soles visible prompts

4 months ago

Image Type: Digital photograph, formal portrait. Overall Photographic Style: Photorealistic, high-resolution, sharp focus on the subject's face, professional and classic portraiture. The style emphasizes clarity, detail, and a timeless quality. Lighting: Soft, even, and diffused lighting. The main light source appears to be from the front-left, creating subtle highlights on the forehead, cheekbones, and the top of the hair. There are gentle, soft shadows on the right side of the face, defining contours without being harsh. The overall illumination is balanced and natural. Depth of Field: Shallow to moderate depth of field. The subject's face and upper body are in sharp focus, while the background is subtly blurred, providing a soft, indistinct backdrop that keeps the focus entirely on the subject. Color Palette: Monochromatic (black and white tones). The image exhibits a rich grayscale range, with deep blacks in the suit, bright whites in the hair and shirt collar, and a full spectrum of nuanced mid-grays, contributing to a sense of depth and texture. Subject Details: Age: Middle-aged to elderly man, appearing to be in his late 40s to 60s. Expression: Serious, direct, and intelligent gaze. His eyes are fixed straight ahead, conveying a sense of focus and possibly deep thought. There is no discernible smile. Face Shape: Oval to slightly rectangular, with a broad forehead and a prominent jawline. Hair: Neatly combed and parted on the left side (from the viewer's perspective). It is thick and appears to have a slight wave or volume, especially towards the front. Hair Color: Light-colored hair, appearing white or very light gray in this grayscale image. Hair Style: Short to medium length, combed back from the forehead on both sides, with a clear side parting. Eyes: Appears to be light-colored (possibly blue or grey, given the grayscale). They are almond-shaped with well-defined eyelids, and appear to be deep-set. Eyebrows: Medium thickness, relatively straight, and also light-colored (white/gray), matching the hair. Nose: Straight, prominent, with a well-defined bridge and nostrils. Mouth and Lips: Hidden mostly by a thick mustache. What is visible of the lips appears thin and set in a firm line. Chin: Broad and rounded, with a slight cleft or dimple visible in the center. Distinguishing Features: A prominent, thick, and well-groomed mustache that extends horizontally beyond the corners of his mouth. Body and Clothing Details: Pose: Upper body portrait, showing the head, shoulders, and upper chest. The subject is angled slightly to the right (from the viewer's perspective), with his head turned to look directly forward. His posture is upright and formal. Clothing: Dressed in a dark, formal suit jacket, likely made of wool or a similar textured fabric. Beneath the jacket, a light-colored collared shirt is visible, with a dark, perhaps patterned, necktie fastened with a decorative tie pin or clasp. A dark waistcoat might be partially visible under the jacket. Background: A plain, solid-colored backdrop, likely a medium gray or dark neutral tone. It is uniformly lit and appears smooth, without any patterns, objects, or discernible features, ensuring the subject is the sole focus. Overall Mood/Atmosphere: Formal, dignified, intellectual, serious, and classic. It evokes a sense of authority and academic presence.``

8 months ago

First person POV, the Sultan’s hands rest on the ornate golden armrests of the imperial throne, adorned with detailed Ottoman rings. The camera angle focuses solely on the Sultan’s hands as they grip the armrests, fingers visible with the glint of gemstone rings. The grand, dimly lit divan room stretches out before him, with high marble pillars, intricate Ottoman tile work, and hanging tapestries depicting the empire’s history. The sound of murmured conversations and the rustling of parchment fills the air as various viziers, advisors, and generals stand in front of the throne, discussing affairs of the state. The Sultan’s fingers tap lightly on the armrest, a silent command for attention. Through the wide windows, the skyline of Istanbul can be seen, bathed in the soft glow of daylight. The golden chandeliers above cast soft light on the marble floor and the detailed embroidery on the Sultan's velvet robe, but the focus is solely on the Sultan’s hands, poised with the power to decide the fate of the empire. --ar 9:16 --s 250

6 months ago

Jesus walking onthe tumultous sea from the back walking towards a boat wh 10 deciple in the boat looking shocked . The perspective will be from behind Jesus as he walks h. Move it a little closer to Jesus so it takes up more space in the frame. In the following example you can see one of the palms of his hands and you can see the sole of one of his feet. Paint a small hole clearly visible in the center of her hand and in the center of her foot she has holes in her hands and feet where nails would have been pierced but light appears in her. background and an ethereal aura, featuring radiant colors and intricate details in a digital format with vibrant hues. The god is depicted with flowing robes and a majestic presence. --ar 71:128

