slightly rebellious expression prompts

3 months ago

{ "subject": { "gender": "female", "pose": "extreme close-up of face, lips parted biting cigarette", "expression": "intense, sultry with a subtle snarl", "accessories": [ "oversized red translucent sunglasses", "gold hoop earrings", "cigarette between teeth" ], "makeup": { "lips": "glossy red lipstick", "eyes": "partially visible with eyeliner under tinted glasses", "skin": "natural with freckles and slight sheen" }, "hair": { "style": "curly strands partially falling on forehead", "color": "brown" } }, "camera": { "brand": "Canon", "model": "EOS R5", "lens": "100mm f/2.8 macro", "sensor": "Full Frame", "settings": { "shutter_speed": "1/200", "f_stop": "f/8", "iso": "100" } }, "lighting": { "type": "studio flash", "setup": "beauty dish centered above lens", "mood": "bright, high contrast", "background": "plain white" }, "style": { "aesthetic": ["Y2K editorial", "bold glam", "pop surrealism"], "color_grading": "strong reds with high saturation and contrast", "vibe": "retro rebellious fashion" }, "post_processing": { "retouching": "skin texture preserved, highlights emphasized on lips and glasses", "effects": "slight vignette, clarity enhanced" }, "output_format": "portrait" }

8 months ago

"A hyper-realistic, film-grained Polaroid photo of three irresistibly cute young Aphrodite standing siting on a hood of a Dodge. She is drinking warm beer. She has delicate, ethereal beauty with glowing skin, expressive eyes, and flowing hair, dressed in warm, elegant yet casual outfits. The ambiance is filled with warm earth tones, and softly blurred lights in the background. Captured in a long exposure shot, creating a dreamy, cinematic feel with a natural sense of motion. The atmosphere is intimate, nostalgic, and inviting. The golden-hour sunlight casts a soft glow on her sun-kissed skin, her hair slightly tousled by the breeze. She wears a loose, worn-out band tee and denim shorts, exuding a carefree, bohemian vibe. The car’s polished chrome reflects the fading sky, and the setting feels nostalgic and rebellious, reminiscent of a road trip moment frozen in time. No text."

2 months ago

smoke emits from the cigarette, Capture an intense, sultry extreme close-up portrait of a female subject, focusing sharply on her face. Her lips are parted, biting a cigarette between her teeth with a subtle snarl. Subject Details: Expression: Intense, sultry, subtle snarl. Accessories: Oversized red translucent sunglasses, gold hoop earrings, cigarette between teeth. Makeup: Glossy red lipstick; eyeliner visible under the tinted glasses; natural skin with visible freckles and a slight sheen. Hair: Brown, curly strands partially falling onto the forehead. Technical Setup (Canon EOS R5): Lens: 100mm f/2.8 Macro (exploiting its close-focus capability). Settings: full Frame sensor, Shutter Speed 1/200, f/8, ISO 100. Lighting & Scene: Lighting: Studio flash with a centered beauty dish above the lens. Mood: Bright, high contrast. Background: Plain, crisp white. Style & Aesthetic: Vibe: Retro rebellious fashion. Key Styles: Y2K editorial, Bold Glam, Pop Surrealism. Color Grading: Strong, saturated reds with high overall contrast. Post-Processing: Preserve natural skin texture. Emphasize highlights on lips and glasses. Apply slight vignette and enhanced clarity. Output: Portrait orientation.

1 month ago

{ "subject": { "gender": "female", "pose": "close-up of face, lips parted biting strawberry", "expression": "intense, sultry with a subtle snarl", "accessories": [ "oversized black translucent sunglasses", "gold hoop earrings", "strawberry between teeth" ], "makeup": { "lips": "glossy pink lipstick", "eyes": "partially visible with eyeliner under tinted glasses", "skin": "natural with freckles and slight sheen" }, "hair": { "style": "curly strands partially falling on forehead", "color": "blonde" } }, "camera": { "brand": "Canon", "model": "EOS R5", "lens": "100mm f/2.8 macro", "sensor": "Full Frame", "settings": { "shutter_speed": "1/200", "f_stop": "f/8", "iso": "100" } }, "lighting": { "type": "studio flash", "setup": "beauty dish centered above lens", "mood": "bright, high contrast", "background": "plain white" }, "style": { "aesthetic": ["Y2K editorial", "bold glam", "pop surrealism"], "color_grading": "strong reds with high saturation and contrast", "vibe": "retro rebellious fashion" }, "post_processing": { "retouching": "skin texture preserved, highlights emphasized on lips and glasses", "effects": "slight vignette, clarity enhanced" }, "output_format": "portrait" }

