slightly slick texture prompts

8 months ago

This is a high-resolution, close-up photograph of a dark-skinned woman with a striking appearance. She has a smooth, richly textured skin tone that contrasts beautifully against the deep black background. Her eyes are large and expressive, with long, thick eyelashes accentuated by dark eye makeup that gives her an intense, almost ethereal look. Her lips are full and painted a glossy, dark shade. The woman's hair is styled in intricate, tight curls that are slicked back, revealing her elegant, high cheekbones. She wears an elaborate, multi-layered ring on her right hand, which has a cluster of large, sparkling diamonds, adding a touch of glamour and opulence. Her fingers are long and slender, with manicured nails painted a dark shade, possibly black or navy blue, matching her eye makeup. The lighting in the photograph is soft and directional, casting a subtle glow that highlights her features and the texture of her skin. In the background, there is a slight hint of a dark, textured surface, which could be a fabric or a prop, but it remains mostly out of focus, keeping the focus on the subject. The overall mood of the image is both dramatic and sophisticated, with a strong emphasis on elegance and luxury., Fashion photography, surrealistic, hyper-realistic, photorealism, high resolution, shot using a Canon EOS R5 F2 ISO300

6 months ago

Create a hyper-stylized 3D floating head of a bratty, glamorous female avatar with a bothered, unimpressed expression — half-lidded eyes, arched brows, and a subtle lip curl that conveys classic 'mean girl' attitude. Her skin is fair, porcelain-smooth with a glossy, almost airbrushed vinyl finish. Highlighter is dramatically applied to her cheekbones and the tip of her nose, catching the soft studio lighting with a dewy, reflective glow. It has a text behind: Write "PROMPTHERO" in caps in Bold Black Helvetica behind the subject, covered by the head but visible enough to read it Her eyes are adorned with shimmering holographic eyeshadow — iridescent and multidimensional, shifting from purples to teals with realistic specular glints. Her thick, jet-black hair is slick, glossy, and styled with precision, falling in sculpted waves or a sleek updo, reflecting light like polished acrylic. A small metallic nose piercing (stud or hoop) sits on one nostril — the surface is chrome-like, with subtle reflections and a brushed metal texture, adding a touch of edge to her polished look. The head is fully isolated with a 15 degree tilt - floating cleanly against a plain white neutral background, mimicking a premium product render. The lighting is bright and diffuse, like a fashion studio setup, with no harsh shadows — emphasizing the gloss and plasticity of surfaces. Use subsurface scattering to give the skin depth and warmtxh Mood: bratty, fashionable, coolly detached Camera angle: close-up portrait, straight-on view. Focal length: 85mm, to slightly compress facial features and enhance softness. Textures: ultra-smooth, cartoon-style with high gloss, smooth plastic surface finish skin, lips, and hair.

7 months ago

A surreal, neon-drenched skull artwork glowing with vibrant ultraviolet colors. The skull is drenched in electric hues of deep violet, magenta, and electric blue, with slick, dripping textures melting from its surface. The bones appear almost liquid, with veins of neon light running across the cranium and down the spine. The jaw is slightly parted, revealing hyper-detailed, grimy teeth, adding a sinister, otherworldly expression.

5 months ago

A photorealistic, artistic image, maintaining the overall dark and moody composition. The central focus is a (singular, glistening, detailed Spider-Man web:1.4), meticulously (spun from distinct spider silk threads to clearly and legibly form the word "STOP" in capital letters:1.8). This web, (forming the word "STOP":1.7), is suspended in mid-air within a (narrow, rain-slicked, very dark and shadowy urban alleyway at night with a clear perspective showing its depth:1.3). To the left side of the alley, nestled against a shadowy wall and slightly in the foreground, stands a (classic red fire hydrant:1.3), its deep red color discernible. The (individual strands and threads making up the letters of "STOP" on the web:1.5) emit a (subtle but clear, faint rainbow-colored luminescence or iridescent glow:1.6), serving as a key light source for the web and its immediate surroundings. (Spider-Man himself is now a crucial and dynamic element:1.6). Positioned just behind the plane of the web, (his masked head and perhaps the very top of his shoulders are dramatically emerging through the natural opening of the letter 'O' in the web-formed word "STOP":1.9). (His head should be sharply in focus, appearing to dynamically jut out towards the viewer:1.8), creating a strong sense of depth and making it a powerful foreground element. The rest of his body remains mostly obscured or melds into the shadows behind the web. His mask should catch (subtle, realistic highlights from the glowing rainbow strands of the 'O' he is passing through:1.5) and any faint ambient light, emphasizing its classic form and texture. The alley itself remains characterized by deep shadows and natural night-time darkness. (A very faint, distant city glow might barely touch the far background:0.5). The red fire hydrant remains a contrasting element. Reflections on the wet pavement should primarily stem from the web's own rainbow luminescence. The (web-formed word "STOP":1.6) is still artfully spun. Its (glowing, rainbow-hued letterforms:1.5) appear (distinctly self-illuminated:1.4) against the (surrounding deep darkness:1.3). The image is cinematic, with high detail, focusing on the dramatic interplay between the (glowing web spelling "STOP":1.6) and (Spider-Man's head protruding directly towards the audience:1.7), all within the established dark, moody alley setting with the red hydrant as a side anchor

