slightly torn at the shoulder prompts

2 months ago

Two Moroccan couple portraits, half-body view, emerging from realistic torn paper holes on a light gray background with detailed 3D torn paper edges. Man (170 cm, 60 kg) with slim oval face, fair brown skin, short neat right-parted black hair, wearing white casual shirt, denim jacket, and jeans. Woman (168 cm, 50 kg) with slim oval face, fair brown skin, wearing white hijab, white shirt, denim jacket, and jeans. The woman stands slightly angled, wrapping one arm gently around the man’s shoulder, both facing the camera with soft closed-lip smiles. Vertical 9:16 aspect ratio, high detail, realistic lighting, modern casual style. Note: use facial description from the uploaded picture."

6 months ago

(Full-body shot, fine art noir photography, 1950s–1960s vintage setting, cinematic chiaroscuro lighting, ultra-realistic rendering, moody and atmospheric, sensual yet elegant, masterful composition, soft film grain, rich textures, timeless erotica aesthetic) A seductive nude woman stands in a dimly lit 1950s boudoir, her back to the camera, the curve of her spine accentuated by the flickering glow of a single vintage table lamp. A lush black fur boa drapes across her bare shoulders, cascading down her arms, its luxurious texture framing the smooth, radiant skin beneath. Silk stockings hug her legs, their delicate sheen catching the ambient light, a subtle garter barely visible. Her posture is both effortless and deliberate, hips slightly tilted, her weight shifted onto one foot, evoking a raw yet refined sensuality. A hazy mirror reflects just enough of her face in profile, lips painted a deep red, parted slightly as she gazes at her own reflection—lost in thought, desire, or a silent secret only she knows. The room exudes mid-century allure—a velvet chaise lounge, a half-empty glass of whiskey on a dark wood vanity, soft shadows stretching across plush drapes and antique furniture. The atmosphere is thick with desire, erotic yet sophisticated, a scene torn from the golden age of film noir where temptation lingers in the air, and every detail whispers luxury, mystery, and seduction.

9 months ago

(Full-body shot, fine art noir photography, 1950s–1960s vintage setting, cinematic chiaroscuro lighting, ultra-realistic rendering, moody and atmospheric, sensual yet elegant, masterful composition, soft film grain, rich textures, timeless erotica aesthetic) A seductive nude woman stands in a dimly lit 1950s boudoir, her back to the camera, the curve of her spine accentuated by the flickering glow of a single vintage table lamp. A lush black fur boa drapes across her bare shoulders, cascading down her arms, its luxurious texture framing the smooth, radiant skin beneath. Silk stockings hug her legs, their delicate sheen catching the ambient light, a subtle garter barely visible. Her posture is both effortless and deliberate, hips slightly tilted, her weight shifted onto one foot, evoking a raw yet refined sensuality. A hazy mirror reflects just enough of her face in profile, lips painted a deep red, parted slightly as she gazes at her own reflection—lost in thought, desire, or a silent secret only she knows. The room exudes mid-century allure—a velvet chaise lounge, a half-empty glass of whiskey on a dark wood vanity, soft shadows stretching across plush drapes and antique furniture. The atmosphere is thick with desire, erotic yet sophisticated, a scene torn from the golden age of film noir where temptation lingers in the air, and every detail whispers luxury, mystery, and seduction.

22 days ago

A striking portrait painting of an androgynous witch captures a haunting beauty that blurs the line between light and shadow. Her shoulder-length black hair flows freely with a silky, windswept texture, strands curling slightly at the tips as if moved by unseen energy. Her pale skin contrasts with her deep brown eyes—expressive, intelligent, and subtly menacing. She wears punk-inspired clothing layered with torn leather, metal studs, and dark fabrics that shimmer faintly under spectral lighting. A choker with runic symbols rests at her throat, adding a hint of mysticism to her rebellious edge. Behind her, an eerie, dreamlike atmosphere unfolds—misty hues of gray and violet, glowing embers drifting in the air, and faint gothic architecture fading into the background. Rendered in ultra-realistic detail using Octane and Unreal Engine, the piece draws inspiration from artists like Artgerm, Greg Rutkowski, and Magali Villeneuve, blending fantasy realism with cinematic intensity.