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

8 months ago

"A hyper-realistic, film-grained Polaroid photo of three irresistibly cute young Aphrodites standing together in a cozy, softly lit coffee shop. They have delicate, ethereal beauty with glowing skin, expressive eyes, and flowing hair, dressed in warm, elegant yet casual outfits. The ambiance is filled with warm earth tones, with steam rising from freshly brewed coffee, vintage wooden furniture, and softly blurred lights in the background. Captured in a long exposure shot, creating a dreamy, cinematic feel with a natural sense of motion. The atmosphere is intimate, nostalgic, and inviting. In a separate scene, a barefoot girl sits on the hood of a vintage Dodge, drinking warm beer from the bottle. The golden-hour sunlight casts a soft glow on her sun-kissed skin, her hair slightly tousled by the breeze. She wears a loose, worn-out band tee and denim shorts, exuding a carefree, bohemian vibe. The car’s polished chrome reflects the fading sky, and the setting feels nostalgic and rebellious, reminiscent of a road trip moment frozen in time. No text."

8 months ago

/imagine A group of diverse, stylish, and confident creatives in their late 20s to early 30s, standing in a gritty, urban alleyway in Toronto at sunset. The alley has exposed brick walls, cool graffiti art, and dramatic lighting. They are looking directly at the camera with a knowing, slightly rebellious expression. The scene is shot in a cinematic style, with high contrast, rich colors (purple, gold, and pale yellow accents), and a shallow depth of field. The overall mood is energetic, passionate, and a little bit edgy. --ar 3:4 --v 5.2 --style raw

8 months ago

/imagine A group of diverse, stylish, and confident creatives in their late 20s to early 30s, standing in a gritty, urban alleyway in Toronto at sunset. The alley has exposed brick walls, cool graffiti art, and dramatic lighting. They are looking directly at the camera with a knowing, slightly rebellious expression. The scene is shot in a cinematic style, with high contrast, rich colors (purple, gold, and pale yellow accents), and a shallow depth of field. The overall mood is energetic, passionate, and a little bit edgy. --ar 3:4 --v 5.2 --style raw

8 months ago

/imagine A group of diverse, stylish, and confident creatives in their late 20s to early 30s, standing in a gritty, urban alleyway in Toronto at sunset. The alley has exposed brick walls, cool graffiti art, and dramatic lighting. They are looking directly at the camera with a knowing, slightly rebellious expression. The scene is shot in a cinematic style, with high contrast, rich colors (purple, gold, and pale yellow accents), and a shallow depth of field. The overall mood is energetic, passionate, and a little bit edgy. --ar 3:4 --v 5.2 --style raw

8 months ago

The image captures an intimate and captivating portrait of a woman, illuminated by the soft, golden afternoon light streaming through the window blinds. The light creates intricate shadow patterns across her face, highlighting the contours and textures of her skin. She has a natural, radiant complexion with dewy skin that gives off a healthy, fresh glow. Her cheekbones are softly highlighted, with a subtle touch of highlighter enhancing her vibrant and youthful appearance. Her expressive eyes are accentuated by long lashes and a hint of soft eyeshadow in neutral tones, complementing her natural elegance, while her full lips are painted in a delicate peach shade, adding a touch of softness and freshness. The background features walls in a soft teal hue, enhancing the warmth and coziness of the scene, creating a delicate contrast with the golden light illuminating her face. She wears a dark pinstriped blazer, adding subtle sophistication to her posture without overshadowing the softness and naturalness of her expression. Her hair, in a medium shade of violeta genciana, is a vibrant and balanced purple, without excessive saturation. It is styled in a wavy long bob, with voluminous strands that move gently around her face, creating a three-dimensional effect. The ends of her hair are slightly rebellious, giving her style a natural movement. The soft light that falls on her hair reflects realistically, highlighting its texture, shine, and the depth of the waves that gracefully frame her face, complementing the softness of the scene. The focus of the image is on the hyper-realistic details of her skin, with light and shadows playing delicately, accentuating the depth and smoothness of each contour. Every element, from the texture of her skin to the natural shine of her hair and the delicate play of shadows, is captured with precision, creating an atmosphere of tranquility and undeniable beauty.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

