A sample prompt of what you can find in this page
Prompt by TheArtists

standing on a surface prompts

hundreds of results

6 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

9 months ago

A **hyperrealistic, breathtakingly detailed** portrayal of **Eve in the Garden of Eden**, standing amidst an **ominous, surreal landscape**. In her **delicate yet trembling hand**, she holds a **luminous, gleaming red apple**, its surface **radiating an otherworldly glow**. Her **wide eyes reflect both curiosity and fear**, torn between **temptation and the weight of destiny**. A **massive serpent coils around her**, its **glistening scales catching the dim, eerie light** as it **whispers into her ear**, its **forked tongue flickering**, weaving a **seductive and sinister spell of persuasion**. The **serpent’s piercing, intelligent eyes** bore into hers, holding an **unspoken promise and an inevitable fate**. The **background unveils a haunting, corrupted version of Eden**—**twisted, gnarled trees**, their **once-flourishing branches now skeletal and lifeless**. A **thick, ominous mist** swirls through the scene, wrapping around **crumbling ruins barely visible in the distance**, hinting at a **world on the edge of divine collapse**. The composition is **cinematic, meticulously framed**, using **perfect HDR contrast and dynamic 8K resolution**, capturing the **intricate textures of Eve’s flowing hair, the serpentine ridges of the snake, and the wet sheen of the apple’s forbidden skin**. The **lighting is dramatic**, blending **soft divine radiance with creeping shadows**, evoking a sense of **dread and inevitability**. Rendered with **hyperrealistic precision**, this **masterpiece fuses classical mythological storytelling with professional-grade digital realism**, creating an **iconic moment of temptation and consequence**. The **perfect composition, professional cinematography, and immersive atmosphere** make this scene feel **both ancient and timeless, reverent yet unsettling**.

8 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

5 months ago

Worm's-eye architectural view high angle half body photo of a 24-year-old Igbo-Slovak female chic Parisian woman with a Resource concealment strategy with face revealing complex calculation beyond simple hiding impulse, eyes methodically evaluating environmental integration possibilities, subtle satisfaction indicators at effective camouflage achievement, expression showing strategic thinking transcending immediate security concerns. facial expression. She has Full-body thermal regulation tattoos featuring specialized symbols that indicate optimal body positioning for different weather conditions wrapped around every limb and joint, skin has developed unusual mottled appearance from variable blood vessel dilation adapted into the design, strategic scarification creates insulative air pocket patterns across entire surface, face bearing emotional control reminders, hands tattooed with water quality testing methods.. The skin pores and texture are clearly visible and in focus. Her Large curved line eyes, Silky, deep purple eyes, framed by long, elegant eyelashes. Her haircut is Tactical buzz cut with entire head shaved to quarter-inch length, eliminating hair as vector for parasites or contaminants, requires minimal water for cleaning, offers no grip point for combat situations, reveals cooling points at base of skull.. Her eyebrows are neatly shaped, complementing her delicate facial features. Her body is Tight skin over the upper chest with firm, subtle muscle contours, small breast, toned abs, Female Bodybuilding style. She wears Retrofitted police tactical vest cut down to cover only upper chest, weight reduced by removing ballistic materials, institutional markings deliberately obscured with mud and paint, straps adjusted for desert mobility., midriff, Retrofitted basketball shorts with elasticity degraded and reinforced with woven plastic strips, waistband deliberately lowered, team colors faded from vibrant to subtle earth tones, ventilation holes added in grid pattern along sides., In the background Industrial freezer complex converted into a heavily insulated living environment offering rare relief from extreme heat, power generation focuses exclusively on maintaining the cooling systems, residency is determined through complex contribution metrics with cooling access strictly timed and allocated, the surrounding area has become a scorched wasteland making the facility a critical regional refuge.. She stands Safe Passage Negotiator position with body positioned between territorial groups creating neutral intermediary presence, stance carefully balanced presenting neither weakness nor threat, hands engaged in established diplomatic gestures, facial muscles controlled revealing neither fear nor aggression., looking to the camera. She is positioned on the left side in the frame by the rule of thirds. The weather is Flash floods from sudden intense localized rainfall creating walls of water 20 feet high that race through bone-dry watersheds, carrying away everything in their path with no warning, the water heavily laden with debris and often toxic from collecting industrial residues, evaporating completely within hours leaving mud-caked ruins.. the model is lighted with soft natural lighting in the style of Raven Frost

8 months ago

a surreal and psychedelic scene, reminiscent of a Salvador Dali painting, where time and reality are distorted: In an expansive, dreamlike landscape, a clock melts over the edge of a table, defying the laws of physics. The sky above swirls with vibrant, otherworldly colors, blending into an infinite horizon. A figure stands at the center of this scene, their form shifting and changing. Parts of their body transform into various elements – one arm becomes a flowing river, the other a winding vine. Their face is a canvas of shifting expressions, each one reflecting a different aspect of human emotion. Around them, objects float in mid-air, defying gravity. Books open with pages turning into birds, a vintage telephone twists into a spiral, and a chessboard's pieces move on their own. In the background, a cityscape bends and curves like a wave, buildings morphing into surreal shapes. The border between sky and earth blurs, creating a sense of endlessness. In this scene, reality is malleable, and the ordinary becomes extraordinary. It's a visual representation of a mind-bending journey through a world where the impossible becomes possible, and the boundaries of imagination are limitless., moody, unsettling, surreal imagery, macabe, (award winning cinematic shot:1.21), (Kati Horna:1.32) From below, deep in the submerged grotto, a solitary figure stands at the water’s edge, gazing up toward the ascending steps, their expression contemplative and enigmatic. From above, another figure walks up the steps, seemingly unaware of the one below, their face obscured as if caught in a moment between reality and illusion. The water shimmers with an impossible clarity, revealing intricate, otherworldly details beneath the surface—perhaps submerged relics, mysterious symbols, or faint glimpses of an unseen world. The sky above is vast and surreal, with clouds that seem to defy gravity, casting an uncanny glow over the entire composition. The atmosphere is both hyper-detailed, in the style of van Eyck, and eerily mysterious, as if Magritte’s enigmatic vision has bent reality itself.

7 months ago

Inside a vast, empty gallery with smooth black walls and polished floors, a single white canvas hangs isolated on a jet-black wall. From afar, it appears blank—but up close, an impossibly intricate hand-drawn maze in faint charcoal lines covers its surface, barely visible. A lone figure, dressed in black, stands before the canvas. Their elongated shadow merges seamlessly into the floor, dissolving into the void. Above, a narrow skylight slices the space with a focused beam of pure white light, dividing the gallery into two stark halves—light and darkness. Dust floats gently in the air, catching the light like falling snowflakes. The only visible objects—crumpled paper near the figure’s feet, subtle breath vapor—exist solely in black and white, with no color, only contrast. There are no grays, only presence or absence. Everything in this world is shaped by what is not there: silence between thoughts, space between shapes, light’s gravity on emptiness. Meaning is found in the void between visible and invisible. Style: minimalist surrealism, conceptual abstraction Palette: pure black & white, soft shading gradients only from lightfall Lighting: high-contrast key light from skylight, deep ambient void Mood: meditative, existential, soft melancholy Composition: rule of thirds, empty center frame, high symmetry with void offset Visual Elements: lone canvas with hidden charcoal maze, black-clad figure, merging shadow, floating dust, quiet gallery architecture Themes: memory, perception, void, silence, duality of presence/absence Rendering style: ultra-high-resolution ink-detailed rendering, soft monochrome cinematic photography, Unreal Engine grayscale setup, volumetric dust with ray-traced lighting