6 months ago

A cinematic slow-motion video of Jesus walking on stormy water at night, based on John 6:15–21. Viewed from behind, Jesus wears flowing ancient Middle Eastern robes as He walks calmly across the turbulent sea. One glowing hand with a crucifixion mark is visible, and the sole of His foot reveals a shining wound. Waves crash around Him, but the water beneath His feet is calm. A small wooden boat with 10 terrified disciples rocks in the waves as they watch Jesus approach. Their faces are filled with awe and fear. Jesus raises His hand slightly as He says, 'It is I; do not be afraid.' Lightning flickers in the background clouds, and soft beams of heavenly light break through, creating an ethereal divine glow around Him. Use realistic animation, volumetric lighting, cinematic camera movement, shallow depth of field, subtle lens flares, and dramatic slow motion.

7 months ago

Jesus walking on the beach, not walking on the water, but clearly on the beach next to the water. The perspective will be from behind Jesus as he walks along the beach. Move it a little closer to Jesus so it takes up more space in the frame. In the following example you can see one of the palms of his hands and you can see the sole of one of his feet. Paint a small hole clearly visible in the center of her hand and in the center of her foot she has holes in her hands and feet where nails would have been pierced but light appears in her. This is a painting of the RISEN LORD. golden colors and light shine golden light from pleyada starsand from the heaart golden light conecting . colors, ethereal lighting, exaggerated proportions, immersive and captivating visual storytelling, mesmerizing and intricate patterns, rich textures and depth, creator, fantasy elements, imaginative and vibrant world, emotional and dramatic scenes --ar 4:5 --s 250

6 months ago

Jesus walking on the beach, not walking on the water, but clearly on the beach next to the water. The perspective will be from behind Jesus as he walks along the beach. Move it a little closer to Jesus so it takes up more space in the frame. In the following example you can see one of the palms of his hands and you can see the sole of one of his feet. Paint a small hole clearly visible in the center of her hand and in the center of her foot she has holes in her hands and feet where nails would have been pierced but light appears in her. This is a painting of the RISEN LORD. golden colors and light shine golden light from pleyada starsand from the heaart golden light conecting . colors, ethereal lighting, exaggerated proportions, immersive and captivating visual storytelling, mesmerizing and intricate patterns, rich textures and depth, creator, fantasy elements, imaginative and vibrant world, emotional and dramatic scenes --ar 4:5 --s 250

4 months ago

Jesus walking on the busy road , not walking on the water, but clearly on the beach next to the water. The perspective will be from behind Jesus as he walks along the beach. Move it a little closer to Jesus so it takes up more space in the frame. In the following example you can see one of the palms of his hands and you can see the sole of one of his feet. Paint a small hole clearly visible in the center of her hand and in the center of her foot she has holes in her hands and feet where nails would have been pierced but light appears in her. This is a painting of the RISEN LORD. golden colors and light shine golden light from pleyada starsand from the heaart golden light conecting . colors, ethereal lighting, exaggerated proportions, immersive and captivating visual storytelling, mesmerizing and intricate patterns, rich textures and depth, creator, fantasy elements, imaginative and vibrant world, emotional and dramatic scenes --ar 4:5 --s 250

6 months ago

Inside a vast, empty gallery with smooth black walls and polished floors, a single white canvas hangs isolated on a jet-black wall. From afar, it appears blank—but up close, an impossibly intricate hand-drawn maze in faint charcoal lines covers its surface, barely visible. A lone figure, dressed in black, stands before the canvas. Their elongated shadow merges seamlessly into the floor, dissolving into the void. Above, a narrow skylight slices the space with a focused beam of pure white light, dividing the gallery into two stark halves—light and darkness. Dust floats gently in the air, catching the light like falling snowflakes. The only visible objects—crumpled paper near the figure’s feet, subtle breath vapor—exist solely in black and white, with no color, only contrast. There are no grays, only presence or absence. Everything in this world is shaped by what is not there: silence between thoughts, space between shapes, light’s gravity on emptiness. Meaning is found in the void between visible and invisible. Style: minimalist surrealism, conceptual abstraction Palette: pure black & white, soft shading gradients only from lightfall Lighting: high-contrast key light from skylight, deep ambient void Mood: meditative, existential, soft melancholy Composition: rule of thirds, empty center frame, high symmetry with void offset Visual Elements: lone canvas with hidden charcoal maze, black-clad figure, merging shadow, floating dust, quiet gallery architecture Themes: memory, perception, void, silence, duality of presence/absence Rendering style: ultra-high-resolution ink-detailed rendering, soft monochrome cinematic photography, Unreal Engine grayscale setup, volumetric dust with ray-traced lighting