8 months ago

"A hyper-realistic, film-grained Polaroid photo of three irresistibly cute young Aphrodite standing siting on a hood of a Dodge. She is barefoot. She is drinking warm beer. She has delicate, ethereal beauty with glowing skin, expressive eyes, and flowing hair, dressed in warm, elegant yet casual outfits. The ambiance is filled with warm earth tones, and softly blurred lights in the background. Captured in a long exposure shot, creating a dreamy, cinematic feel with a natural sense of motion. The atmosphere is intimate, nostalgic, and inviting. The golden-hour sunlight casts a soft glow on her sun-kissed skin, her hair slightly tousled by the breeze. She wears a loose, worn-out band tee and denim shorts, exuding a carefree, bohemian vibe. The car’s polished chrome reflects the fading sky, and the setting feels nostalgic and rebellious, reminiscent of a road trip moment frozen in time. No text."

8 months ago

"A hyper-realistic, film-grained Polaroid photo of three irresistibly cute young Aphrodite standing siting on a hood of a Dodge. Sge is drinking warm beer. She has delicate, ethereal beauty with glowing skin, expressive eyes, and flowing hair, dressed in warm, elegant yet casual outfits. The ambiance is filled with warm earth tones, and softly blurred lights in the background. Captured in a long exposure shot, creating a dreamy, cinematic feel with a natural sense of motion. The atmosphere is intimate, nostalgic, and inviting. The golden-hour sunlight casts a soft glow on her sun-kissed skin, her hair slightly tousled by the breeze. She wears a loose, worn-out band tee and denim shorts, exuding a carefree, bohemian vibe. The car’s polished chrome reflects the fading sky, and the setting feels nostalgic and rebellious, reminiscent of a road trip moment frozen in time. No text."

8 months ago

"A hyper-realistic, film-grained Polaroid photo of three irresistibly cute young Aphrodite standing siting on a hood of a Dodge. She has delicate, ethereal beauty with glowing skin, expressive eyes, and flowing hair, dressed in warm, elegant yet casual outfits. The ambiance is filled with warm earth tones, with steam rising from freshly brewed coffee, vintage wooden furniture, and softly blurred lights in the background. Captured in a long exposure shot, creating a dreamy, cinematic feel with a natural sense of motion. The atmosphere is intimate, nostalgic, and inviting. The golden-hour sunlight casts a soft glow on her sun-kissed skin, her hair slightly tousled by the breeze. She wears a loose, worn-out band tee and denim shorts, exuding a carefree, bohemian vibe. The car’s polished chrome reflects the fading sky, and the setting feels nostalgic and rebellious, reminiscent of a road trip moment frozen in time. No text."

1 month ago

{ "subject": { "gender": "female", "pose": "extreme close-up of face, lips parted biting cigarette", "expression": "intense, sultry with a subtle snarl", "accessories": [ "oversized red translucent sunglasses", "gold hoop earrings", "cigarette between teeth" ], "makeup": { "lips": "glossy red lipstick", "eyes": "partially visible with eyeliner under tinted glasses", "skin": "natural with freckles and slight sheen" }, "hair": { "style": "curly strands partially falling on forehead", "color": "brown" } }, "camera": { "brand": "Canon", "model": "EOS R5", "lens": "100mm f/2.8 macro", "sensor": "Full Frame", "settings": { "shutter_speed": "1/200", "f_stop": "f/8", "iso": "100" } }, "lighting": { "type": "studio flash", "setup": "beauty dish centered above lens", "mood": "bright, high contrast", "background": "plain white" }, "style": { "aesthetic": ["Y2K editorial", "bold glam", "pop surrealism"], "color_grading": "strong reds with high saturation and contrast", "vibe": "retro rebellious fashion" }, "post_processing": { "retouching": "skin texture preserved, highlights emphasized on lips and glasses", "effects": "slight vignette, clarity enhanced" }, "output_format": "portrait" }

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

2 months ago

<lora:2941998:1.0> ohwx man A rugged built man slick back black hair and a short trimmed black beard, golden rims black sunglasses [EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He's wearing a dark grey, scuffed, athletic sneaker. He's also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He's wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor's intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime. num_images=4 negative_prompt= seed=344362715 steps= cfg_scale= controlnet= input_image_url= mask_image_url= denoising_strength= controlnet_conditioning_scale= controlnet_txt2img=false super_resolution=true inpaint_faces=true face_correct=false film_grain=false face_swap=false hires_fix=false backend_version=0 ar=1:1 scheduler=euler_a color_grading= use_lpw=false w=896 h=1152 style=Cinematic tune_id=1504944

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of " skynet " on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.