kissed skin, her hair slightly tousled by the breeze. She wears a loose, worn-out band tee and denim shorts, exuding a carefree, bohemian vibe. The car’s polished chrome reflects the fading sky, and the setting feels nostalgic and rebellious, reminiscent of a road trip moment frozen in time. No text."

3 months ago

middle-aged, light-skinned man, dressed as a disheveled clown, sits slumped against a weathered, muted gray-blue wall. He appears sad and forlorn, with a downturned mouth and a serious expression. His clown makeup, including a red nose and orange curly hair, is smudged and faded, suggesting a long time spent outdoors. He wears stained, light-blue, clown-like pants and a slightly darker-blue suit jacket, both appearing worn and paint-splattered. He has a red scarf loosely tied around his neck. The clown's hands are resting in his lap, clutching a worn, light-brown bag. A paint can sits on the floor next to him, covered in colors. The setting is a gritty, urban alleyway or rundown area. The lighting in the image is diffused and muted, accentuating the melancholic mood. The subject is positioned slightly off-center to the right of the image, facing forward but slightly downward. The perspective is from a slightly low angle, almost looking down at the clown. The overall style is dramatic, realistic, and evocative of a social commentary, with a hint of painterly texture. The composition is simple and direct, focusing on the clown's downtrodden demeanor.

4 months ago

A striking woman stands alone in a worn wooden railing of an old town outdoor cafe covered by an awning - the soft light of an overcast day seems to diffuse the color around her, giving off a sense of muted tones and subtle nuances creating a slight silhouette around her. Wearing a white denim jacket with no shirt underneath with the sleeves rolled up to reveal toned arms, she leans against the railing in a way that's both relaxed and carefree - as she looks away from you, her head is turned at an angle, giving off a sense of quiet contemplation. Black denim shorts seem to cling to her hips in a way that's both sensual and intimate, while shoulder-length light-brunette hair frames a face that's both delicate and fragile. Light blue eyes seem to gleam with a quiet intensity, as if they're holding a secret that only this woman knows - as she stands there, lost in thought, the world around her seems to fade away, leaving nothing but the two of you, locked in a moment of perfect understanding. Behind her, rain pours down on the street like a thousand tiny fingers - the sound is muted and distant, barely audible over the hum of the cafe itself. Every detail seems to whisper a sense of quiet introspection and contemplation, as if this woman is caught up in some private world of her own creation: one where anything is possible, and nothing can ever be quite the same again.

7 months ago

Surreal Street Wall Art: Image is a hand painted watercolor ink wash and acrylic abstract surrealism steampunk graffiti pop art styled wall mural on a busy crowded street .A rough hand drawn black and white charcoal sketch self portrait of a street artist painting with intricate details, including dark colors and flawless gradients in soft blended shades of charcoal. This emotive soulful charcoal portrait, a waifish unkempt street urchin in worn faded jeans, and an oversized t-shirt with musical notes and a guitar, exudes a raw, ethereal beauty, is both striking and captivating. They are drawn sitting on the steps of an old Brownstone tenement, their eyes half closed a slight smile on their lips, as they lose themselves in the music that flows from the aged battered acoustic guitar they are playing. Intricate details and expert execution. Layers of contrasting black and white charcoal tones blend seamlessly, bringing depth to skin, while aged fabrics in deep gradients of charcoal add movement. centered symmetry, ultra-textured contrast and shadow. beautifully rendered emotive wall mural

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

8 months ago

"A hyper-realistic, film-grained Polaroid photo of three irresistibly cute young Aphrodites standing together in a cozy, softly lit coffee shop. They have delicate, ethereal beauty with glowing skin, expressive eyes, and flowing hair, dressed in warm, elegant yet casual outfits. The ambiance is filled with warm earth tones, with steam rising from freshly brewed coffee, vintage wooden furniture, and softly blurred lights in the background. Captured in a long exposure shot, creating a dreamy, cinematic feel with a natural sense of motion. The atmosphere is intimate, nostalgic, and inviting. In a separate scene, a barefoot girl sits on the hood of a vintage Dodge, drinking warm beer from the bottle. The golden-hour sunlight casts a soft glow on her sun-kissed skin, her hair slightly tousled by the breeze. She wears a loose, worn-out band tee and denim shorts, exuding a carefree, bohemian vibe. The car’s polished chrome reflects the fading sky, and the setting feels nostalgic and rebellious, reminiscent of a road trip moment frozen in time. No text."