8 months ago

A small submarine navigates the deepest, most isolated part of the Mariana Trench, where no natural light can reach. The scene is enveloped in an impenetrable void of absolute darkness, with no water surface, no reflections, and no ambient glow. The environment is entirely alien, and the submarine’s floodlights are the sole source of illumination, casting narrow beams through the black abyss. As the lights cut through the void, they briefly reveal the shadowy silhouette of a colossal sea monster (1.6), its massive form mostly hidden by the overwhelming darkness. Only fragmented details are visible: a faint, glowing eye (1.4), the outline of jagged fins, and armor-like scales. The rest of the creature disappears into the blackness, emphasizing its immense size and the unknowable danger it poses. The submarine appears fragile, its lights carving out small sanctuaries of visibility in the infinite abyss. Fine particles of sediment drift lazily through the beams, glowing faintly like suspended stardust, adding texture to the void. Small bioluminescent creatures flicker in electric blue, green, and violet, darting briefly through the lights before vanishing again into the darkness. The trench itself is a suffocating expanse of blackness, stretching endlessly in every direction. There is no surface, no water layers, and no ambient light—only the submarine and its lights exist in this oppressive, otherworldly environment. The composition is cinematic, with the submarine’s beams forming the focal point, casting sharp contrasts of light and shadow. The monster’s glowing eye and faint outline add a haunting, mysterious presence, highlighting the profound isolation and alien beauty of Earth’s deepest frontier

3 months ago

This is a hyper-realistic, high-detail digital portrait of a young Korean woman who is a cyborg. The image masterfully juxtaposes delicate, organic beauty with complex, inorganic machinery, creating a captivating and thought-provoking piece of science fiction art. The overall aesthetic is clean, elegant, and ethereal, with a carefully controlled color palette. The Subject's Face and Human Features: The woman has a face of almost supernatural perfection. Her skin is pale and flawless, like porcelain, with a smooth, matte finish. Her facial structure is delicate, with high cheekbones, a small, straight nose, and a well-defined jawline on her visible human side. Eyes: Her eyes are the most striking feature. They are a luminous, piercing emerald green, rendered with incredible detail. The irises have intricate patterns of light and dark green, and a dark limbal ring that makes them stand out dramatically against her pale skin. They are framed by long, dark, perfectly separated eyelashes and subtle, expertly applied eyeliner that creates a slight cat-eye effect. Her gaze is direct and engages the viewer with a neutral, almost serene expression. Eyebrows: Her eyebrows are perfectly shaped with a gentle arch, filled in with a soft brown that complements her features without being harsh. Lips: She has full, soft-looking lips with a defined Cupid's bow. They are colored in a natural, dusky pink shade with a subtle satin sheen, echoing the color of her hair. Cybernetic Enhancements: The woman's human features are seamlessly integrated with extensive cybernetic enhancements, primarily on the right side of her face and neck. Facial and Head Mechanics: A complex mechanical structure replaces parts of her head and face. It begins at her right temple and extends down her cheek and jaw. This section is composed of articulated, segmented plates in a matte, off-white and light gray finish, with some plates having a subtle rose-gold or pinkish tint that harmonizes with her hair. Behind her head and over her ear is a larger, more robust piece of machinery with circular vents, joints, and what appear to be pistons or hydraulic connectors. Neck and Torso: Her neck is entirely mechanical, consisting of a dense, intricate web of gray and black wires, cables, and tubes that flow downwards, suggesting a fully robotic torso beneath. This creates a stark contrast between the soft skin of her face and the complex, functional machinery supporting it. Integration: The transition from skin to machine is depicted flawlessly. The mechanical parts fit snugly against her skin, and strands of her hair weave in and out of the cybernetics, suggesting a long-term, permanent fusion of the organic and the artificial. Hair: Her hair is long, voluminous, and cascades in soft waves around her face and shoulders. The color is a beautiful pastel pink, reminiscent of cotton candy or cherry blossoms, with subtle variations in tone, including lighter, almost-white highlights that catch the light. The texture appears silky and fine, and it beautifully softens the hard edges of the mechanical components it intertwines with. Lighting, Composition, and Color Palette: The portrait is a tight close-up, focusing entirely on her head and shoulders. The lighting is soft and diffused, coming from the front and slightly to the left, which evenly illuminates her features and highlights the three-dimensional details of the cybernetics without creating harsh shadows. The background is a blurry, out-of-focus cool gray, which ensures that the subject is the sole focus. The color palette is a sophisticated blend of soft, muted tones. It is dominated by the pastel pink of her hair, the porcelain white of her skin, and the cool grays and off-whites of the machinery. The vivid emerald green of her eyes serves as a powerful, singular accent color, drawing the viewer's attention and giving the character a sense of life and soul amidst the mechanics.