5 months ago

holding a small microphone close to his mouth as he narrates a story with focused intensity. He wears a white undershirt, slightly torn at the shoulder, revealing a bit of his skin. Behind him is an old, unkempt wall, made more dramatic by dim, moody lighting. On the wall, the words "Raheem Bulletin" are illuminated, adding a gritty, underground feel to the scene

6 months ago

An ultra-realistic, zoomed out, full-body portrait of a heroic peasant in muddy torn homespun rags. He leans on his sword with its tip in the ground, holding it by its hilt as he kneels in front of his beloved Prince. The peasant is a short, compact, and muscular redheaded man in his early 20s with a powerful, athletic build. His stature is stocky and broad, with thick arms, wide shoulders, and a deep chest tapering slightly at the waist. His torso and limbs are densely muscled, giving him a strongman or wrestler-like appearance. His skin is pale and flushed from exertion. His face is bold and expressive, with a square jawline, prominent cheekbones, and a rounded, slightly cleft chin. He has full lips, often parted in animated expressions—laughing, shouting, or smirking. His roman nose is wide-set and strong, and his dark, almond-shaped eyes are intense beneath heavy, arched brows. His hair is thick with a natural wave. His burly powerful hairy chest is on display. His beard is full and closely trimmed, giving his face a soft, rugged shape that complements his rounded cheeks and strong jaw. The prince with tousled blond hair blowing in a gentle breeze. he is dressed in a beautiful medieval royal brocade doublet with an ornate crown and jewelry. His right hand is holding the peasant's chin holding his head up. They gaze into each others eyes. The Prince with and unyielding expression of love as he looks down at the peasant. They are in the remanence of a fierce battle for the Prince's Kingdom. Behind them stands his white steed donning ornate royal blanket emblazoned with his royal banner, saddle, bridle, reins, and bit. A light comes down as if from heaven, shining beneficently on their love, and giving all the metal and jewels a lustrous gleam.

30 days ago

Album Cover for: “Trône sur les Ruines” Format: Wide shot, full body, cinematic environment, poster-quality Ultra-realistic cinematic concept art of a Moroccan man in his late 20s — light brown skin, clean-shaven, with a short buzz cut and medium taper fade — sitting proudly and powerfully on a massive brutalist throne. His body language is heavy and dominant: legs planted wide, elbows on knees, hands gripping the throne armrests. His eyes lock directly onto the viewer — serious, furious, proud. His expression carries the weight of survival and leadership born through chaos. He looks like a street king forged in war, not luxury. The throne is enormous, crafted from cracked concrete, twisted rebar, scorched books, shattered electronics, rusted weapons, and destroyed satellite parts — a symbolic fusion of revolution and ruin. It sits atop rubble and ash. Behind him, the destroyed skyline of a Moroccan city: burned buildings, collapsed domes, broken antennas, crumbling high-rises, graffiti-scarred walls. A torn Moroccan flag flutters in the distance, hanging from a bent metal pole. The man wears a modern warrior-royalty outfit: a long dark trench coat made from military fabric, lined with faded golden Moroccan embroidery (zellige patterns), a worn bulletproof vest underneath, armored combat pants with tactical straps, and black scratched leather boots. A tattered deep red cloak is thrown over one shoulder. On his chest, a bent metal star medal — not shiny, but earned. His crown is raw and symbolic: cracked gold fused with rusted iron, dented like it survived fire — resting slightly tilted on his head. The sky is cinematic: thick storm clouds rolling in, deep greys and purples, with one sharp beam of golden-orange light breaking through — hope after destruction. Ash and dust drift in the air, adding texture and motion. Typography: “Trône sur les Ruines” in cracked gold serif font, minimalist, sharp, placed bottom right or top left. Color palette: Ash grey, Moroccan red, coal black, bronze gold, burnt orange, storm blue. Mood: Powerful, apocalyptic, victorious. A portrait of survival and reclaimed legacy. Style: Cinematic, ultra-detailed, wide angle, poster-quality realism. Inspired by Yeezus, French war photojournalism, LiveLoveA$AP, and dystopian street rebellion aesthetics. — full body shot, wide angle, cinematic composition, Moroccan ruins in full view, background visible, throne fully visible, urban destruction, ash particles, crown visible, golden light from clouds, no blur, no fantasy, hyper-detailed, realistic lighting, gritty textures