A sample prompt of what you can find in this page
Prompt by CondZero

slightly moist prompts

very few results

9 months ago

A young Caucasian girl, aged 13-15, smiles joyfully while cradling a small winged unicorn with hyper-detailed, lifelike features. The girl has long, light brown hair with natural flyaway strands, rosy cheeks, and realistic skin texture (slight pores, faint freckles). She wears a casual black cotton t-shirt and faded blue jeans, lit by harsh fluorescent overhead lights that cast sharp, naturalistic shadows. In her hands, the unicorn is anatomically plausible: its size proportionate to a small cat, with ultra-fine white fur showing individual strands, subtly matted in places for realism. Its wings are feathered in intricate detail (similar to a dove’s wing structure), veins visible under the light, and folded neatly against its body. The horn is pearlescent ivory, tapered like an antelope’s, with faint ridged texture—no cartoonish sparkles. The unicorn’s eyes are large but realistic, with moist reflective pupils and subtle eyelashes. The storage room backdrop features cluttered, dusty cardboard boxes labeled ‘Fragile,’ a concrete floor with scuff marks, and a flickering fluorescent panel. Shot on a Sony A7 IV with 85mm lens, f/2.8 aperture for shallow depth-of-field, emphasizing the unicorn’s fur texture and the girl’s hands. Style: Hyper-realistic CGI, photorealistic skin and fabric details, muted fantasy elements grounded in biological plausibility, ambient occlusion lighting blending harsh fluorescents with soft window light from an off-screen source.

a3bdcda02be
1 100

7 months ago

A highly realistic tabletop photograph of a conceptual sushi arrangement inspired by the work of Kazimir Malevich. The dish honors Suprematism through the composition of geometric, real-world ingredients — minimalist squares, rectangles, circles, and voids, arranged with stark asymmetry and spatial tension. Each sushi piece is handmade and slightly irregular, referencing Malevich’s abstract forms while remaining firmly in the realm of culinary craft. A single red tuna square placed off-center on a rice block mimics his red square on white A blackened nori rectangle floats beside a small cube of white daikon — contrast and negative space become the design A circle of pickled radish intersects a tamago rectangle, breaking the grid A void space is left intentionally blank between elements on the plate — emphasizing absence as much as presence One piece may be a cube of charcoal-grilled eggplant on rice, evoking the black square — textured, dark, earthy Color Palette: Muted, natural tones with a limited palette: ivory white rice, deep matte black nori, dark red tuna, pale yellow tamago, and light grey or beige plate. No artificial dyes or vibrant garnishes. The composition is more about form and proportion than flavor or ornament. Plate & Table Setting: Served on a matte porcelain square plate with ample negative space. The arrangement follows Suprematist principles — asymmetry, visual imbalance, gravity-defying placement. One piece may be positioned at the extreme corner. The table beneath is dark wood or concrete, referencing Malevich’s material seriousness. Camera View: Overhead or slightly angled — shot like a museum documentation photo, clean and quiet. Slight tilt or perspective distortion is allowed to reflect human error and tension. Lighting: Flat, soft ambient light. No dramatic shadows. Even illumination across all surfaces, mimicking natural daylight in a gallery or quiet kitchen. Surfaces should look honest, not stylized. Material Texture: Fish grain visible, slightly moist Nori uneven at the edges Knife cuts evident in egg and daikon Rice slightly loose and irregular Plate surface has minor scratches or glaze imperfections Mood: Silent, abstract, and cerebral. The image is a culinary still life — not about indulgence, but about pure form, balance, and the tension between presence and void. It should feel like a Suprematist painting you could eat, made by hand, with reverence for structure.

Chorlo PRO
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