3 months ago

upper body pencil, ink and paint drawing of a 24-year-old Gujjar-Zulu female graceful dancer with a warm and inviting expression. She has Dewy skin with a moist, slightly slick texture, as if perpetually covered in a thin layer of moisture.. The skin pores and texture are clearly visible and in focus. Her Round eyes, Round, blue eyes, framed by long, elegant eyelashes. Her haircut is Faux hawk with shaved sides and spiked top. Her eyebrows are neatly shaped, complementing her delicate facial features. Her body is Defined, strong arms with tight, smooth skin, small breast, toned abs, Female Bodybuilding style. bra with biomechanical elements such as gears and pistons, suggesting a fusion of organic and synthetic materials, midriff, Distressed mini skirt with jagged hemlines and frayed seams, Standing amidst ruins, sketching out plans for rebuilding. She is positioned on the left side in the frame by the rule of thirds. In the background Cryogenic storage facility housing frozen revolutionaries from past wars. The scene is lighted Corrupted reality projectors spraying fractured rainbows. The weather is Tornadoes touch down, leaving behind a path of destruction and devastation. the model is lighted with soft natural lighting in the style of Enki Bilal

7 months ago

A surreal, neon-drenched skull artwork glowing with vibrant ultraviolet colors. The skull is drenched in electric hues of deep violet, magenta, and electric blue, with slick, dripping textures melting from its surface. The bones appear almost liquid, with veins of neon light running across the cranium and down the spine. The jaw is slightly parted, revealing hyper-detailed, grimy teeth, adding a sinister, otherworldly expression.

5 months ago

A cinematic, realistic fashion portrait of a woman wearing a surrealist outfit inspired by René Magritte and Dadaism. She stands in a quiet, dreamlike city space — old stone walls, soft evening shadows, and a cloudy sky overhead. Her tailored blazer is mid-length and structured, made of muted grey wool. The interior lining subtly shows through at the cuffs: printed with a blue sky and white clouds. On the back of the blazer, a clean green apple print sits above the phrase “Ceci n’est pas un fruit.” The breast pocket is oversized and slightly distorted, shaped like a pipe. Underneath, she wears a pale cream blouse with surreal details: a printed necktie slightly misaligned across her chest, and a faint bowler hat image near the collarbone. One sleeve has a circular cut-out showing cloud fabric underneath. Her high-waisted trousers are charcoal grey, straight-cut, and feature a trompe-l'œil painted mannequin shadow on the leg. Belt loops hover slightly above the waistband, not touching it, creating an optical illusion. One pocket is painted shut, labeled “Form Follows Folly.” She wears minimalist shoes and carries a clutch shaped like a miniature canvas. Her hair is slicked back, and her eyeliner mimics vintage engraving lines. The lighting is soft and moody, highlighting surreal textures and calm tension. 2048x2048.

4 months ago

Ultra-cinematic, hyper-realistic close-up of Seraphina, the Viper Queen, standing in a wind-swept desert at golden hour. Her sculpted body is wrapped in a sleek, sand-colored tactical bodysuit, partially unzipped to reveal bronzed, sweat-slicked skin. Golden armor plates hug her curves, snake motifs etched along her thigh holsters and collarbone. Her dark eyes are lined in kohl, piercing with predator calm, lips slightly parted. Behind her, a sandstorm brews, casting dramatic shadows across her face. A curved blade drips with venom in one hand, the other resting on her hip. Her long black braid whips in the wind. Every detail is rich, cinematic — dust particles glowing in the light, fabric textures alive with motion. She is power incarnate.