9 months ago

A hyperrealistic, cinematic portrait of a Soviet Spetsnaz soldier in Afghanistan during the late 1980s, standing defiantly against the harsh, rocky Afghan landscape. He holds a VSS Vintorez rifle equipped with a suppressor, gripped with confidence and readiness. His attire is a rugged blend of Soviet military gear and scavenged Afghan clothing, including a faded, dust-streaked keffiyeh loosely wrapped around his neck and a traditional Afghan tunic worn over his Soviet-issued fatigues, helping him blend into the surroundings while maintaining his elite military aura. Behind him, a steep, narrow chasm cuts through the mountains, adding to the dangerous and isolated feel of the environment. A thick haze of dust and sand lingers in the air, creating an atmospheric, sepia-toned light that casts long, dramatic shadows across his form and the landscape. Volumetric lighting breaks through the haze, illuminating particles in the air and accentuating the rugged texture of his weathered gear. Subtle details reveal his Spetsnaz identity: worn Soviet tactical boots, a small Spetsnaz insignia peeking from under his layers, and a sturdy utility belt holding a few essential tools. His expression is hard and determined, capturing the intensity of a soldier embedded deep in enemy territory. The muted tones of the rocky terrain and the rugged textures of his uniform and Afghan garments blend seamlessly, enhancing the realism of the scene. The image is rendered in a masterful, ArtStation-quality style, with intricate details like the worn grip on the VSS rifle, the fine dust coating his uniform, and the slight glint from the rifle’s suppressor. Lifelike shadows, dynamic lighting, and the gritty atmosphere of dust and smoke complete the scene, immersing the viewer in the harsh realities of 1980s Afghanistan

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

8 months ago

"A hyper-realistic, film-grained Polaroid photo of three irresistibly cute young Aphrodite standing siting on a hood of a Dodge. She is barefoot. She is drinking warm beer. She has delicate, ethereal beauty with glowing skin, expressive eyes, and flowing hair, dressed in warm, elegant yet casual outfits. The ambiance is filled with warm earth tones, and softly blurred lights in the background. Captured in a long exposure shot, creating a dreamy, cinematic feel with a natural sense of motion. The atmosphere is intimate, nostalgic, and inviting. The golden-hour sunlight casts a soft glow on her sun-kissed skin, her hair slightly tousled by the breeze. She wears a loose, worn-out band tee and denim shorts, exuding a carefree, bohemian vibe. The car’s polished chrome reflects the fading sky, and the setting feels nostalgic and rebellious, reminiscent of a road trip moment frozen in time. No text."

8 months ago

"A hyper-realistic, film-grained Polaroid photo of three irresistibly cute young Aphrodite standing siting on a hood of a Dodge. Sge is drinking warm beer. She has delicate, ethereal beauty with glowing skin, expressive eyes, and flowing hair, dressed in warm, elegant yet casual outfits. The ambiance is filled with warm earth tones, and softly blurred lights in the background. Captured in a long exposure shot, creating a dreamy, cinematic feel with a natural sense of motion. The atmosphere is intimate, nostalgic, and inviting. The golden-hour sunlight casts a soft glow on her sun-kissed skin, her hair slightly tousled by the breeze. She wears a loose, worn-out band tee and denim shorts, exuding a carefree, bohemian vibe. The car’s polished chrome reflects the fading sky, and the setting feels nostalgic and rebellious, reminiscent of a road trip moment frozen in time. No text."

8 months ago

"A hyper-realistic, film-grained Polaroid photo of three irresistibly cute young Aphrodite standing siting on a hood of a Dodge. She has delicate, ethereal beauty with glowing skin, expressive eyes, and flowing hair, dressed in warm, elegant yet casual outfits. The ambiance is filled with warm earth tones, with steam rising from freshly brewed coffee, vintage wooden furniture, and softly blurred lights in the background. Captured in a long exposure shot, creating a dreamy, cinematic feel with a natural sense of motion. The atmosphere is intimate, nostalgic, and inviting. The golden-hour sunlight casts a soft glow on her sun-kissed skin, her hair slightly tousled by the breeze. She wears a loose, worn-out band tee and denim shorts, exuding a carefree, bohemian vibe. The car’s polished chrome reflects the fading sky, and the setting feels nostalgic and rebellious, reminiscent of a road trip moment frozen in time. No text."

4 months ago

A young, underprivileged boy sits on a basic, slightly rusty chair in the middle of a dimly lit, cluttered room. He faces forward, looking directly ahead, speaking with intensity into a small, handheld microphone held close to his mouth. He wears a worn-out white undershirt with a small tear near the shoulder, revealing part of his skin. The room around him shows signs of poverty—cracked walls, exposed wiring, and mismatched furniture. Behind him, an old, faded wall features makeshift lighting that spells out “Raheem Bulletin” in uneven, glowing letters. A low-quality ring light barely illuminates his face. A small, outdated mobile phone on a stack of books acts as his camera. The setting feels raw and authentic—an improvised YouTube setup made with whatever is available. Full of emotion, grit, and realism.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

2 months ago

<lora:2941998:1.0> ohwx man A rugged built man slick back black hair and a short trimmed black beard, golden rims black sunglasses [EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He's wearing a dark grey, scuffed, athletic sneaker. He's also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He's wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor's intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime. num_images=4 negative_prompt= seed=344362715 steps= cfg_scale= controlnet= input_image_url= mask_image_url= denoising_strength= controlnet_conditioning_scale= controlnet_txt2img=false super_resolution=true inpaint_faces=true face_correct=false film_grain=false face_swap=false hires_fix=false backend_version=0 ar=1:1 scheduler=euler_a color_grading= use_lpw=false w=896 h=1152 style=Cinematic tune_id=1504944

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of " skynet " on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of " skynet " on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.