8 months ago

Create a Side view of a 30 year old woman with Skinny narrow, heavily veined alabaster pink white feet, highly visible highly curved soles, highly visible muscled , highly visible tendons, highly visible strong curved foot arch, Stands on tip toes , toes spread out into black marble platform. Black toe nail polish

8 months ago

Create a Side view of a 30 year old woman with Skinny narrow, heavily veined tanned feet, highly curved soles, highly visible muscled , highly visible tendons, strong curved foot arch, Stands on tip toes , toes pressed into black marble platform

8 months ago

Create a Side view of a 30 year old woman with Skinny narrow, heavily veined tanned feet, highly curved soles, highly visible muscled , highly visible tendons, strong curved foot arch, Stands on tip toes , toes pressed into black marble platform

8 months ago

Create a side view of feet arches view of a 30 year old woman with Skinny narrow, heavily veined tanned feet, highly curved soles, highly visible muscled , highly visible tendons, strong curved foot arch, Stands on tip toes , toes pressed into black marble platform

8 months ago

Create a view of feet arches view of a 30 year old woman with Skinny narrow, heavily veined tanned feet, highly curved soles, highly visible muscled , highly visible tendons, strong curved foot arch, Stands on tip toes , toes pressed into black marble platform

8 months ago

Create a view of arch view of a 30 year old woman with Skinny narrow, heavily veined tanned feet, highly curved soles, highly visible muscled , highly visible tendons, strong curved foot arch, Stands on tip toes , toes pressed into black marble platform

8 months ago

Create a Side arch view of a 30 year old woman with Skinny narrow, heavily veined tanned feet, highly curved soles, highly visible muscled , highly visible tendons, strong curved foot arch, Stands on tip toes , toes pressed into black marble platform

8 months ago

Create a Side view of a 30 year old woman with Skinny narrow, heavily veined tanned feet, highly curved soles, highly visible muscled , highly visible tendons, strong curved foot arch, Stands on tip toes , toes pressed into black marble platform

8 months ago

Create a Side view of a 30 year old woman with Skinny narrow, heavily veined tanned feet, highly curved soles, highly visible muscled , highly visible tendons, strong curved foot arch, Stands on tip toes , toes pressed into black marble platform

6 months ago

Low-angle rear view of a Japanese female worker walking along a flower-lined path toward a modern office building in the distance. She is wearing blue work pants (not athletic wear), white running shoes, and holding a small brown work bag in her right hand. Her left foot is stepping firmly on the ground while her right foot is lifted with the sole visible. Natural morning light, photo-realistic, cinematic style, suitable for storyboards, no fantasy, no anime

7 months ago

A young Caucasian girl sitting on a grassy field during a sunny day, her bare feet playfully stretched out in front of her. Her soles are visible, showing that she has been running around barefoot. In the background, blue skies and fluffy clouds can be seen. She is wearing a sundress with a floral design, her hair is braided and she is smiling, her eyes reflecting the joy of the carefree afternoon.

7 months ago

A young African girl sitting on a grassy field during a sunny day, her bare feet playfully stretched out in front of her. Her soles are visible, showing that she has been running around barefoot. In the background, blue skies and fluffy clouds can be seen. She is wearing a sundress with a floral design, her hair is braided and she is smiling, her eyes reflecting the joy of the carefree afternoon.

7 months ago

A young Caucasian girl sitting on a grassy field during a sunny day, her bare feet playfully stretched out in front of her. Her soles are visible, showing that she has been running around barefoot. In the background, blue skies and fluffy clouds can be seen. She is wearing a sundress with a floral design, her hair is braided and she is smiling, her eyes reflecting the joy of the carefree afternoon.

7 months ago

A young African girl sitting on a grassy field during a sunny day, her bare feet playfully stretched out in front of her. Her soles are visible, showing that she has been running around barefoot. In the background, blue skies and fluffy clouds can be seen. She is wearing a sundress with a floral design, her hair is braided and she is smiling, her eyes reflecting the joy of the carefree afternoon.