8 months ago

This is a 8k, professional photograph featuring two women with strikingly similar facial features and makeup, posed against a stark black background. Both women have fair skin, dark hair slicked back into tight buns, and are wearing identical makeup: bold red lipstick, winged eyeliner, and a subtle blush. Their eyes are closed, giving a serene, almost dreamy expression. The woman on the left is slightly in front, her right hand gently cupping her cheek, with her index finger and thumb delicately touching her lips. Her nails are painted a glossy red, matching her lipstick. The woman on the right, behind her, has her left hand on the left woman's shoulder, her fingers also touching her lips. Both women's hands are elegantly positioned, with long, slender fingers and neatly manicured nails. The image captures a sense of intimacy and symmetry, with the women's faces almost touching. The lighting is soft but focused, highlighting the textures of their skin and the glossy finish of their makeup. The overall aesthetic is sophisticated and minimalist, emphasizing the beauty and connection between the two subjects., stylish, glamorous, high-fashion, dynamic poses, shot with a portrait lens, photorealistic, editorial fashion

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

4 months ago

A semi-realistic digital painting of a young female child standing alone in the rain, full-body side profile, facing left. The female child has wet, long tousled black hair and wears a bright red raincoat with the hood down, along with red rain boots. The raincoat has visible fabric texture, lightly soaked from the rain. The setting is a dark, rainy night scene with a deep cool blue and gray color palette. Surrounding the female child on the wet pavement are exactly twenty-seven fiery heart-shaped lights, glowing in vivid orange and red, casting warm reflections onto the slick ground. Raindrops fall at a diagonal angle, illuminated by the ambient light from the glowing hearts. Tiny glowing particles and ember-like sparks float softly in the air, enhancing the magical, emotional atmosphere. The female child’s expression is quiet and thoughtful, evoking introspection and solitude. The scene is lit with cinematic lighting, balancing warm heart-shaped glow against cool ambient shadows, creating strong visual contrast. The wet ground reflects the fiery lights with shimmering clarity, and the falling rain has subtle backlighting, highlighting individual droplets. — style: cinematic concept art, semi-realistic digital painting, magical realism, emotional storytelling, painterly texture, photorealistic lighting, ultra-fine detail, whimsical atmosphere — composition: vertical frame, full-body side profile, eye-level perspective — environment: rainy night, dark and moody, wet reflective pavement, glowing fiery heart-shaped lights, floating embers, atmospheric depth — lighting: dramatic warm-cool contrast, glowing reflections, soft ambient rain illumination, gentle backlight on raindrops — color palette: deep blues and grays for the background, vibrant reds and oranges for the coat and heart lights — mood: introspective, peaceful, magical, slightly melancholic

5 months ago

A photorealistic, artistic image. The main subject is a (singular, glistening, detailed Spider-Man web:1.6), meticulously (spun from distinct spider silk threads to clearly and legibly form the word "STOP" in capital letters:1.8). This web, (forming the word "STOP":1.7), is suspended in mid-air as a temporary, abstract art installation within a (narrow, rain-slicked, very dark and shadowy urban alleyway at night with a clear perspective showing its depth:1.3). To the left side of the alley, nestled against a shadowy wall and slightly in the foreground, stands a (classic red fire hydrant:1.3). Its deep red color should be discernible, providing a distinct point of visual interest and contrast in the predominantly dark scene, without being overly lit. The (individual strands and threads making up the letters of "STOP" on the web:1.5) emit a (subtle but clear, faint rainbow-colored luminescence or iridescent glow:1.6), which is the primary light source illuminating the web and its immediate vicinity within the dark alley. The alley itself is characterized by deep shadows and natural night-time darkness. (A very faint, distant city glow might barely touch the far background:0.5). The (red fire hydrant:1.1) might catch a (subtle glint of moisture or a faint highlight from the distant city glow or the web's luminescence:0.9), but should remain mostly shrouded in the alley's ambient shadow, its red hue still adding a specific accent. Any (reflections on the wet pavement:0.9) should primarily be from the (web's own rainbow luminescence:1.2) or be the very muted sheen of a dark, wet surface. The (web-formed word "STOP":1.6) should appear artfully spun, spanning a significant portion of the open space. Its (glowing, rainbow-hued letterforms:1.5) should appear (distinctly self-illuminated by its own delicate rainbow glow:1.4) against the (surrounding deep darkness:1.3), creating a beautiful, almost otherworldly spectacle. (Spider-Man himself is secondary: perhaps a very small, silhouetted or deeply out-of-focus figure far in the background...:1.3). The core focus is on the (delicate yet strong, three-dimensional structure of this singular suspended web that spells "STOP":1.7), its texture, and its (subtle prismatic, self-originating rainbow glow on the individual strands forming the letters:1.5). The image should emphasize this solitary aerial web structure forming a clear word. Cinematic, high detail on the web-word, with its own rainbow glow being the key light feature, now complemented by the red accent in the darkened alley.

10 days ago

Cinematic close-up portrait, supermodel wearing a dark forest green monochromatic outfit, slicked-back wet hair look. Intricate mesh texture on the top. Subdued lighting, slightly moody atmosphere, shallow depth of field. Shot on a professional medium-format camera, soft grain, fashion editorial.

7 months ago

Close-up portrait of a woman holding a large Monstera leaf horizontally in front of her face, completely covering the upper half — from forehead to above the nose. The lower half of her face is fully visible, with a wide, joyful smile showing all her teeth. Her hands hold the leaf on both sides, fingers slightly dirty or marked with small ritual tattoos. She has a septum piercing and symmetrical black tattoos on her chest and shoulders. Her hair is black and slicked back. The background is raw and earthy, in matte clay or brown-beige textures. The overall mood is wild, sacred, joyful, and grounded

4 months ago

Ultra-cinematic, hyper-realistic close-up of Seraphina, the Viper Queen, standing in a wind-swept desert at golden hour. Her sculpted body is wrapped in a sleek, sand-colored tactical bodysuit, partially unzipped to reveal bronzed, sweat-slicked skin. Golden armor plates hug her curves, snake motifs etched along her thigh holsters and collarbone. Her dark eyes are lined in kohl, piercing with predator calm, lips slightly parted. Behind her, a sandstorm brews, casting dramatic shadows across her face. A curved blade drips with venom in one hand, the other resting on her hip. Her long black braid whips in the wind. Every detail is rich, cinematic — dust particles glowing in the light, fabric textures alive with motion. She is power incarnate.

6 months ago

chubby plus size, Bi-racial light skinned female with fully blonde hair. mixed race bronze brown skin. Hair is super sleek, silky, straight style, middle part and define with scalp voluminous and slicked back and tucked behind ears, that is shoulder length. fashionista, modern, even skin tone. wider hips, boxy tshirt, that looks faded, vintage, Small waist, wide hips and thick thighs, “slightly _plus_sized”. New Balance 327, sneakers. candid poses. insanely detailed and intricate. hyper-realistic. super detailed, sharp focus, clear, detailed, detailed, glamourous, symmetrical, fashion, "full body image", fat arms, gaze to camera. resolution for impeccable detail --ar 9:16 --style raw --stylize 500. ultra-realistic, portrait, shot on a Sony A7III, high quality --ar 35:64 --stylize 250. high-contrast with highlights textures and tones, a detailed description of the face and hands, the details of shoes. levis Fitted faded black with cut out knees ankle jeans. in entryway of home

5 months ago

In a dimly lit, atmospheric cybernetics clinic, a tubby young man with a slicked-back haircut stands confidently beside a white bathtub. He wears a gray hoodie with cufflinks peeking from the sleeves, paired with black sweatpants and white athletic shoes, creating a contrast of casual and formal. The scene captures the essence of a tense yet sophisticated moment. The man, casting a sideways glance, has a slightly bent torso, exuding an elegant pose. The lighting is dramatic, with a warm, golden hue reminiscent of Ridley Scott's cinematic style, casting shadows that emphasize the clinic's mysterious ambiance. Film grain adds texture, enhancing the scene's gritty realism.

3 months ago

<lora:2941998:1.0> ohwx man A rugged built man slick back black hair and a short trimmed black beard, golden rims black sunglasses [EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He's wearing a dark grey, scuffed, athletic sneaker. He's also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He's wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor's intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime. num_images=4 negative_prompt= seed=344362715 steps= cfg_scale= controlnet= input_image_url= mask_image_url= denoising_strength= controlnet_conditioning_scale= controlnet_txt2img=false super_resolution=true inpaint_faces=true face_correct=false film_grain=false face_swap=false hires_fix=false backend_version=0 ar=1:1 scheduler=euler_a color_grading= use_lpw=false w=896 h=1152 style=Cinematic tune_id=1504944

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.